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X-WR-CALDESC:Events for Mike Brown Group
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DTSTART;VALUE=DATE:20240816
DTEND;VALUE=DATE:20240826
DTSTAMP:20260519T122522
CREATED:20240711T143919Z
LAST-MODIFIED:20240711T143919Z
UID:80472-1723766400-1724630399@www.mikebrowngroup.com
SUMMARY:Western Idaho Fair
DESCRIPTION:Since 1897\, the Western Idaho Fair is a celebration of agriculture\, ranching\, and life in the state of Idaho. With events and attractions for all ages\, there is something for everyone\, so make sure you don’t miss out! \nFor information please visit the IdahoFair.com. \nHours\n\nMonday-Friday: 12pm-11pm\nSaturday & Sunday: 11am-11pm\nClosing Sunday (Aug 25): 11am-10pm\n\nThe Social Event of the Summer for Over 125 Years.\nFrom 1897 to the Present Day\nWestern Idaho Fair’s history dates back to 1897 when it got started as the Intermountain Fair. Although the foundation is the same for the Fair today as what was started all those years ago\, many events have changed over time. The Intermountain Fair sprung out of a need for the community to connect Boise and other larger cities that were 300 miles apart. With Boise’s strong agricultural roots\, the first Fair featured three major departments: livestock (sheep\, cattle\, horses and hogs)\, products of the soil and a domestic manufacturing/home department. These bigger categories were subdivided in later years into smaller departments that can still be found today. The Intermountain Fair highlighted Idaho’s natural resources as its prime motivation. Fair colors of purple\, white and yellow symbolized fruit\, silver and gold. \nA second economic benefit for the Fair was the increase in local businesses to Boise. People flocked to the Fair for the exhibition and social gathering\, spending money in the city. The income helped supplemented the war effort of 1943 through events such as a benefit rodeo supporting Gowen Field. Throughout the history of Western Idaho Fair\, the doors have remained open since 1897 to the present with some extreme cases when it closed its doors due to severe economies. With a limited supply of volunteers in 1914\, the fair board had not yet been created\, and there was no one to manage the event. In 1915\, the state legislature stepped in to help run the Fair. In 1922\, the economy strangled the life out of the event for the next four years. During the Great Depression the grounds would not open for the Fair in another three-year stretch. Following the economic strife\, in 1936 Ada County appointed a regular fair board to organize what they named “Western Idaho State Fair.” A perilous year in 1944 put the Fair on shaky ground after it was hindered by a new bill prohibiting all fairs from opening on Sundays and holidays. As a result\, the 1944 Fair opened for just four days. \nEven though the Western Idaho Fair has had its challenges (as most fairs realize during their tenure) one constant remains: children. Kids come to see and enjoy the Fair’s many entertainment offerings\, but also to enter livestock or crafts. Area youth show those who walk through the Fair gates what their hard work has done for them. With the creation of the Intermountain Fair\, 900 children walked in the opening “Queen of the Fair Parade.” In 1912\, 4-H (not called 4-H at the time) began at the Fair and in 1917 the U.S. Department of Education recognized FFA as an educational organization. Since then FFA and 4-H have exploded in growth and have changed in demography. In 1969\, about one-quarter of FFA members were girls. Today\, girls outnumber the boys. Currently youth from all cultures and backgrounds experience the American fair in many different ways. Western Idaho Fair is no different\, continuing to offer a multitude of youth activities every year. \n  \nThe Main Attraction in Town\nMain attractions for the Fair have changed a great deal from 1897. In the early beginnings of the Intermountain Fair\, only agricultural events were held along with horse racing and cowboy contests. The Fair partnered with Boise City Jockey Club and held daily racing events reported by the local paper\, Idaho Daily Statesman. Cowboy contests such as steer roping\, and bronco riding drew large crowds. Horse racing and cowboy contests remained until the formation of the Snake River Stampede. Highlighting the West theme came Buffalo Bill’s Wild West Show. It was featured on August 18\, 1902 and was said to be so big that it was an international show. \nJust a few years into its arrival\, the Fair expanded into carnival rides and games. The Ferris wheel was a much-anticipated attraction for fairgoers everywhere\, as was the merry-go-round. The Ferris wheel at the Intermountain Fair was said to be the first ever west of the Mississippi. Another staple attraction was the Idaho Queen of the Fair contest. Judged by the public\, local female contestants were nominated from various counties with each vote costing 10 cents. A rambunctious few would nominate prominent businessmen for crowd laughs. The First Idaho Intermountain Fair opened with the queen’s parade\, a band playing the national anthem and the Queen of the Fair receiving gifts from the mayor. \nGrandstand acts were not the upbeat concerts of today. Instead the Fair hosted war reenactments and sometimes plane or “dog” fights. In 1898\, battles were replicated complete with soldiers and explosions\, while audience members looked on from the safety of their seats. Battles depicted wars with Germany and even Napoleon. On April 20\, 1911\, the Wright Brothers and Glen Curtiss sent their planes for an exhibition. Aviation was the highlight again when Charles A. Lindberg made an appearance on September 4\, 1927; Lindberg was famous for his solo flight from New York to Paris. Apart from the big acts\, smaller entertainment on the grounds was available. Music was always present with many bands sprinkled around the grounds for patrons to enjoy. The First Regiment Band of Utah performed in 1902. \nWestern Idaho Fair has come a long way with grounds entertainment showcasing national bands to dock dogs to a carnival section that has expanded to more than seven acres. Night shows at the grandstand feature big-name artists from country music to classic rock. Yet the foundation of the Fair is still agriculture\, where patrons can watch chickens hatch\, see a top livestock show or view the latest organic produce. \n  \nWhere It’s At\, Then and Now\nWestern Idaho Fair has not always been located where it is today on Glenwood Street. In fact\, the Fair has moved three times in its history. The first location was west of the city at the Idaho Agricultural Park\, known at present day as 21st Street between State and Idaho. The park was the site of the Fair in the fall of 1897 and a grandstand was built that looked over a scene of the majestic mountains. \nSoon the Fair outgrew its beginning location. In 1902\, the Idaho Intermountain Fair Association moved to the corner of Fairview and Orchard. Fairview and Orchard was more of a distance for fairgoers than in the center of town\, but with new innovations like horse drawn carriages\, trains and cars\, fairgoers came willingly. This new location held some changes for the Fair such as construction of a one-mile oval racetrack. The track grandstand seated 2\,000 spectators. A main exposition building built 150 feet long with 50 foot wings was fully equipped—including a saloon. \nThe last and final move was to Glenwood Street and Chinden Boulevard in 1967\, when the Fair assumed its current name of Western Idaho Fair. Fairgoers demanded different kinds of entertainment by this time\, and the grandstand acts changed along with the new location. A rodeo was not booked at the new location until 1988\, and was later phased out due to local competition by the nationally-recognized PRCA rodeos\, Snake River Stampede and Caldwell Night Rodeo. \n  \nHow the Fair Gets Funded\nSome wonder if the Western Idaho Fair is the official state fair of Idaho. Although the Western Idaho Fair is the direct descendent from the first Intermountain Fair held in 1897\, it is not the state fair of Idaho. In fact\, no fair in Idaho receives funding from the state\, similar to fairs operating in Montana\, New Hampshire\, Washington\, and other states. In 1914\, next door neighbor Canyon County assumed the title as “state fair” allowing Boise volunteers to run an interim fair. Although Canyon County had the state fair title\, Ada County bought Intermountain Fair’s grounds to create an “old time fair” that would focus on the fair work and products without the thrills like carnival rides. Canyon County’s fair would precede the Intermountain Fair by one week\, yet no resentments were held between the two counties. Canyon County would have a Boise day and the Intermountain Fair hosted a Canyon County day. Winners from Canyon County would take their winning goods to the Intermountain Fair for competition and vice versa. \nBetween 1887 and 1915\, many counties started to hold their own individual fairs but still coveted the “state fair” title that had once belonged to the “Boise” fair\, still without any state funding. In 1915\, under Ada County management\, officials called the Fair the Gem State Fair while Canyon County named its Fair “Idaho State Fair” that same year. For a brief window in time\, the state of Idaho stepped in to support the Gem State Fair\, officially naming the event the Idaho State Fair and retiring the Gem State name. But with the 1922 financial hardships—closing many area businesses as well as the Idaho State Fair—the state withdrew its support. Ada County assumed funding support for Western Idaho Fair at that time. \nSince the mid-1980s\, Western Idaho Fair has been independent of any taxpayer support. Entitled an “enterprise fund\,” it is entirely self-funded\, including salaries\, capital improvements\, and other costs. Ada County officially owns the property and buildings. In 2003 officials renamed the property “Expo Idaho” in order to attract more business to the facility during offseason (non-fair) months. \nMore than 250\,000 people attend Western Idaho Fair and another 750\,000 come through the facilities for trade shows\, auctions\, sporting events\, livestock activities and company gatherings. The current director\, Bob Batista\, is the longest-serving fair manager in its history.
URL:https://www.mikebrowngroup.com/event/western-idaho-fair-11/
LOCATION:Expo Idaho\, 5610 North Glenwood Stree\, Garden City\, Idaho\, 83714
CATEGORIES:All Ages,Family,Festivals & Events
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/fair.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240821
DTEND;VALUE=DATE:20240901
DTSTAMP:20260519T122522
CREATED:20240711T172948Z
LAST-MODIFIED:20240711T172948Z
UID:80621-1724198400-1725148799@www.mikebrowngroup.com
SUMMARY:Idaho Cutting Horse Association Fall Cutting
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/idaho-cutting-horse-association-fall-cutting-2/
LOCATION:Ford Idaho Center
CATEGORIES:Festivals & Events
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/Screenshot-2024-07-11-at-11.27.39 AM.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240822
DTEND;VALUE=DATE:20240826
DTSTAMP:20260519T122522
CREATED:20240711T173424Z
LAST-MODIFIED:20240711T173424Z
UID:80626-1724284800-1724630399@www.mikebrowngroup.com
SUMMARY:Boise Open
DESCRIPTION:The Albertsons Boise Open is a professional golf tournament in Idaho on the Korn Ferry Tour\, played annually at Hillcrest Country Club in Boise. Held in mid-September for its first 23 years\, the new September playoff schedule of the Web.com Tour in 2013 moved the Boise event up to late July.
URL:https://www.mikebrowngroup.com/event/boise-open-2/
LOCATION:Hillcrest Country Club\, 4610 W Hillcrest Dr\, Boise\, ID\, 83705
CATEGORIES:Festivals & Events
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/boiseopen-35years-hillcrest-korn-ferry-header-logo-2024-dates.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T140000
DTEND;TZID=UTC:20240822T170000
DTSTAMP:20260519T122522
CREATED:20240715T203325Z
LAST-MODIFIED:20240715T203325Z
UID:81851-1724335200-1724346000@www.mikebrowngroup.com
SUMMARY:See Them Cannons
DESCRIPTION:Ryan Wissinger Trio-  Ryan Wissinger graduated from the McNally Smith College of Music in 1997 with a degree in Music Performance.  He covers a tremendous range of songs.
URL:https://www.mikebrowngroup.com/event/see-them-cannons/
LOCATION:The Riverside Hotel\, 2900 W Chinden Blvd\, Garden City\, ID\, 83714
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/RiversidetransparentLogo.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T170000
DTEND;TZID=UTC:20240822T200000
DTSTAMP:20260519T122522
CREATED:20240711T194642Z
LAST-MODIFIED:20240711T194642Z
UID:80759-1724346000-1724356800@www.mikebrowngroup.com
SUMMARY:Live Music at The Warehouse
DESCRIPTION:Thursdays just got a major upgrade at The Warehouse Food Hall with the return of live performances! Whether you’re into tunes\, flavors\, or just good times\, our live music Thursdays cater to all. Dive into a world of diverse food options\, sip on crafted drinks\, and let the music elevate your evening. \nWeekly on Thursdays from 5 to 8 p.m.\nFree for all ages
URL:https://www.mikebrowngroup.com/event/live-music-at-the-warehouse-3/
LOCATION:The Warehouse Food Hall\, 370 S 8th St\, Boise\, Idaho
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/user1712071892.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T180000
DTEND;TZID=UTC:20240822T180000
DTSTAMP:20260519T122522
CREATED:20240711T195319Z
LAST-MODIFIED:20240711T195319Z
UID:80773-1724349600-1724349600@www.mikebrowngroup.com
SUMMARY:Thursday Thunder - Asphalt Buffet
DESCRIPTION:Celebrating summer with our Thursday Thunder Summer Concert Series!
URL:https://www.mikebrowngroup.com/event/thursday-thunder-asphalt-buffet/
LOCATION:Boise Spectrum\, 7709 W. Overland Road\, Boise\, Idaho
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/2024-TT-lineup.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T180000
DTEND;TZID=UTC:20240822T180000
DTSTAMP:20260519T122522
CREATED:20240711T200316Z
LAST-MODIFIED:20240711T200316Z
UID:80785-1724349600-1724349600@www.mikebrowngroup.com
SUMMARY:Great Garden Escape Concert Series - McKenna Esteb
DESCRIPTION:The Garden is excited at the variety of genres being featured this year.  There is something for everyone!
URL:https://www.mikebrowngroup.com/event/great-garden-escape-concert-series-mckenna-esteb/
LOCATION:Idaho Botanical Garden\, 2355 N Old Penitentiary Rd\, Boise\, Idaho\, 83712
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/GGE_Bug_F.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T180000
DTEND;TZID=UTC:20240822T210000
DTSTAMP:20260519T122522
CREATED:20240711T201920Z
LAST-MODIFIED:20240711T201920Z
UID:80803-1724349600-1724360400@www.mikebrowngroup.com
SUMMARY:Live Music @ Boise Brewing's Taproom Every Thursday!
DESCRIPTION:Local musicians play in Boise Brewing’s taproom every Thursday\, 6-9pm. Come enjoy some jams with great beer and seasonal favorites and be sure to check out the new restaurant!
URL:https://www.mikebrowngroup.com/event/live-music-boise-brewings-taproom-every-thursday-4/
LOCATION:Boise Brewing\, 521 W. Broad St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/user1699562554.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T180000
DTEND;TZID=UTC:20240822T210000
DTSTAMP:20260519T122522
CREATED:20240715T200841Z
LAST-MODIFIED:20240715T200841Z
UID:81835-1724349600-1724360400@www.mikebrowngroup.com
SUMMARY:Trials & Tribulations
DESCRIPTION:The band’s music genre is heavily influenced by such great West Coast musicians as T-Bone Walker\, William Clarke\, Rod Piazza\, Gary Smith\, George “Harmonica” Smith\, Pee Wee Crayton\, Lowell Fulson\, Junior Watson and many more. The music also features smooth vocals\, frequently crossing into urban blues territory.
URL:https://www.mikebrowngroup.com/event/trials-tribulations/
LOCATION:The Riverside Hotel\, 2900 W Chinden Blvd\, Garden City\, ID\, 83714
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/RiversidetransparentLogo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T190000
DTEND;TZID=UTC:20240822T190000
DTSTAMP:20260519T122522
CREATED:20240715T201734Z
LAST-MODIFIED:20240715T201734Z
UID:81837-1724353200-1724353200@www.mikebrowngroup.com
SUMMARY:ALVVAYS w/ The Beths
DESCRIPTION:Alvvays never intended to take five years to finish their third album\, the nervy joyride that is the compulsively lovable Blue Rev. In fact\, the band began writing and cutting its first bits soon after releasing 2017’s Antisocialites\, that stunning sophomore record that confirmed the Toronto quintet’s status atop a new generation of winning and whip-smart indie rock. \nGlobal lockdowns notwithstanding\, circumstances both ordinary and entirely unpredictable stunted those sessions. Alvvays toured more than expected\, a surefire interruption for a band that doesn’t write on the road. A watchful thief then broke into singer Molly Rankin’s apartment and swiped a recorder full of demos\, one day before a basement flood nearly ruined all the band’s gear. They subsequently lost a rhythm section and\, due to border closures\, couldn’t rehearse for months with their masterful new one\, drummer Sheridan Riley and bassist Abbey Blackwell. \nAt least the five-year wait was worthwhile: Blue Rev doesn’t simply reassert what’s always been great about Alvvays but instead reimagines it. They have\, in part and sum\, never been better. There are 14 songs on Blue Rev\, making it not only the longest Alvvays album but also the most harmonically rich and lyrically provocative. \nThere are newly aggressive moments here—the gleeful and snarling guitar solo at the heart of opener “Pharmacist\,” or the explosive cacophony near the middle of “Many Mirrors.” And there are some purely beautiful spans\, too—the church- organ fantasia of “Fourth Figure\,” or the blue-skies bridge of “Belinda Says.” But the power and magic of Blue Rev stems from Alvvays’ ability to bridge ostensible binaries\, to fuse elements that seem antithetical in single songs—cynicism and empathy\, anger and play\, clatter and melody\, the soft and the steely. The\nluminous poser kiss-off of “Velveteen\,” the lovelorn confusion of “Tile by Tile\,” the panicked but somehow reassuring rush of “After the Earthquake”. \nThe songs of Blue Rev thrive on immediacy and intricacy\, so good on first listen that the subsequent spins where you hear all the details are an inevitability. \nThis perfectly dovetailed sound stems from an unorthodox—and\, for Alvvays\, wholly surprising—recording process\, unlike anything they’ve ever done. Alvvays are fans of fastidious demos\, making maps of new tunes so complete they might as well have topographical contour lines. \nBut in October 2021\, when they arrived at a Los Angeles studio with fellow Canadian Shawn Everett\, he urged them to forget the careful planning they’d done and just play the stuff\, straight to tape. On the second day\, they ripped through Blue Rev front-to-back twice\, pausing only 15 seconds between songs and only 30 minutes between full album takes. And then\, as Everett has done on recent albums by The War on Drugs and Kacey Musgraves\, he spent an obsessive amount of time alongside Alvvays filling in the cracks\, roughing up the surfaces\, and mixing the results. This hybridized approach allowed the band to harness each song’s absolute core\, then grace it with texture and depth. Notice the way\, for instance\, that “Tom Verlaine” bursts into a jittery jangle; then marvel at the drums and drum machines ricocheting off one another\, the harmonies that crisscross\, and the stacks of guitar that rise between riff and hiss\, subtle but essential layers that reveal themselves in time. \nEvery element of Alvvays leveled up in the long interim between albums: Riley is a classic dynamo of a drummer\, with the power of a rock deity and the finesse of a jazz pedigree. Their roommate\, in-demand bassist Blackwell\, finds the center of a song and entrenches it. Keyboardist Kerri MacLellan joined Rankin and guitarist Alec O’Hanley to write more this time\, reinforcing the band’s collective quest to break patterns heard on their first two albums. \nThe results are beyond question: Blue Rev has more twists and surprises than Alvvays’ cumulative past\, and the band seems to revel in these taken chances. This record is fun and often funny\, from the hilarious reply-guy bash of “Very Online Guy” to the parodic grind of “Pomeranian Spinster.” Alvvays’ self-titled debut\, released when much of the band was still in its early 20s\, offered speculation about a distant future—marriage\, professionalism\, interplanetary citizenship. Antisocialites wrestled with the woes of the now\, especially the anxieties of inching toward adulthood. Named for the sugary alcoholic beverage Rankin and MacLellan used to drink as teens on rural Cape Breton\, Blue Rev looks both back at that country past and forward at an uncertain world\, reckoning with what we lose whenever we make a choice about what we want to become. \nThe spinster with her Pomeranians or Belinda with her babies? The kid fleeing Bristol by train or the loyalist stunned to see old friends return? “How do I gauge whether this is stasis or change?” Rankin sings during the first verse of the plangent and infectious “Easy on Your Own?” In that moment\, she pulls the ties tight between past\, present\, and future to ask hard questions about who we’re going to become\, and how. Sure\, it arrives a few years later than expected\, but the answer for Alvvays is actually simple: They’ve changed gradually\, growing on Blue Rev into one of their generation’s most complete and riveting rock bands. \n\n\n\n \n\nThe Beths\nOn The Beths’ new album Expert In A Dying Field\, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical\, but they’re also character sketches of relationships and more importantly\, their aftermaths. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person\, once they’re gone from your life? \nThe third LP from the New Zealand quartet houses 12 jewels of tight\, guitar-heavy songs that worm their way into your head\, an incandescent collision of power-pop and skuzz. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.” \n‘Expert In A Dying Field’ is out now via Carpark Records and Ivy League Records.
URL:https://www.mikebrowngroup.com/event/alvvays-w-the-beths/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/Alvvays-By-Eleanor-Petry-1-Square_Under4MB-1000x1000-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T190000
DTEND;TZID=UTC:20240822T190000
DTSTAMP:20260519T122522
CREATED:20240715T202340Z
LAST-MODIFIED:20240715T202340Z
UID:81845-1724353200-1724353200@www.mikebrowngroup.com
SUMMARY:HANNAH DASHER w/ Eli Howard
DESCRIPTION:Thursday\, August 22\nTickets $20 adv / $25 door\nAdvance tickets available via Ticketweb\nDoors 7pm
URL:https://www.mikebrowngroup.com/event/hannah-dasher-w-eli-howard/
LOCATION:Neurolux\, 111 N 11th St\, Boise\, ID
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/hannah2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T200000
DTEND;TZID=UTC:20240822T200000
DTSTAMP:20260519T122522
CREATED:20240715T202002Z
LAST-MODIFIED:20240715T202002Z
UID:81840-1724356800-1724356800@www.mikebrowngroup.com
SUMMARY:X - Smoke & Fiction Tour
DESCRIPTION:KNITTING FACTORY – BOISE\n416 S. 9TH ST. – BOISE\, ID 83702\nTHU\nAUGUST 22\n8:00 PM\n(DOORS: 7:00 PM)\nALL AGES
URL:https://www.mikebrowngroup.com/event/x-smoke-fiction-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/34_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240822T200000
DTEND;TZID=UTC:20240822T200000
DTSTAMP:20260519T122522
CREATED:20240715T202543Z
LAST-MODIFIED:20240715T202543Z
UID:81848-1724356800-1724356800@www.mikebrowngroup.com
SUMMARY:The Beach Boys
DESCRIPTION:As The Beach Boys mark more than a half century of making music\, the group continues to ride the crest of a wave unequalled in America’s musical history. The Beach Boys – who have become synonymous with the California lifestyle and an American icon\, are bringing their “Endless Summer Gold” tour to fans around the world. \nSince the band’s co-founder\, lead-singer and chief lyricist Mike Love penned the lyrics to The Beach Boys’ first hit\, “Surfin’” (1961)\, dozens of the bands chart toppers have become eternal anthems of American youth: “Surfin’ USA\,” “Surfer Girl\,” “Fun\, Fun\, Fun\,” “I Get Around\,” “California Girls\,” “Help Me Rhonda\,” “Barbara Ann\,” “Good Vibrations\,” “Wouldn’t It Be Nice\,” “Rock and Roll Music” and “Kokomo.” \nThe Beach Boys have sold over 100 million records worldwide and have received more than 33 RIAA Platinum and Gold record awards. The Rock And Roll Hall of Famers where also honored at the 2001 Grammy Awards with the Lifetime Achievement Award. With more than five decades of touring under their belts\, The Beach Boys have performed more concerts than any major rock band in history. \nSounds Of Summer: The Very Best Of The Beach Boys\, Capitol/EMI’s 30-track collection of the band’s biggest hits\, has achieved triple- platinum success with sales of more than three million copies in the U.S. since its release. \nThe Beach Boys are led by Mike Love\, who\, along with longtime member Bruce Johnston\, musical director Brian Eichenberger\, Christian Love\, Tim Bonhomme\, Jon Bolton\, Keith Hubacher\, Randy Leago and John Wedemeyer continue the legacy of the iconic band. \nDetails\n\nGates open at 6:30pm\nShow starts 8pm
URL:https://www.mikebrowngroup.com/event/the-beach-boys-2/
LOCATION:Expo Idaho\, 5610 North Glenwood Stree\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/07/the-beach-boys.jpg
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