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DTSTART;VALUE=DATE:20260218
DTEND;VALUE=DATE:20260308
DTSTAMP:20260516T002539
CREATED:20260127T194801Z
LAST-MODIFIED:20260127T194801Z
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SUMMARY:The Lion King
DESCRIPTION:Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars\, Pride Rock slowly emerges from the mist. This is Disney’s THE LION KING\, making its triumphant return to the Morrison Center! \nMore than 100 million people around the world have experienced the awe-inspiring visual artistry\, the unforgettable music\, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. \nWinner of six Tony Awards®\, including Best Musical\, THE LION KING brings together one of the most imaginative creative teams on Broadway. Tony Award®-winning director Julie Taymor brings to life a story filled with hope and adventure set against an amazing backdrop of stunning visuals. THE LION KING also features the extraordinary work of Tony Award®-winning choreographer Garth Fagan and some of Broadway’s most recognizable music\, crafted by Tony Award®-winning artists Elton John and Tim Rice. \nThere is simply nothing else like THE LION KING. \nRun Time: 2:30\, with one intermission.  \nAudio Description is available for the performance on February 21st at 1:00 PM. 
URL:https://www.mikebrowngroup.com/event/the-lion-king/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
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DTSTART;TZID=UTC:20260220T200000
DTEND;TZID=UTC:20260220T200000
DTSTAMP:20260516T002539
CREATED:20260127T195043Z
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SUMMARY:OPIUO w/ Late Night Radio\, rSUN
DESCRIPTION:Opiuo is a genre-bending plethora of auditory and visual masterclasses. Born in 1984 in rural New Zealand\, his parents provided the land upon which music festivals were held. This extremely formative growth surrounded by the early incarnations of Aotearoa’s electronic music scene exposed him to the celebration of life through self-expression\, dance\, and giant sound systems. These experiences shaped so much of who he is & what he stands for today. Positivity and movement at the core of the project\, his music is an infectious electronic based blend of funk\, soul\, psychedelia\, and booty-shaking bass. \nNow calling the US home\, Oscar tours his party-starting music throughout the globe. Having spent more than a decade performing at some of the world’s most renowned festivals and venues including Lollapalooza\, Glastonbury\, and Coachella\, as well as selling out Colorado’s famous Red Rocks Amphitheatre multiple times\, he’s performed his music in an unimaginably large array of formats. From self-built Orchestras\, to collaborating with symphony choirs\, touring his own Opiuo Band\, and as an immersive solo audio & visual show\, his live creativity is limitless. \nTaking home the New Zealand Music Award for Best Electronic Album in 2014\, his catalogue is vast. Having released 5 full-length albums\, 10 EPs\, and a myriad of singles and remixes over the last 16 years. His latest album ASCENSION SEEKER is OUT NOW\, and in his own words\, he is still “just getting started!”. \n\n \n\nLate Night Radio\nColorado-based electronic music producer Late Night Radio presents his latest album\, “Pocket Full of Dreams” [Philos Records]. This introspective masterpiece skillfully blends reflective rhythms and soul-inspired hip-hop beats\, exploring life’s pursuits and dreams. Alex Medellin (Late Night Radio) is a consistent force in the electronic music scene\, crafting authentic sounds driven by passion. “Pocket Full of Dreams” reflects Medellin’s life experiences and the importance of vulnerability in art. \nThe album draws inspiration from energetic tour experiences and reflective studio sessions\, offering a deep perspective. Medellin aimed to create music for himself\, free from live show influences. Collaborators like Motifv\, Poldoore\, and Michal Menert enrich the album’s sonic tapestry and narrative. Each track tells a unique story\, from evolving dreams to internal conflicts and the beauty of life. \nMedellin’s personal struggle with self-worth and adaptation shines through the album. It’s a musical journal\, reflecting his lifelong romance with music. “Pocket Full of Dreams” is an emotional\, introspective journey for listeners\, inviting them to embark on their own self-discovery. \nIn Medellin’s words: “Dream big and don’t give up. We all go through periods of self-doubt\, but if you keep going\, there’s always another peak after the valley\, no matter how far away it seems.” \n\n\n \n\nrSUN\n\nProducer from Richmond\, VA
URL:https://www.mikebrowngroup.com/event/opiuo-w-late-night-radio-rsun/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
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DTSTART;TZID=UTC:20260220T210000
DTEND;TZID=UTC:20260220T210000
DTSTAMP:20260516T002539
CREATED:20260127T195531Z
LAST-MODIFIED:20260127T195531Z
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SUMMARY:Emo Nite
DESCRIPTION:Emo Nite\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFriFebruary 209:00 pm(Doors: 12:00 am)\n21 and up\n$22.04Buy Tickets\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event. \nThe age limit for this event is 21+. \n$1 per ticket transaction sponsors Emo Nite Gives A F*ck. Donations are allocated for worthwhile organizations focusing on: \n· Mental Health\n· Harm Reduction\n· Children & Families\n· Poverty & Homelessness\n· Disenfranchised Communities\n· Terminal Illness\n\n+ Google Calendar\n\n\n\n\nArtists\n\n\nEmo Nite\n\n \n\nNot a band. Not DJ’s. We throw parties for the music we love. \nAs Rolling Stone observed a few years ago\, “Emo Nite Vindicated the Scene.” \nSince they threw their first party at an East L.A. dive bar\, Morgan Freed and T.J. Petracca\, and a dedicated crew of regular attendees\, built Emo Nite into a phenomenon. Top-tier emo artists\, old and new\, curate playlists and perform\, with guest lists boasting members of blink-182\, All Time Low\, Dashboard Confessional\, The Maine\, and Good Charlotte. Scene-friendly pop culture mavericks often participate\, like past attendees Post Malone\, Demi Lovato\, Machine Gun Kelly\, and Skrillex. \nIt’s all too easy to forget that before the first Emo Nite in December 2014\, “emo” was a joke. \nSomehow on its journey from a melodic post-hardcore subgenre\, built on earnest emotional expression\, to a mainstream moniker assigned to anything remotely angsty\, “emo” became a dirty word. Despite the positive impact ushered in by waves of bands\, from the crucial “Revolution Summer” and Sunny Day Real Estate through Taking Back Sunday and My Chemical Romance\, accepting “emo” as a dismissive designation or identity invited polite embarrassment and even scorn. \nBut Freed and Petracca grew up loving the music associated with emo and the people like them who similarly embraced outsider art and subculture\, regardless of changing fashions or pretentious snobbery. Petracca told The New Yorker the idea behind the first Emo Nite celebration was to center a happy\, communal experience on the music they once listened to when they were upset and alone. \n“I sang Dashboard Confessional at karaoke at a friend’s birthday party and thought it was super fun to go out with friends and listen to music we actually liked\,” recalls Petracca\, who met Freed when the pair worked at a creative agency together. “Every other club in LA played EDM\, Top 40\, or hip-hop. We always found ourselves pre-gaming with emo and pop-punk music before we went out.” \nFreed knew a bartender at the Short Stop in Echo Park and convinced him to let them throw a party on a random\, rainy Tuesday. They invited friends via Facebook; double the bar’s capacity turned up. “We decided to see how far we could take it\,” Petracca says. “‘Who would be the craziest guest?’ We invited Mark Hoppus\, and he came! He did our first one at Echoplex\, which was our third party ever.” \n“There’s no disconnect between the artist and fan\,” Freed points out. “I think that’s brought people closer to the music. It created a really strong sense of community\, at a time when emo wasn’t ‘cool.’” \nThere may be a surprise acoustic set or even a full-band performance\, but ultimately\, it’s about the experience. Emo Nite turned a party into a community\, reclaiming the spirit of how the scene began. \nIt’s now a recurring event thrown by dozens of friends in over 30 cities in the United States. Emo Nite runs full-day festivals and curates coveted performance spots at Coachella\, Life is Beautiful\, and Firefly. Freed and Petracca launched successful clothing collaborations with brands like OBEY\, Urban Outfitters\, PLEASURES\, The Hundreds\, Rose in Good Faith\, Market\, and OWSLA. \n“A larger promoter told us the shelf life of a club night in Los Angeles was two years\,” Freed says\, marveling at Emo Nite’s staying power. “A hundred percent of it is the people that go to it. This music makes people feel connected. The energy of it is so special. You get a group of people together who look different\, but they have this thing in common. We started seeing friend groups form really\, really quickly. People met their significant others at these events. The community really trusts each other.” \n“Emo Nite LA has become an essential gathering point for fans of emo\, pop-punk\, and related styles\,” Rolling Stone noted. \nIn October 2021\, Emo Nite’s founders threw Emo Nite Vegas Vacation\, a three-day event headlined by Avril Lavigne and Machine Gun Kelly\, with Sleeping With Sirens\, MOD SUN\, 3OH!3\, and more. \n“What Emo Nite does better than any of their competitors is they make ‘emo culture’ feel both nostalgic and brand new\,” The Summer Set’s Brian Logan Dales told Forbes\, in a profile which included professions of love from members of Papa Roach\, Underoath\, and State Champs. “You can go to an Emo Nite with your best friends and sing along to old songs you grew up with\, and at the same time\, discover a brand-new artist who’s making music today because they grew up on that very same music as you. They’ve taken the emo of the past and helped it forge a new path for the future.” \nAs emo reenters popular culture with a blend of adoring nostalgia and optimistic forward- thinking\, Emo Nite remains an authentic space to celebrate diversity\, experience passionate catharsis\, and champion authentic expression. Emo Nite isn’t a band or a DJ crew. It’s an idea\, one as simple as the urge to throw a party for a beloved style of music. Often imitated but never truly duplicated\, Emo Nite’s founders and supporters are fond of saying\, “If you don’t see the grave\, it ain’t our rave.” \n“There’s a lot of ownership from our community of the event itself and the Emo Nite brand\,” Petracca says. “It’s about breaking down that barrier of ‘Look at me\, it’s all about me.’ No\, it’s about us\, together\, in this room. It belongs to every single person that comes through the door.”\nThe co-founders continue to look ahead. “Emo Nite definitely impacted culture\,” Freed notes. “But we have no plans to stop changing the way we view the evolution and expansion of the genre.”
URL:https://www.mikebrowngroup.com/event/emo-nite-10/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
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