Mike Brown Group

No Strings Attached Presents - An Orchestra Rendition of Dr. Dre 2001
2024-05-07 20:00 UTC | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
No Strings Attached are pleased to present A LIVE Orchestral Rendition of:
DR. DRE: 2001
This body of work features so many intricate musical layers, we have brought in one of Europe’s leading Orchestras to perform a complete rendition of the album and some of Dre’s west coast classics from start to finish.
Accompanied by DJ’s, singers, and lyricists – this is not your average Orchestral event.
This is no ordinary Orchestral event. Expect a full standing crowd, with performances
from various DJ’s, lyricists and singers as well as a full Orchestral Rendition of Dr. Dre’s:2001 album, followed by other of Dre’s west coast classics.
This is the combination of a traditional Orchestra merging with a modern live hip-hop
music event.
We’re extremely excited to bring this production to yourselves.
Note: Dr Dre will not be attending this event. This is an orchestral rendition event performing covers and renditions. This is a standing event.

Cinderella
2024-05-09 19:30, 2024-05-10 19:30, 2024-05-11 14:00, 2024-05-11 19:30, 2024-05-12 14:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
Rodgers + Hammerstein’s Cinderella is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein’s most beloved songs, including “In My Own Little Corner,” “Impossible/It’s Possible” and “Ten Minutes Ago,” alongside an up-to-date, hilarious and romantic libretto by Tony Award nominee Douglas Carter Beane.
This is the heartfelt tale of a girl who, despite her wicked stepsisters and stepmother, pulls herself out of the cinders and finds love with the help of a fairy godmother and glass slipper. Only this time, she tries to change the prince into a better man.

Eliminate
2024-05-10 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702

The Postal Service & Death Cab for Cutie
2024-05-12 19:30 | Idaho
The Postal Service & Death Cab for Cutie: Give Up & Transatlanticism 20th Anniversary Tour : May 12th, 2024.
To celebrate two decades of ‘Give Up’ and ‘Transatlanticism’, The Postal Service & Death Cab for Cutie have joined forces for an unprecedented 20th anniversary co-headline tour. Each night, Benjamin Gibbard, the co-founder of both bands, will pull double duty performing with The Postal Service – comprised of Gibbard, Jimmy Tamborello, and Jenny Lewis – as well as with Death Cab for Cutie (alongside Nick Harmer, Dave Depper, Zac Rae, and Jason McGerr). The extraordinary live run will see both iconic groups performing their seminal 2003 albums in full.
DOORS: 6:00pm | EVENT: 7:30pm

Celtic Woman
2024-05-16 19:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
In the 20 years since the global musical sensation’s debut, Celtic Woman has emerged as both a formidable musical presence and a genuine cultural phenomenon. The group’s albums and DVD releases have been consistent with multi-platinum best-sellers, and its concert tours continue to touch the hearts of a devoted audience that spans the globe. Both an accomplished recording ensemble and a world-class performing collective, Celtic Woman introduces some of Ireland’s most talented singers and musicians to the world stage.
The group’s repertoire encompasses Irish classics, contemporary songs, classical favorites, and stirring originals. The lineup of performers has evolved since the group’s inception, but the signature sound of Celtic Woman has remained consistent, showcasing the members’ individual and collaborative talents.
Celtic Woman comprises four young Irish women whose performing skills bring centuries of musical and cultural tradition to life. In concert, their angelic voices and instrumental virtuosity are accompanied by a robust ensemble that includes Irish dancers, bagpipers, and a full band playing an array of traditional Celtic instruments, including bodhrán, tin whistle, bouzouki, and Uilleann pipes.

Lauren Daigle
2024-05-16 19:00 | ExtraMile Arena, 1401 Bronco Lane, Boise, Idaho, 83706
EVENT DETAILS
2x GRAMMY® AWARD-WINNING MULTI-PLATINUM ARTIST
LAUREN DAIGLE
THE KALEIDOSCOPE TOUR
WITH SPECIAL GUEST VICTORY BOYD

SAW the Musical
2024-05-20 08:00 - 17:00 | The Egyptian Theatre, 700 W. Main St., Boise, Idaho, 83702
SAW The Musical: The Unauthorized Parody of Saw premiered Off-Broadway Fall 2023 in New York after its smash out-of-town tryout in Philadelphia! One of the most thought-provoking horror films of all time now is…a musical. SAW The Musical hilariously captures the events of the first movie, parodying the Saw that started it all, following from where Lawrence Gordon and Adam Stanheight find each other for the first time in the bathroom trap. Will they follow “the rules” as they discover each other’s secrets? Will they escape the game in time and saw right through? A love story with fluidity (and lots more fluids), SAW The Musical: The Unauthorized Parody of Saw is Little Shop of Horrors meets Avenue Q, pushing the boundary on sexuality and how to love.
The show is recommended for audience 16+. Children under the age of 6 are not permitted in the theatre. Parental discretion is strongly advised due to adult themes. Though there is certainly blood, gore is minimal in this show being a parody.
SAW The Musical is currently planning/booking its 24 month+ National Tour launching in Los Angeles February 2024, after opening Off-Broadway September 16th 2023. Originally only planned through January 1st 2024, the show has now been extended twice in New York, currently until June 23rd 2024 (www.sawthemusical.com).

The Chats
2024-05-21 19:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702

Emo Orchestra Feat. Escape The Fate
2024-05-23 20:00 | The Egyptian Theatre, 700 W. Main St., Boise, Idaho, 83702
For emo music lovers and orchestra aficionados alike, Emo Orchestra is a new live experience that brings some of the most beloved emo songs of your youth to the theater stage with a full orchestra arrangement.
This Spring, Emo Orchestra welcomes ESCAPE THE FATE as the featured guest. Fans will hear ESCAPE THE FATE perform their own hits as well as songs by New Found Glory, My Chemical Romance, Panic! At the Disco, and many more.

Maddie Zahm
2024-05-24 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702

Emo Nite
2024-05-25 21:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Not a band. Not DJ’s. We throw parties for the music we love.
As Rolling Stone observed a few years ago, “Emo Nite Vindicated the Scene.”
Since they threw their first party at an East L.A. dive bar, Morgan Freed and T.J. Petracca, and a dedicated crew of regular attendees, built Emo Nite into a phenomenon. Top-tier emo artists, old and new, curate playlists and perform, with guest lists boasting members of blink-182, All Time Low, Dashboard Confessional, The Maine, and Good Charlotte. Scene-friendly pop culture mavericks often participate, like past attendees Post Malone, Demi Lovato, Machine Gun Kelly, and Skrillex.
It’s all too easy to forget that before the first Emo Nite in December 2014, “emo” was a joke.
Somehow on its journey from a melodic post-hardcore subgenre, built on earnest emotional expression, to a mainstream moniker assigned to anything remotely angsty, “emo” became a dirty word. Despite the positive impact ushered in by waves of bands, from the crucial “Revolution Summer” and Sunny Day Real Estate through Taking Back Sunday and My Chemical Romance, accepting “emo” as a dismissive designation or identity invited polite embarrassment and even scorn.
But Freed and Petracca grew up loving the music associated with emo and the people like them who similarly embraced outsider art and subculture, regardless of changing fashions or pretentious snobbery. Petracca told The New Yorker the idea behind the first Emo Nite celebration was to center a happy, communal experience on the music they once listened to when they were upset and alone.
“I sang Dashboard Confessional at karaoke at a friend’s birthday party and thought it was super fun to go out with friends and listen to music we actually liked,” recalls Petracca, who met Freed when the pair worked at a creative agency together. “Every other club in LA played EDM, Top 40, or hip-hop. We always found ourselves pre-gaming with emo and pop-punk music before we went out.”
Freed knew a bartender at the Short Stop in Echo Park and convinced him to let them throw a party on a random, rainy Tuesday. They invited friends via Facebook; double the bar’s capacity turned up. “We decided to see how far we could take it,” Petracca says. “‘Who would be the craziest guest?’ We invited Mark Hoppus, and he came! He did our first one at Echoplex, which was our third party ever.”
“There’s no disconnect between the artist and fan,” Freed points out. “I think that’s brought people closer to the music. It created a really strong sense of community, at a time when emo wasn’t ‘cool.’”
There may be a surprise acoustic set or even a full-band performance, but ultimately, it’s about the experience. Emo Nite turned a party into a community, reclaiming the spirit of how the scene began.
It’s now a recurring event thrown by dozens of friends in over 30 cities in the United States. Emo Nite runs full-day festivals and curates coveted performance spots at Coachella, Life is Beautiful, and Firefly. Freed and Petracca launched successful clothing collaborations with brands like OBEY, Urban Outfitters, PLEASURES, The Hundreds, Rose in Good Faith, Market, and OWSLA.
“A larger promoter told us the shelf life of a club night in Los Angeles was two years,” Freed says, marveling at Emo Nite’s staying power. “A hundred percent of it is the people that go to it. This music makes people feel connected. The energy of it is so special. You get a group of people together who look different, but they have this thing in common. We started seeing friend groups form really, really quickly. People met their significant others at these events. The community really trusts each other.”
“Emo Nite LA has become an essential gathering point for fans of emo, pop-punk, and related styles,” Rolling Stone noted.
In October 2021, Emo Nite’s founders threw Emo Nite Vegas Vacation, a three-day event headlined by Avril Lavigne and Machine Gun Kelly, with Sleeping With Sirens, MOD SUN, 3OH!3, and more.
“What Emo Nite does better than any of their competitors is they make ‘emo culture’ feel both nostalgic and brand new,” The Summer Set’s Brian Logan Dales told Forbes, in a profile which included professions of love from members of Papa Roach, Underoath, and State Champs. “You can go to an Emo Nite with your best friends and sing along to old songs you grew up with, and at the same time, discover a brand-new artist who’s making music today because they grew up on that very same music as you. They’ve taken the emo of the past and helped it forge a new path for the future.”
As emo reenters popular culture with a blend of adoring nostalgia and optimistic forward- thinking, Emo Nite remains an authentic space to celebrate diversity, experience passionate catharsis, and champion authentic expression. Emo Nite isn’t a band or a DJ crew. It’s an idea, one as simple as the urge to throw a party for a beloved style of music. Often imitated but never truly duplicated, Emo Nite’s founders and supporters are fond of saying, “If you don’t see the grave, it ain’t our rave.”
“There’s a lot of ownership from our community of the event itself and the Emo Nite brand,” Petracca says. “It’s about breaking down that barrier of ‘Look at me, it’s all about me.’ No, it’s about us, together, in this room. It belongs to every single person that comes through the door.”
The co-founders continue to look ahead. “Emo Nite definitely impacted culture,” Freed notes. “But we have no plans to stop changing the way we view the evolution and expansion of the genre.”

Krooked Kings
2024-05-30 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702

Livingston - A Hometown Odyssey Tour
2024-06-04 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Livingston’s music is the sound of reality and fiction colliding. The 21-year-old singer/songwriter and producer from Denton, Texas would spend much of his isolated youth honing in his passion for music to escape his anxiety. The sonic world he created pairs deeply personal, intimate, emotional lyrics and melodies alongside larger-than-life arrangements, production and musical layers.
Having reclaimed his independence from a major record label one year ago, Livingston has been defining his world one song at a time, which has been building momentum exponentially across socials, streaming, and with true fan conversion. 2024 is off to a very exciting and impactful pace for Livingston, and isn’t slowing down any time soon

The Wailers 2024 Legend Anniversary Tour
2024-06-05 19:30 | The Egyptian Theatre, 700 W. Main St., Boise, Idaho, 83702
The Wailers 2024 Tour: Celebrating the Legacy of ‘Legend’ and the Release of ‘Bob Marley: One Love’

Ladies and gentlemen, prepare for an extraordinary musical journey with The Wailers in their 2024 Tour! This year, the iconic reggae band celebrates two significant milestones: the anniversary of Bob Marley’s legendary album “Legend” and the release of the eagerly awaited biopic “Bob Marley: One Love.”

Under the skilled leadership of Aston Barrett Jr., The Wailers are preserving their timeless sound and enriching it with new dimensions. The addition of Mitchell Brunings, with his soulful voice and dynamic stage presence, has infused the band with fresh energy and charisma, enhancing their already electrifying performances.

This tour is set to be a spectacular tribute to the “Legend” album, bringing its classic hits to life on stage. Fans will be treated to a unique blend of nostalgia and contemporary reggae rhythms, making each concert an unforgettable experience.

In a remarkable crossover into film, Aston Barrett Jr. debuts his acting skills in “Bob Marley: One Love,” portraying his father. The film, directed by Reinaldo Marcus Green, features an impressive cast, including Kingsley Ben-Adir as Bob Marley. Scheduled for release on February 14, 2024, the biopic promises an intimate look into Marley’s life, rise to fame, and lasting impact on music and culture.

Don’t miss this opportunity to witness The Wailers as they celebrate the rich legacy of Bob Marley’s “Legend” and the cinematic homage “Bob Marley: One Love.”

Join us on a heartfelt journey infused with love, unity, and soul-stirring reggae melodies. Experience the timeless rhythms of The Wailers as they embark on their highly anticipated Legend 40th Anniversary Spring 2024 Tour, captivating audiences on stages worldwide.

This performance will be opened by Afrosonics.

Afrosonics Bio:

Out of the desire to bring communities together, Afrosonics creates music featuring a collective of musicians from the Middle East, Europe, Africa, South America and the United States. At the heart of the group’s progression, the band has conscientiously integrated new American musicians (former refugees from war torn areas of the world) into the collective that is Afrosonics. The genre twist deepens with the infusion Idaho musicians into the collective with roots in country, rock, jazz and opera. In a world of negative messages, we represent a positive hope to bring a harmonious voice to all.

Maren Morris
2024-06-05 20:00 | Revolution Concert House, 4983 N Glenwood St, Garden City, Idaho, 83714

Jon Batiste - UNEASY Tour
2024-06-06 19:00 | Idaho Botanical Garden, 2355 N Old Penitentiary Rd, Boise, Idaho, 83712

Excision: Nexus Tour
2024-06-06 20:00 | Ford Idaho Center
Imagine a world consumed by all-powerful bass driven rhythm and colossal seismic frequencies. Sounds of dystopian, futuristic worlds envelop the senses and control the movements of your body as the spectacular audiovisual experience of an Excision show takes hold. The stage shatters worlds with massive stacks of soul-shaking subwoofers, streams of mind-blowing lasers painting entire stadiums, flashes of multicolor lights, immersive visuals transporting you to other dimensions, and as much flame and pyrotechnics as you can fit into a performance.
In 2024, Excision will embark on his biggest, most ambitious tour yet, Nexus, bringing his signature bass music and cutting-edge stage technology all across North America. For the first time, fans in every city will be getting the full Excision concert experience.
DJ, producer and festival creator Excision (Jeff Abel) resides at the epicenter of an ever-expanding realm of the Bass Music genre. Hailing from Kelowna, British Columbia, Abel is a pioneer of the North American Dubstep scene with over 17 years of relentless touring, cultivating a huge, passionate community at shows and festivals around the world. His expansive discography traverses a wide range of bass sounds across five full-length studio albums, countless EPs and singles, 17 annual fan-favorite mixes and numerous live recordings, amassing well over 2 billion streams globally.
Under his event production arm Excision Presents, he has created world-renowned music festivals like the prehistoric juggernaut Lost Lands, breathtaking Bass Canyon, beach resort fest Paradise Blue, and major regional concerts like The Thunderdome of Seattle, The Armory in Minneapolis, Mile High in Denver, The Stadium in Los Angeles and more. These branded events combine to bring out hundreds of thousands of headbangers each year. Broader audiences can also catch Excision headlining at legendary festivals such as EDC Las Vegas, Ultra, Tomorrowland, Lollapalooza, and Shambhala.
On the recording side, Excision founded Subsidia Records in 2020 as a followup to his previous imprint Rottun Recordings. Subsidia continues to release groundbreaking tunes from emerging artists with a goal of celebrating and pushing forward the wide breadth of subgenres that culminate in bass music. The label has provided release opportunities for over 100 producers, introducing them to new fans and fostering their continued growth as artists.
Excision’s influence can be felt in every facet of the industry. Though he has already established a legendary brand, he is continually striving to help the community grow. Last year, he launched the Bass Music Initiative which sponsored ten up-and-coming bass artists with funds and support to help them advance in their music careers. He says, “Everything I do is focused around the mission of helping Bass Music grow, while still staying true to itself. We have such a caring and loving group of people involved within this scene, and I hope the music will help more people find their home within it.”
Excision: Nexus Tour – Ford Idaho Center Amphitheater
16114 N Idaho Center Blv
Nampa, ID 83687
Doors: 6:30pm
Show: 8:00pm
All Ages
Thursday June 6:
Excision
ATLiens
Ray Volpe
Layz
Emorfik

THE RETURN OF: The Nixon Rodeo
2024-06-07 19:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
The Nixon Rodeo is a hard rock band from Spokane, WA. With a combination of all things rock, The Nixon Rodeo has a unique sound that is original yet familiar. Formed in May of 2010, The Nixon Rodeo strived to combine all the styles of music that got them into music in the first place, from rock, metal, punk, pop, thrash and more. It is impossible for anyone to attend a Nixon Rodeo show and not feel the power and intensity that the band and crowd feeds off of and hear the roar of hundreds shouting ‘Rodeo, Rodeo, Rodeo’. The Nixon Rodeo has been honored to share the stage with bands like Godsmack, Shinedown, Staind, Static-X, Adelita’s Way, POD, Trapt, Middle Class Rut, Unwritten Law, Hawthorne Heights, Spineshank, Deuce, Fozzy, Redlight King, Thousand Foot Krutch, Candlelight Red, Winds of Plague, The Browning, Davey Suicide, Attika, Madlife, The Sammus Theory, Acidic, The Action Blast and many more.
Founding member and front man Brent Forsyth plays rhythm guitar and sings lead vocals and is always pushing the band to keep its originality and a sound that hooks the listener instantly. Ethan Harrison, the band’s drummer and backing vocalist who combines aggression and entertainment into each performance determined to put on the best rock show you’ve ever been a part of. Shawn Fortney is the lead guitarist. Jules StClaire is The Nixon Rodeo’s bassist.

Jordan Davis
2024-06-07 19:00 | Ford Idaho Center
“This is exactly the record I want to put out. I don’t know what’s going to happen with it, but I can at least tell you that the one certainty I do have about this record, is I’m proud of it.” – Jordan Davis
To bring Jordan Davis to that admission has been a life’s journey. In stepping back with country music’s biggest stars to emerge in recent years of his latest album Bluebird Days, he tells not only the magic of a song like CMA Song of the Year “Buy Dirt,” but of the evolution of Jordan Davis the person, the songwriter, and the artist.
Sometimes, a popular song becomes more than just a hit—it turns into a phenomenon. And that’s what happened with “Buy Dirt,” Davis’ 2021 duet with Luke Bryan. It reached Number One on the Hot Country Songs chart and was one of the Top Five most streamed country songs in both 2021 and 2022. That kind of success brings expectations, but—as Davis discovered when he set to work on his follow-up album Bluebird Days—it can also lead to a new sense of possibility.
“There’s pressure, definitely,” he says. “It’s not about trying to recreate ‘Buy Dirt,’ but we can approach songs like we approached that one, and that’s to write something that people are going to feel, and not just hear.”
“I’ve settled into a really good headspace in writing songs, which is rooted in being honest—about past things that I’ve gone through, good or bad, and about some things that have kind of scared me about the future. So, the best thing for me is that ‘Buy Dirt’ opened up a whole other lane of songs that I think people can really connect with.”
With Bluebird Days (Davis’ second full-length album, following 2018’s Home State, which included the Platinum-selling No. 1 hits “Singles You Up,” “Take It from Me,” and “Slow Dance in a Parking Lot;” he’s also released two EPs), the Shreveport, Louisiana-born singer-songwriter digs deep into his own experiences for a collection that offers a wide range of emotions, meditations, and memories, matched by his signature sound, blending traditional and contemporary genres and styles. With a young family and a career that’s rapidly on the rise, he was still surprised to see the depth that this material was reaching.
“As you start writing for a record, you’re kind of stockpiling songs and at some point, you go back and take inventory,” he says. “As I started looking back on the songs I’d written, I was like, ‘Wow, I really wrote about that’ or ‘I showed that side that I never had.’ There’s a song called ‘Short Fuse’ that’s about a temper that I have. A lot of people don’t see that, and unfortunately, the people that do see it are the people I’m closest to, and it’s a song about me trying to change that.”
The title track examines his life as a child of divorced parents. While initially nervous to put the song on the record, he reflects that ultimately, “I know a lot of people are going to connect with that and go, ‘Man, I feel the exact same way.’”
He points to “Fishing Spot” as an especially personal moment on Bluebird Days. “I bought a fishing boat—that was, like, the biggest purchase I’ve made,” he says. “It’s very unassuming, it’s nothing special at all. But I fell in love with fishing because of my grandfather. And I remember that first day thinking, ‘This is cool, man—I got this boat, and one day me and my son and my daughter can come fish,’ and then an overwhelming sadness came over me.”
“I think it’s just that it was kind of a pipe dream,” he continues. “We didn’t grow up with a ton of money, so the idea of having a boat and being able to go out and do whatever at this point in my life was just kind of crazy. I did a lot of talking to my grandfather out there that day, and that’s definitely one song that comes from a very real place.”
For the first time, Davis included two songs that he didn’t have a hand in writing—although, with “Money Isn’t Real,” it wasn’t for lack of effort. “I’d been trying to write a song called ‘When the Money Runs Out,’” he says. “I’d started it, thrown it away, restarted, and it was terrible. But I wanted to touch on how my relationship with money was not good. I truly thought that the more that I had, the less problems I would have, and that’s not true at all. It can make things easier, but it is not a problem solver. And the way these writers did it was brilliant, exactly what I was trying to say.”
Davis thinks it’s no accident that he recorded this album almost exactly ten years after he moved to Nashville to take his shot at a music career, with all the reflection that anniversary stirred up. “I was working a bartending gig that I really wasn’t super happy about,” he says, “but it was keeping me in Nashville so that I could wake up at eight o’clock—after getting home at 1:30—go write a song for five hours and then go right back to the bar and wash, rinse, repeat. If I were to go back and tell that guy, ‘Hey, man, in ten years, you’re gonna have a pretty successful touring schedule, you’re gonna have four or five Number Ones, and you’re gonna have a CMA Song of the Year that you co-wrote with your brother?’ I would just say ‘Thanks for the optimism, I appreciate it, but that’s not happening— you’re crazy.’”
“So, I look back and think about how fortunate I’ve been to meet the people I’ve met, to get to write songs with the people I get to write songs with. Every once in a while, you need a ball to bounce your way, and I was blessed to get some of those bounces.”
As serious as some of the themes on Bluebird Days are, this sense of joy also shines through on songs like “Damn Good Time” and “One Beer in Front of the Other.” Davis notes that “Tucson Too Late” is probably the most traditional country song he’s ever recorded (“There’s not many songs I’ve put out narrating somebody else’s story”), comparing it to Keith Whitley’s classic “Miami, My Amy.” He credits the album’s daring, exciting sonics to producer Paul DiGiovanni—”I truly let Paul run wild; he’s the best in town. I trust him and that belief hasn’t let us down yet.”
To Davis, there was one overarching ambition for the project. “The big thing for me was to show my growth,” he says. “Growth in shows, growth in the songwriting, growth in the topics we’re touching on. I really wanted to show how I’ve changed as an artist and a songwriter, for the better, than on my first album.” And he credits much of that determination to the example of artists with whom he’s been fortunate enough to work and tour.
“Luke Bryan, Kane Brown, Luke Combs—those guys know exactly what they do, who they want to be, what they want to say,” he says. “You don’t have a career like Luke Bryan’s without saying, ‘Hey, this is me, this is what I do.’ That’s what I take away from those guys, to be confident in who you are and what you do.”
Davis draws on that confidence to take a major step forward, allowing all the ways he’s challenged himself to give him a greater sense of certainty and conviction. “There are a lot of things I can’t control,” he says, “but I can control the records I make, and I want to know that I did everything possible to make the best music I could. So far, I feel sure that I’ve done that.”
Now with Bluebird Days, Davis can undoubtedly say, “This is exactly the record I want to put out. I don’t know what’s going to happen with it, but I can at least tell you that the one certainty I do have about this record, is I’m proud of it.”

New Awakenings
2024-06-08 21:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Aktive 208 and Knitting Factory Entertainment Presents: NEW AWAKENINGS
Join us for a night of House + Techno up on the 9th Street Parallel stage!
Featuring:
Hoodmosa
Bearkat
EZA b2b Terp
Ages 21+ – Photo ID required for entry
Doors: 8:30PM
Show: 9:00PM

Third Eye Blind
2024-06-09 18:30 | Ford Idaho Center
Third Eye Blind
with Special Guests Yellowcard
Summer Gods Tour 2024
featuring Arizona
June 9, 2024
Ford Idaho Center Amphitheater

Jacksons Country Stomp
2024-06-14 18:00 | Ford Idaho Center
Jacksons Country Stomp
Brantley Gilbert
with LOCASH
June 14, 2024
Ford Idaho Center Amphitheater

Arrows In Action, Sad Alex, Elliot Lee
2024-06-14 19:30 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702

To Kill a Mockingbird
2024-06-14 20:00, 2024-06-15 14:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
All rise for Academy Award® winner Aaron Sorkin’s adaptation of Harper Lee’s Pulitzer Prize-winning masterwork. The New York Times Critic’s Pick TO KILL A MOCKINGBIRD is “the most successful American play in Broadway history” (60 Minutes). New York Magazine calls it “a real phenomenon. Majestic and incandescent, it’s filled with breath and nuance and soul.” With direction by Tony Award® winner Bartlett Sher, TO KILL A MOCKINGBIRD — “the greatest novel of all time” (Chicago Tribune) — has quickly become “one of the greatest plays in history” (NPR). Emmy Award®-winning actor Richard Thomas plays the role of Atticus Finch in the National Tour.
Run Time: 2 hours and 55 minutes, including one intermission

Murder on the Orient Express
2024-06-14 20:00 | Idaho Shakespeare Festival, 5657 E Warm Springs Ave, Boise, ID, 83716
Agatha Christie’s Murder on the Orient Express

The Famous Hercule Poirot Mystery

By Agatha Christie

Adapted for the stage by Ken Ludwig

Directed by Charles Fee

Hold on to your mustache and get ready for a wild ride with Hercule Poirot! In this comedic twist on the famous mystery, Poirot must solve the crime of a man stabbed in his locked compartment on the opulent Orient Express—where every passenger is a suspect. One of Christie’s most renowned titles, you won’t want to miss the twists, thrills, and laughs in this incredibly popular comedy-mystery.
Agatha Christie’s Murder on the Orient Express is generously sponsored by Go Test and Inspect, Parsons Behle and Latimer, and Idaho Public Television.
Agatha Christie’s Murder on the Orient Express is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

Suitable for all ages
