An-Ten-Nae
2025-03-14 20:00 UTC | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
An-ten-nae is one of the original pioneers of west coast bass music, he has 100’s of releases under his belt and collaborations far and wide. Released on labels Including Wakaan – Medicine – Westwood.

Gimme Gimme Disco
2025-03-14 20:30 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Gimme Gimme Disco
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
FriMarch 148:30 pm(Doors: 7:30 pm)
21 and up
$15.00 – $50.00Buy Tickets

Please Note: Tier refers to price point only.
The ABBA inspired dance party of your dreams is on the way to Knitting Factory Friday 3/14! Gimme Gimme Disco returns and we can’t wait to boogie with you all night long. Come to hear your favorite hits, stay for the best era of music.
Come for the music, stay for your shared love of all things disco!
21+ // Grab tickets today!

+ Google Calendar

Artists

Gimme Gimme Disco

A 70’s Disco Party Inspired By ABBA

bbno$
2025-03-15 19:00 | Revolution Concert House, 4983 N Glenwood St, Garden City, Idaho, 83714
bbno$

Mar 15, 2025
Doors: 7:00 PM / Show: 8:00 PM

UMPHREY'S MCGEE – Cruising Altitude 2025 Tour
2025-03-15 19:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
Chicago’s eclectic rock band Umphrey’s McGee has been keeping fans on their toes for
nearly 27 years now. Though often pigeonholed into “jam band” circles, Umphrey’s doesn’t
fit that traditional mold; and their fans don’t either. Is it prog rock? Song-forward,
Beatles-esque arrangements? Be careful, they might hit you with some metal riffs mid-set,
too. Amongst 2,500+ gigs and 300 million+ tracks streamed, you-had-to-be-there moments
include the band’s performance at the first-ever Bonnaroo and selling more CDs (remember
those?) than any other act on the bill. A leader in the live music world, Umphrey’s McGee
became the first group to launch its own single-artist streaming service with UMLive.net,
which houses recordings of every gig since 2005. The service has since grown and now
lives on through Nugs.net, which is used by the likes of Pearl Jam, Bruce Springsteen, and
more.
Beyond intimate backstage encounters and ski trips with their most diehard fans, Umphrey’s
McGee instituted the groundbreaking “Headphones & Snowcones” program, granting fans
access to professional headphones and a soundboard-quality mix to listen wirelessly at
shows. At their UMBowl, they empowered the audience to vote on the setlist in real-time
and choose favorite improv themes via text message. In 2017, they stepped into another
realm altogether by integrating themselves into the VR Platform Endless Riff. All of the
above has earned the band status as kings of the live music scene with standing yearly
engagements at iconic venues, their own events in Iceland (Rockjavick) and Mexico
(Holidaze), and co-hosting Chillicothe, IL’s long-running Summer Camp festival. In April
2025, Umphrey’s McGee will lead their faithful fans on another bucket list musical
adventure: Morockshow will feature three nights in Marrakech, Morocco, marking another
signature event in an exotic location. Umphrey’s McGee’s latest release Asking For A
Friend showcases more evolved songwriting and thoughtful arranging from a band
continuing to grow and mature with their droves of die-hard, longtime fans.

Reggaeton Night
2025-03-15 21:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Reggaeton Night
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
Sat
March 15
9:00 pm
(Doors: 9:00 pm)
21 and up

GOOD VIBRATIONS- THE BEACH BOYS
2025-03-16 19:30 | Nampa Civic Center, 311 3rd Street South, Nampa, Idaho, 83651
GOOD VIBRATIONS- THE BEACH BOYS

GOOD VIBRATIONS is the ultimate, exciting tribute to the music and spirit of THE BEACH BOYS. Audiences across the country, as well as fans of THE BEACH BOYS, have been mesmerized by this amazing group and their faithful renditions of the THE BEACH BOYS classic hits like: California Girls, Surfin’ USA, I Get Around, Help Me Rhonda, Fun, Fun, Fun and the group’s namesake hit, Good Vibrations.
This exciting show takes us on a musical journey of sun, surf, cars and girls as these incredible musicians and performers capture the incomparable harmonies of THE BEACH BOYS, recreating their unique sound right before our ears. This is a high-energy show that gets the crowd on its feet as it moves to the greatest hits of America’s most legendary band.
GOOD VIBRATIONS were honored to have performed for THE BEACH BOYS themselves at the California State Historical landmark dedication to the childhood home of founding members Brian, Dennis and Carl Wilson. GOOD VIBRATIONS also performed with founding Beach Boy, Al Jardine for a number of high profile shows which included an appearance at the legendary INDIANAPOLIS 500.
A true celebration of the music of THE BEACH BOYS… GOOD VIBRATIONS

Russian Circles, Pelican
2025-03-17 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Russian Circles, Pelican
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
MonMarch 178:00 pm(Doors: 7:00 pm)
All Ages
Buy Tickets

+ Google Calendar

Artists

Russian Circles

Social Links

Pelican

It’s been a long journey for Pelican—from their sludgy reductionist beginnings in the DIY spaces of Chicago, through their tenure as forerunners to the burgeoning international community of artists fusing post-rock’s dramatic melodicism with thinking man’s metal, and to their ascension into the canon of the elder statesmen in the brainy and brawny realm of the underground rock world. The band encountered no shortage of ups and downs along the way, and those peaks and valleys often found an analog in the moods and timbres of Pelican’s sonic palette, with youthful frustrations channeled into the unrepentant dirges of their self-titled debut or new opportunities afforded by their increasing popularity manifested in the expanded vistas of City of Echoes. In the process of writing their sixth album Nighttime Stories, the quartet endured a slew of realizations, tragedies, and glimmers of optimism that guided the creative process to the most potent album of their eighteen-year career.
One of the most profound shifts in Pelican’s operating procedure came with the departure of founding member Laurent Schroeder-Lebec back in 2012. Along with fellow guitarist Trevor Shelley de Brauw and drummer Larry Herweg, Schroeder-Lebec shared duties in the hallucinatory art-grind band Tusk, with the dual collaborations resulting in a near-psychic interplay between the musicians. The only added personnel for Pelican was bassist Bryan Herweg, whose familial ties within the rhythm section were evident with his in-the-pocket playing. Though Schroeder-Lebec’s exit had been planned with enough foresight for the band to gradually incorporate Dallas Thomas as a replacement, the alteration could be felt in their first album with a line-up change. Forever Becoming contained the requisite breadth and muscle of their earlier albums, but it also sounded more like a band that was focused on creating dimension in the studio as opposed to replicating the enveloping force of their live show. “It felt like it would have more musical continuity from the previous albums if the three original members handled the writing rather than approaching it with a new lineup,” Shelley de Brauw says of that album, but the subsequent years of playing together—whether in the practice space, the studio, or on stage—altered the writing chemistry for Nighttime Stories. “Rather than try to bend Dallas to fit into Pelican, we’ve all dug into our subconscious to find the shared similarities in our styles—particularly the era of the late 90’s and early 00’s where bands were beginning to push hardcore and metal in a more exploratory direction.”
While Pelican has frequently strayed from the unanimous locked-in riffage of their first few records in favor of more complex instrumental interplay, it’s hard to imagine an earlier incarnation of the band writing songs as meticulously crafted and detail-oriented as Nighttime Storiestracks like “Midnight and Mescaline” or “Abyssal Plain”, where the compositions recall everything from the triumphant call-to-arms of classic Dischord bands to the vicious troglodyte battery of the Melvins to the dynamic interwoven melodies of bottom-heavy indie cult heroes Chavez. But there’s also the requisite lurch and stomp of their early years, as evident on the unrepentant crusher “Cold Hope”. It’s the heaviest Pelican record in a long time, and it was at least partially due to the cultural climate. “We were halfway through writing the album when a significant portion of the country signaled that they were ready to publicly embrace totalitarianism, bigotry, and white supremacy, and the resulting dread and anger we experienced had a considerable effect on the shape of the material that followed,” Shelley de Brauw says with regards to the grim mood surrounding the album’s gestation period.
There were personal tragedies that informed the creative process too. Nighttime Storieswas a title originally proposed for a Tusk record that never developed. Their vocalist Jody Minnoch passed away unexpectedly in 2014, and many of the song names and aesthetic themes on Nighttime Storiesstemmed from ideas Minnoch floated past his bandmates shortly before his death. Additionally, many of the dissonant chord voicings and idiosyncratic structures that were part of Tusk’s signature sound began to surface on the album, so it felt appropriate to pay homage to their departed colleague. Thomas also experienced a heavy loss in his life with the passing of his father. The album’s opening track “WST” is a somber ballad performed on an acoustic guitar handed down from father to son, with his initials serving as the title.
Nighttime Storiesisn’t entirely mired in bleakness. Though the album certainly veers towards the darker end of Pelican’s songwriting, the energized urgency on tracks like “Arteries of Blacktop” and sublime melodicism on songs like “Full Moon, Black Water” suggest a renewed vigor for the band. Perhaps it stems from three of the four members becoming fathers in the six-year gap between albums. Maybe it’s a product of rediscovering a common musical language as a reformulated quartet. Maybe it came from reuniting with Pelican and Australasia producer Sanford Parker for the tracking of the album. Tracked in their original stomping grounds of Chicago at Electrical Audio and bolstered by Matt Bayles’ mixing skills, Nighttime Storiesthrobs with guttural force in its most malicious moments and shimmers with beauty in the moments of respite.
Pelican have always excelled at vacillating between the savage sounds of various niches of metal underground and the more delicate and nuanced sounds of Midwest’s cerebral indie community, proving that they can make either end of the spectrum more vibrant and compelling through the art of contrast. With Nighttime Stories, the pendulum has swung back to the angst and ire of their younger years while delivering it with the nuance and wisdom that’s come with nearly two decades of writing and performing. Southern Lord is proud to offer up Nighttime Stories to the world on CD/LP/digital on June 7, 2019.

Sullivan King - Chaos Will Bring Peace 2025 US Tour
2025-03-19 19:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Sullivan King – Chaos Will Bring Peace 2025 US Tour
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
Wed
March 19
7:00 pm
(Doors: 6:00 pm)
All Ages

ANBERLIN 20th Anniversary of Never Take Friendship Personal
2025-03-20 18:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
For more than two decades, Anberlin have remained a formidable force in the alt-rock world, boasting a wildly devoted fanbase who’ve come to rely on the raw cathartic power of their music. On the massively anticipated Vega—the first album in ten years from vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young—the Florida-bred band deliver a body of work forged with an explosive new energy, thanks in part to the addition of singer Matty Mullins (the Memphis May Fire frontman who’s stepped in as live vocalist for Anberlin, following Christian’s announcement that he’ll no longer tour full-time). The latest triumph in an extraordinary career that’s included selling over 1.5 million albums in the U.S. alone and turning out hits like the No. 1 Alternative Radio smash “Feel Good Drag,” Vega reveals a band whose creative passion and one-of-a-kind vision have only grown stronger over time.
Arriving on the heels of two back-to-back EPs—2022’s Silverline and 2023’s Convinced—Vega emerged from a period of unbridled creativity for Anberlin, who parted ways soon after 2014’s Lowborn and reunited for a series of lockdown-era livestreams. In bringing their new album to life, the band embraced a deliberately free-flowing and DIY approach, building up songs in McAlhaney’s garage before self-producing the LP at Tampa’s Feral Sound Studios. “In the past we’d sometimes limit our sound to some preconceived idea of what Anberlin is supposed to be,” says McAlhaney. “This time the mantra was, ‘If it feels good, let’s try it.’ Because at the end of the day, Anberlin is whatever we say it is.” As a result, Vega encompasses everything from the shout-along-ready pop perfection of “Walk Alone” to the brutally heavy intensity of “Seven” (a shapeshifting and strangely enthralling epic featuring a savage vocal performance from Mullins). “I think after spending time apart we came back with a new perspective, where we were all just excited to work together and create the best songs we can,” says Young. “No one was precious about their ideas; it was all about making something that feels new and risky and like nothing we’ve ever done before.”
As they get set to embark on the 20 Years of Tears amphitheater tour with Thursday, Hawthorne Heights, and Saosin—a 56-date run that marks their most extensive tour in a decade—Anberlin look forward to the pure thrill of performing their new material for their longtime legion of fans. “We’ve had so many people tell us things like, ‘Your songs got me through a really difficult time in my life,’ or ‘You guys are what made me pick up a guitar and start my own band,’” says Rexroat. “It’s an incredible feeling to know that we’ve impacted other people on that level—the amount of love we’ve felt is undeniable, and it’s one of the main reasons we’ve kept going for as long we have.”

Copeland
Longevity in music comes through pushing yourself and expanding the possibilities of your sound. This has never been more true for Copeland. The band, which originally formed in Lakeland, Florida in 2001, has unveiled six albums, spanning from their 2003’s debut Beneath Medicine Tree to 2016’s Ixora. While they began as a rock band, Copeland’s music has explored multiple genres and pulled in various stylistic influences like electronic and symphonic. In the past the musicians have aptly melded these styles, creating a unique amalgam of sounds. This time they wanted to take each sound and style and push it to its logical extreme.

Spitalfield
Formed in the suburbs of Chicago in 1998, Spitalfield play emo pop rock with a twist.   Before releasing fan-favorite Remember Right Now in 2003 (Victory Records), the band released an EP (The Cloak & Dagger Club, 2002 – Sinister Label), a full length (Faster Crashes Harder, 2001 – Sinister Label / Walk in Cold), a split 12″ LP with friends Don’t Worry About It (2000), & self-released demos. Two additional full length albums were released in 2005 (Stop Doing Bad Things) and 2006 (Better Than Knowing Where You Are).   The lineup of vocalist Mark Rose and drummer JD Romero has remained consistent throughout the band’s career, with their most popular lineups rounded out by lead guitarist Dan Lowder (2001-2007), and bassists TJ Minich (2002-2005) and TJ Milici (2005-2007).

Pigeons Playing Ping Pong, High Fade
2025-03-20 19:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Pigeons Playing Ping Pong, High Fade
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
Thu
March 20
7:00 pm
(Doors: 6:00 pm)
All Ages

ANAME
2025-03-20 22:00 | The Reef, 105 S 6th St, Boise, 83702, United States
ANAME
The Reef
105 South 6th Street – Boise, ID 83702
Thu
March 20
10:00 pm
(Doors: 9:30 pm)
21 and up

O.T. Genasis w/ MJD, J Dixon, Lil Dreamy, EST_TRU
2025-03-21 19:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
The career of O.T. Genasis took off when Busta Rhymes caught the terse rapper performing “Touchdown” four consecutive times for a demanding but rapt crowd. Support from Busta led the way to the number 20 pop hit “CoCo” (2014) and another Top 40 entry with “Cut It” (2015). Since releasing the Atlantic-distributed mixtape Coke N Butter (2016), O.T. has been behind numerous singles such as “Bae” (2018) and “What Is Your Name” (2021).
Born in Atlanta and raised on the West Coast in Long Beach, O.T. Genasis (Odis Oliver Flores) was inspired to make music by hard-edged rap and dancehall artists ranging from 2Pac to Shabba Ranks. He surfaced in the early 2010s as a G-Unit affiliate, releasing the mixtape Black Belt in 2012. After he was swept up by Busta Rhymes‘ Conglomerate Entertainment label, he quickly recorded the 2014 tape Catastrophic 2 and issued a version of “Touchdown” with verses from Busta and French Montana. The relatively relaxed follow-up single, “CoCo” — another ode to dealing cocaine — was released that November and swiftly became a bigger hit, reaching number 20 on the Billboard Hot 100 before it attained multi-platinum status. O.T. cracked the Top 40 again and scored another multi-platinum hit with the number 35 single “Cut It” (featuring Young Dolph), off the 2015 mixtape Rhythm & Bricks. Coke N Butter, yet another mixtape, made waves in 2016 with “Push It,” which didn’t chart but was certified gold. Over the next five years, O.T. stuck with singles, and achieved streams well into the millions with the likes of “Bae” and “Back to You” (the latter featuring Chris Brown and Charlie Wilson). He offered “What Is Your Name” in 2021. ~ Andy Kellman, Rovi

Kane Brown - The High Road Tour
2025-03-21 19:00 | Ford Idaho Center
Kane Brown
The High Road Tour
Friday, March 21, 2025 7:00pm
Saturday, March 22, 2025 7:00pm
Ford Idaho Center Arena

MOZART'S REQUIEM The Hope and Mercy of Mozart's Requiem
2025-03-22 19:30, 2025-03-23 14:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
Bach’s Six Brandenburg Concertos are widely regarded as some of the finest compositions of the Baroque period. Each virtuosic concerto is crafted with a unique combination of instruments, showcasing the popular musical styles during Bach’s lifetime.
Join us as Boise Phil’s Allison Emerick, Del Parkinson, and Brendan Shea take center stage for the famous Concerto No. 5.
The Boise Phil Master Chorale joins the Boise Phil to perform Mozart’s transcendental Requiem. Left incomplete at the time of Mozart’s death on December 5, 1791, it is arguably one of his most famous works, delving into the themes of life and death and featuring some of the most emotionally moving music ever composed.
The Latin hymn ‘Ave Verum Corpus’ has been set to music by some of classical music’s most beloved composers. Mozart’s setting, like his Requiem, was composed in the final year of his life and is a breathtaking five-minute work that elevates the Latin chant to a divine status.
PRE-CONCERT TALK
Join Musicologist Bradley Berg and Music Director Eric Garcia (and special guests) as they guide you through the music you are about to hear, providing an enlightening look at the repertoire and composers before the performance begins. Bring your questions! Please gather inside the concert hall by the stage.
Matinee Pre-Concert Talk starts at 12:45 pm (for 2:00pm Sunday)
Evening Pre-Concert Talk starts at 6:15 pm (for 7:30pm Saturday)

Zona De Perreo Reggaeton Party
2025-03-22 21:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
Reggaetón del viejo y nuevo, sudor, sandungueo toda la noche
📍 Treefort Music Hall
📅 Saturday, March 22nd
🎁 Giveaways
🎶 Reggaeton | Dembow | Latin and more
21+ | More info: (208) 412-3785 | 9pm – 2am | Happy Hour from 9pm to 11pm for $ex on the beach
No Jerseys | No Bags | No Re-entry | No Bandanas
Corre la voz, etiqueta al combo y prepárate pa’ el bellaqueo 🔥😈 #SpringBreakPerreo

Daily Bread 'Flash Flood Tour'
2025-03-23 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Daily Bread ‘Flash Flood Tour’
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
Sun
March 23
8:00 pm
(Doors: 7:00 pm)
All Ages
$20.00 – $70.00
Buy Tickets
Daily Bread has partnered with PLUS1 so that $1 per ticket goes to the East Tennessee Foundation and their work aiding counties in East Tennessee amid devastating impacts from Hurricane Helene.

Kolton Moore & The Clever Few, Andy Crosby Band
2025-03-23 20:00 | Heritage Social, 5467 N. Glenwood St., Boise, ID, 83714, United States
Kolton Moore & The Clever Few, Andy Crosby Band
Heritage Social Club
5467 N Glenwood S – Boise, ID 83714
SunMarch 238:00 pm(Doors: 7:00 pm)
21 and up
Buy Tickets

Table seating for this event is being offered as an upgrade only.
General Admission tickets must be purchased separately in addition to the table upgrade. Tables are sold as entire tables and include a dedicate cocktail waitress.

MASTA KILLA
2025-03-25 19:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
Considered the ninth member of the Wu-Tang Clan, Masta Killa (b. Elgin Turner; aliases: High Chief, Noodles) recorded his first rhymes at the end of “Da Mystery of Chessboxin’” from the Clan‘s 1993 seminal debut, Enter the Wu-Tang (36 Chambers). He had never seriously written rhymes, let alone rap before then. However, under the tutelage of the GZA, he developed a steadily paced flow that accentuated his intellectual lyrics — although equally distinctive were his smooth voice and understated demeanor. Because Killa was incarcerated at the time, his closing verse on “Da Mystery of Chessboxin’” was his sole contribution to the album, but he always remained in the fold on the set of Wu-Tang solo records that ensued in the mid-’90s, including GZA‘s Liquid Swords, Raekwon‘s Only Built 4 Cuban Linx, and Ghostface Killah‘s Ironman. There was no questioning his status in the Clan after the release of their 1997 album, Wu-Tang Forever, where Killa contributed to numerous tracks, particularly his standout lines on the lead single, “Triumph.”
Nonetheless, similar to the plight of Wu-Tang member Inspectah Deck, Killa worked on his solo material for many years before it would actually come out. After two more Wu-Tang full-lengths and a second string of Wu splinter projects, his solo career finally began with No Said Date, released via underground rap label Nature Sounds in 2004. Staying in-house with producers the RZA, Mathematics, and True Master, the album was one of the few Wu-related releases post-Wu-Tang Forever that received critical praise, particularly by Wu-Tang‘s loyal fan base. Killa returned in 2006 with Made in Brooklyn, working with a more diverse array of underground producers, including MF Doom, Bronze Nazareth, and the legendary Pete Rock. His third album arrived in 2012. Selling My Soul featured guest spots from Kurupt and Ol’ Dirty Bastard, as well as production by 9th Wonder, Mathematics, and PF Cuttin. Another long gap followed before Killa released his fourth studio LP, Loyalty Is Royalty, in 2017. Wu-Tang members Cappadonna, Method Man, RZA, GZA, and Inspectah Deck joined other guests like Redman, Sean Price, Prodigy, and KXNG CROOKED on the album. ~ Cyril Cordor, Rovi

Saint Motel, Oliver Hazard
2025-03-25 20:00 | Idaho
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
Tue
March 25
8:00 pm
(Doors: 7:00 pm)
All Ages

Joseph and the Amazing Technicolor Dreamcoat
2025-03-27 19:30, 2025-03-28 19:30, 2025-03-29 13:30, 2025-03-29 19:30, 2025-04-03 19:30, 2025-04-04 19:30, 2025-04-05 13:30 | Nampa Civic Center, 311 3rd Street South, Nampa, Idaho, 83651
Joseph and the Amazing Technicolor Dreamcoat
One of the most enduring shows of all time, Joseph and the Amazing Technicolor Dreamcoat is a reimagining of the Biblical story of Joseph, his father Jacob, eleven brothers and the coat of many colors. Told entirely through song with the help of a main character Narrator, the musical follows preferred son Joseph. After being sold into slavery by his brothers, he ingratiates himself with Egyptian noble Potiphar, but ends up in jail after refusing the amorous advances of Potiphar’s wife. While imprisoned, Joseph discovers his ability to interpret dreams, and he soon finds himself in front of the mighty but troubled, Elvis-inspired, Pharaoh. Joseph’s solution to Egypt’s famine elevates him to Pharaoh’s right-hand man and reunites him with his family.
Show Dates / Times
Thursday March 27 | 7:30PM
Friday March 28 | 7:30PM
Saturday March 29 | 1:30PM & 7:30PM
Thursday April 3 | 7:30PM
Friday April 4 | 7:30PM
Saturday April 5 | 1:30PM & 7:30PM

KAYZO AT TREEFORT 2025
2025-03-27 20:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Kayzo

Over the past three years, Houston born and now Los Angeles resident, Hayden Capuozzo or KAYZO, has become one of the most sought after young producer/DJs in the business. The young prodigy has quickly grabbed attention of fans and fellow DJs with his versatile sound and catalogue of original productions, collaborations and remixes. With the establishment of his “Doghouse” brand, fans have turned to KAYZO to seek more than his music.
KAYZO has went from a graduate student of the production school, Icon Collective, to becoming a winner of Insomniac’s Discovery Project which gave him first chance to showcase himself live. Three years later, KAYZO can now be found traveling as an international DJ performing at festivals and headlining shows across the globe. KAYZO and his Doghouse stand for more than music but a mental determination with a motto that preaches ‘anything is possible as long as you put your mind to it.’
KAYZO has no boundaries as continues to break barriers that are set up before him. He produces music, not defined as a genre but what he simply likes and enjoys creating. Much of his influence comes from the music he grew up on and the elements can be heard throughout the bodies of work. Outside of production, his mixing and versatile style across multiple genres has created a unique and one of a kind performance.
KAYZO and the Doghouse is growing fast and fierce, what he has accomplished in the past few years is only a testament of what is to come. The future is bright for KAYZO and the Doghouse and nobody knows that better them.

Social Links

Samplifire

Social Links

Dennett

Dennett is forging his own path, remixing house tracks with a bass-heavy edge that’s gritty and addictive. He’s pulling fans into his world with standout takes on Cloonee’s “Sippin Yak” and Dom Dolla’s “Girl$,” making waves across all corners of dance music. As his fanbase grows, so does the underground buzz. Dennett’s here to shake things up and take dance music to new heights.

Social Links

Sora

Social Links

The Driver Era
2025-03-28 20:00 | Revolution Concert House, 4983 N Glenwood St, Garden City, Idaho, 83714
The Driver Era

Mar 28, 2025
Show: 8:00 PM

MATT NATHANSON AT TREEFORT 2025
2025-03-29 19:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Matt Nathanson

Video

Based in San Francisco, Matt Nathanson has evolved into one of the premier songwriters and dynamic performers on the music scene today. His 2007 album Some Mad Hope (his first for Vanguard) yielded the smash single “Come On Get Higher,” which has sold more than 2 million copies to date, as well as the subsequent hits “Car Crash,” “Falling Apart” and “All We Are.” The success of Some Mad Hope earned Nathanson a coveted spot as a VH1 “You Oughta Know” artist, while also resulting in appearances on such national television shows as David Letterman, Ellen,Conan O’Brien, Leno, Jimmy Kimmel, Craig Ferguson, Dancing with the Stars, Rachael Ray and The CMA Awards to name a few. Additionally, his songs have been featured in numerous film and TV programs, including Good Morning America, NCIS, Private Practice, American Idol, X Factor,Vampire Diaries, American Pie and 90210. Modern Love, his previous studio album, debuted at #17 on the Billboard Top 200 Albums Chart and topped the iTunes Pop Chart. It featured the hit singles “Faster” and “Run” – the latter featuring Sugarland’s Jennifer Nettles and Kristian Bush. Nathanson’s legendary live shows, in which he displays a chic comedic flair, have resulted in sold-out tours across the U.S., Canada and Australia. Matt Nathanson’s ninth studio recording, Last of the Great Pretenders, will be released on July 16th. The new album is available for preorder via MattNathanson.com, iTunes, and Amazon.com. Produced by Mike Viola and Jake Sinclair, Last of the Great Pretenders marks a dramatic progression for the acclaimed artist, who has created a richer and deeper work both musically and lyrically than any of his previous LPs – and that’s saying something considering the already rarefied level of his writing and performing. Songs like “Earthquake Weather,” “Kill The LIghts,” “Kinks Shirt,” “Sunday New York Times” and first single “Mission Bells” are precisely cinematic as Nathanson stirs the material with deftly placed pop-cultural references and vivid details drawn from his keen observations of everyday life, while topping each song with an emphatic and seductive chorus hook.

Social Links

KT Tunstall

KT Tunstall emerged in 2004 with ‘Eye To The Telescope’. She has released four critically acclaimed albums since and her songs have been used everywhere from the opening credits of The Devil Wears Prada to Hillary Clinton’s 2008 campaign theme. Her last album ’KIN’, released in 2016, received rave reviews and debuted at No.7 on the official UK Album Charts.
Recently KT has been awarded the Inspirational Artist gong at the Women In Music Awards. She was chosen as the first ever female Grand Marshal (following the likes of Sir Sean Connery) to lead April’s annual New York Tartan Week parade. In May she and Mike McCready, of legendary multi million selling Pearl Jam, also released a cover of Tom Petty’s huge hit single “I Won’t Back Down” with proceeds going to Pearl Jam’s Vitalogy Foundation.
