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DTSTART;TZID=UTC:20261013T190000
DTEND;TZID=UTC:20261013T190000
DTSTAMP:20260928T213613Z
CREATED:20260928T213613Z
LAST-MODIFIED:20260928T213613Z
UID:152485-1791918000-1791918000@www.mikebrowngroup.com
SUMMARY:Disney Descendants\, ZOMBIES & Camp Rock - Worlds Collide Concert Tour
DESCRIPTION:Disney Descendants\, ZOMBIES & Camp Rock: Worlds Collide Concert Tour\nat ExtraMile Arena in Boise\, ID on Tuesday\, October 13\, 2026 \nThe all-new “Worlds Collide Concert Tour” brings together the worlds of “Descendants\,” “ZOMBIES\,” and for the very first time\, “Camp Rock\,” in an unforgettable new arena spectacular. A pop concert of the highest caliber\, this year’s cast features an exceptionally talented lineup of Disney stars including Malachi Barton (“ZOMBIES 4\,” “Camp Rock 3”)\, Liamani Segura (“Descendants: Wicked Wonderland\,” “Camp Rock 3”)\, Dara Reneé (“Descendants: The Rise of Red”)\, Mekonnen Knife (“ZOMBIES 4”)\, Hudson Stone (“Camp Rock 3”)\, Swayam Bhatia (“ZOMBIES 4”)\, Kiara Romero (“Descendants: Wicked Wonderland”)\, and Alexandro Byrd (“Descendants: Wicked Wonderland”). Fans will experience an evening packed with hit songs from all three franchises brought together in a brand-new production with fresh mashups and fan favorite songs. Next-level choreography and electrifying special effects create a show filled with nonstop delight\, fan interactions\, and nostalgia. Come dressed as your favorite character\, sing along all night\, and experience the music and moments from “Descendants\,” “ZOMBIES” and “Camp Rock” colliding on stage in this all-new concert experience.
URL:https://www.mikebrowngroup.com/event/disney-descendants-zombies-camp-rock-worlds-collide-concert-tour/
LOCATION:ExtraMile Arena\, 1401 Bronco Lane\, Boise\, Idaho\, 83706
CATEGORIES:Arts & Music,Music
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DTSTART;TZID=UTC:20261013T200000
DTEND;TZID=UTC:20261013T200000
DTSTAMP:20260930T174419Z
CREATED:20260930T174419Z
LAST-MODIFIED:20260930T174419Z
UID:152677-1791921600-1791921600@www.mikebrowngroup.com
SUMMARY:Tinlicker North America 2026
DESCRIPTION:Tinlicker North America 2026\nKnitting Factory – Boise\n416 S 9th St – Boise\, Idaho 83702\nTue\nOctober 13\n8:00 pm\n(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/tinlicker-north-america-2026/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
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DTSTART;TZID=UTC:20261014T190000
DTEND;TZID=UTC:20261014T190000
DTSTAMP:20260930T175013Z
CREATED:20260930T175013Z
LAST-MODIFIED:20260930T175013Z
UID:152680-1792004400-1792004400@www.mikebrowngroup.com
SUMMARY:DynaDuo Presents - Smile Empty Soul
DESCRIPTION:DynaDuo Presents: Smile Empty Soul\n9th St. Parallel at Knitting Factory\n416 S 9th St – Boise\, ID 83702\nWedOctober 147:00 pm(Doors: 6:30 pm)\nAll Ages\n$38.52Buy Tickets\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event.\n\n+ Google Calendar\n\n\n\n\nArtists\n\n\nSmile Empty Soul\n\n \n\nSmile Empty Soul was a heavy alternative trio formed while its three members were still in Santa Clarita\, California high schools.Led by singer/guitarist Sean Danielson\, the band also included drummer Derek Gledhill and bassist Ryan Martin. After honing their sound with numerous hometown gigs\, Smile Empty Soul began venturing to the Sunset Strip\, and eventually passed a demo to Todd Parker of the Los Angeles indie ThroBack. That exposure led to a deal with Jason Flom’s Lava imprint\, which was expanding in the wake of early signee Kid Rock’s white-hot success. The trio hooked up with producer John Lewis Parker\, who was at the helm for their self-titled debut\, issued by Lava in May 2003. With its screeching guitars and Danielson’s rage-filled vocals\, the album was indebted to the alternative sounds of the early ’90s. Vultures\, Smile Empty Soul’s third record (the band’s sophomore outing\, Anxiety\, was scheduled for release in 2005\, but a split with Lava kept the album from seeing the light of day until the band released it through their own MRAfia Records label in 2009) hit the streets in 2006\, and was followed by the aforementioned Anxiety. Their fourth full-length\, Consciousness\, arrived in 2009\, followed by 3’s in 2012. ~ Johnny Loftus
URL:https://www.mikebrowngroup.com/event/dynaduo-presents-smile-empty-soul/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
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DTSTART;TZID=UTC:20261014T200000
DTEND;TZID=UTC:20261014T200000
DTSTAMP:20260930T175404Z
CREATED:20260930T175404Z
LAST-MODIFIED:20260930T175404Z
UID:152683-1792008000-1792008000@www.mikebrowngroup.com
SUMMARY:Fruit Bats w/ Matthew Logan Vasquez
DESCRIPTION:Fruit Bats | The Landfill | MRG887 \nThe midwest\, particularly the part of the midwest Eric D. Johnson hails from\, is a largely flat expanse. Zipping through it on the highway\, you’ll see cities and towns rise up in the distance\, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape\, hill after hill\, built from the refuse of the past: landfills. Some of these hills make for great sledding spots\, parks\, and trails. Others turn organic waste into compost. The Landfill\, Fruit Bats’ June 12\, 2026 album from Merge Records\, is something else entirely: a mountain dominating the landscape of Johnson’s heart. \nThis being a Fruit Bats record\, one scales that mountain to take in the view\, to see the future spread out as wide and endless as the midwestern plains. “But the mountain that gives us this vantage point\,” Johnson says\, “is made out of the trash that we’ve created\, the collective weight of the past and where it’s taken us.” When he details that view on title track and lead single “The Landfill” — “a holy vision / of what could be / and couldn’t be / and could have been” — it’s thrilling to hear him sent soaring by a full complement of instruments. But what’s truly stunning is how\, in his recontouring from could to couldn’t to could have been\, he has lost none of the vulnerability that was brought to the foreground of his songwriting by 2025’s solo outing\, Baby Man. \nOver the course of his now 25-year career under the moniker\, most of Eric D. Johnson’s output as Fruit Bats has been the product of patience and fine-tuning. His songs\, to borrow a phrase\, are slow growers\, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down\, utilizing the morning pages technique of stream-of-consciousness\, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album. \nBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over\,” he explains\, “but there was way more to explore. I liked the immediacy of it\, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks\, he was back in a studio\, this time with his band — David Dawda (bass)\, Josh Mease (guitars\, synth)\, Frank LoCrasto (piano\, synth)\, and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill\, it’s not hard to understand why: simply put\, this band smokes. \nProducing the initial recording sessions in Washington’s Bear Creek Studios\, Johnson set out to capture “the sound of this band I constantly marvel at\, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks\, no comped vocals\, and minimal overdubs\, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band\, Bonny Light Horseman\, and I was curious to see how it would work with Fruit Bats\,” Johnson notes. “It’s both a very personal record\, and my most collaborative to date.” \nIt’s also the most live a Fruit Bats record has been since 2009’s The Ruminant Band\, and in paring back the number of tracks that typically layer a full-band song\, the psychedelic\, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun\,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia\, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney\, playful but playing for stakes that are larger than life\, while “Perhaps We’re a Storm” charges headlong into the unknown. \nAll of these songs — most of the songs on The Landfill\, in fact — mark themselves immediately as some of the best in Eric D. Johnson’s ever-expanding songbook\, seekers and anthems alike. It’s the most daunting peak he’s scaled yet\, musically or lyrically: a swashbuckling set of full-band jammers couldn’t be more honest and open-hearted about his hopes and anxieties\, his dreams and failures\, what’s passed and what will come to pass\, were it just him\, his guitar\, and the listener. \n\n \n\nMatthew Logan Vasquez\nMatthew Logan Vasquez – Best-known as the co-founder and frontman for shape-shifting heartland indie rockers Delta Spirit\, Matthew Logan Vasquez’s fiery delivery and thought- provoking lyrics draw from a huge and versatile well of influences\, including Gordon Gano\, Kurt Cobain\, Neil Young\, and Thom Yorke . As a solo artist\, he juggles elements of indie rock\, electronic pop\, R&B\, and soulful Americana\, flirting with despondency\, but ultimately succumbing to beatitude. Vasquez’s latest release SANA SANA 2026 is pushing his sound into a broader spectrum and depth\, trading in his rasp for more of a croon
URL:https://www.mikebrowngroup.com/event/fruit-bats-w-matthew-logan-vasquez/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Fruit-Bats-2026-press-photo-2-by-Kelsey-Gallagher-WEB-819x1024-1.jpg
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DTSTART;TZID=UTC:20261015T193000
DTEND;TZID=UTC:20261015T193000
DTSTAMP:20260930T181241Z
CREATED:20260930T181241Z
LAST-MODIFIED:20260930T181241Z
UID:152695-1792092600-1792092600@www.mikebrowngroup.com
SUMMARY:Music Theatre of Idaho presents The Addams Family
DESCRIPTION:Music Theater of Idaho presents The Addams Family\nNampa Civic Center\nOctober 15 | 7:30 pm \nTHE ADDAMS FAMILY\, a comical feast that embraces the wackiness in every family\, features an original story and it’s every father’s nightmare: Wednesday Addams\, the ultimate princess of darkness\, has grown up and fallen in love with a sweet\, smart young man from a respectable family – a man her parents have never met. And if that wasn’t upsetting enough\, Wednesday confides in her father and begs him not to tell her mother. Now\, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife\, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.
URL:https://www.mikebrowngroup.com/event/music-theatre-of-idaho-presents-the-addams-family/
LOCATION:Nampa Civic Center\, 311 3rd Street South\, Nampa\, Idaho\, 83651
CATEGORIES:Arts & Music,Music
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DTSTART;TZID=UTC:20261015T200000
DTEND;TZID=UTC:20261015T200000
DTSTAMP:20260930T180002Z
CREATED:20260930T180002Z
LAST-MODIFIED:20260930T180002Z
UID:152686-1792094400-1792094400@www.mikebrowngroup.com
SUMMARY:Paige Fish - The Midnight Crisis Tour
DESCRIPTION:Paige Fish – The Midnight Crisis Tour\n9th St. Parallel at Knitting Factory\n416 S 9th St – Boise\, ID 83702\nThuOctober 158:00 pm(Doors: 7:00 pm)\nAll Ages\n$25.65 – $122.21Buy Tickets\n\n\n\nLegal language for packages: \nAll package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global\, the artist\, tour\, promoter\, ticketing company\, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements\, or have not received your package information within three days (3) of the concert date\, please email info@237global.com. \nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event.\n\n+ Google Calendar\n\n\n\n\nArtists\n\n\nPaige Fish\n\n \n\nPaige Fish\, the Utah-born songstress from Springville\, has captivated audiences with a voice and presence beyond her years. Drawing inspiration from the likes of Stevie Nicks\, Norah Jones\, Noah Kahan\, and Zach Bryan\, Paige has been songwriting since childhood\, penning tunes and performing long before most artists get their start. She quickly found her footing on social media\, capturing hearts and gaining a devoted following. In 2023\, she released the standout track “26 and 24\,” which struck a chord with fans and marked a pivotal moment in her growing career. Since then\, she has released three projects\, including the fan-favorite “Baby Blondie”. Paige has become a regular headliner\, selling out shows across the country and building a passionate audience with her cinematic pop and country storytelling\, which is rooted in deeply personal\, diary-inspired lyrics. \n\nSocial Links\n\n\n\n\n\n\n\nSweet Tangerine\n\n \n\nBorn out of the Provo Utah music scene in 2020. Sweet Tangerine is made up of a batch of friends who constantly tries to  push the boundaries of indie rock\, blend the catchy hooks of alt-pop\, and infusesthe  soul of blues rock. \nAfter small break\, they’ve reassembled in 2026 with a renewed energy\, a calendar packed with upcoming live shows\, and  new releases ready for your speakers. Whether they’re locking into a tight groove or letting a guitar solo fly\, Sweet Tangerine is all about capturing good energy\, playing great music\, and sharing it with the community that raised them. \n\n\nSocial Links
URL:https://www.mikebrowngroup.com/event/paige-fish-the-midnight-crisis-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/43_Original.png
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DTSTART;TZID=UTC:20261015T200000
DTEND;TZID=UTC:20261015T200000
DTSTAMP:20260930T180306Z
CREATED:20260930T180306Z
LAST-MODIFIED:20260930T180306Z
UID:152689-1792094400-1792094400@www.mikebrowngroup.com
SUMMARY:Sammy Rae & The Friends w/ Melt
DESCRIPTION:The mantra of the Friends? \nGo put a smile on somebody’s face\, go tell somebody they’ve got a place in this world\, go tell somebody you wanna be friends with them. \nFor as much as Sammy Rae & The Friends may be a band\, this collective of dreamers and artists considers themselves a family first. That all-for-one and one-for-all camaraderie ignites their unforgettable and can’t-miss live shows\, which serve as a catharsis for both the musicians and their fervent audience. Fronted by singer/songwriter Sammy Rae and honed through years of touring\, the group is capable of flourishing in any spotlight thanks to its signature blend of palpable chemistry\, deft virtuosity\, and vocal fireworks. \nTheir sound\, which has attracted new fans by the thousands in the past few years\, is a unique mélange of Sammy’s influences: classic rock\, folk and funk and sprinkled with soul and jazz. Rae has been building toward this moment since moving to NYC from Connecticut in her early 20s. Finding herself without a built-in peer group\, she simply built it herself: the literal and proverbial Friends. When she started playing shows\, she made sure the audience was part of the family too. Everything that’s happened since – from EP’s “The Good Life” (2018) and “Let’s Throw a Party” (2021) to sold-out shows in major markets and secondary markets alike across North American and the UK & Europe\, to high-profile festival sets around the world\, including Bonnaroo’s main stage\, Sound on Sound\, All Things Go\, and more – has been based on friends telling friends. \nWith the release of their debut album “Something For Everybody” in 2024\, Sammy Rae & The Friends have come to represent more than just a band: they are a full-on movement being adopted with refreshingly diverse clientele.  The band is currently working on their next album \n\n \n\nMelt\nPulsing with the energy of their hometown New York City\, ‘If There’s a Heaven’(out 9/13/24)is the debut album from indie band Melt. The band formed in 2017 and cut their teeth touring on the heels of their viral single “Sour Candy” over weekends in college. Called “one groovy super organism” by NPR\, they are known for their ecstatic live set. In 2021\, Melt released their‘West Side Highway’ EP and toured nationally\, further developing their intuitive connection as players as well as cementing their status as a band to watch. \n‘If There’s a Heaven’ presents Melt simultaneously at their most airtight and freewheeling–evoking the raw\, communal spirit of Fleetwood Mac as well as the modern\, danceable hooks ofMUNA. Recorded live to tape with producer Sam Evian (Big Thief)\, the eleven tracks spanexistential\, feel-good pop (“Plant the Garden”)\, classic love ballads (“Your Name”) and lush\,soulful rockers (“Heaven”). Melt’s debut is ajoyous\, timeless soundtrack for coming of age andfinding oneself and one’s community. As emotionally stirring as they are groovy\, Melt will movelisteners in every sense of the word.
URL:https://www.mikebrowngroup.com/event/sammy-rae-the-friends-w-melt/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Sammy-Rae-1024x650-1.png
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DTSTART;TZID=UTC:20261015T200000
DTEND;TZID=UTC:20261015T200000
DTSTAMP:20260930T180910Z
CREATED:20260930T180910Z
LAST-MODIFIED:20260930T180910Z
UID:152692-1792094400-1792094400@www.mikebrowngroup.com
SUMMARY:Logan Ryan
DESCRIPTION:Logan Ryan\n\nOct 15\, 2026\nDoors: 7:00 PM / Show: 8:00 PM
URL:https://www.mikebrowngroup.com/event/logan-ryan/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/loganryan-2048x1152-1.jpg
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DTSTART;TZID=UTC:20261016T193000
DTEND;TZID=UTC:20261016T193000
DTSTAMP:20260930T182217Z
CREATED:20260930T182217Z
LAST-MODIFIED:20260930T182217Z
UID:152698-1792179000-1792179000@www.mikebrowngroup.com
SUMMARY:Abduction A Comedy in Three Acts
DESCRIPTION:Abduction\nA Comedy in Three Acts\nBased on Belmont und Constanze\, oder Die Entführung aus dem Serail (Belmonte and Constance\, or The Abduction from the Seraglio) by Christoph Friedrich Bretzner \n\n\n\n\n\n\n\n\nComposer\nWolfgang Amadeus Mozart \nLibrettist\nChristoph Friedrich Bretzner\nJohann Gottlieb Stephanie \nFirst performance\nJuly 16\, 1782\, Burgtheater\, Vienna\, Austria \n\n\n\n\n\n\n\n\nRun time\nApproximately 2 hrs 45 min\nincluding two intermissions \nSung in German with English dialogue\nEnglish captions projected above the stage \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\nDate\nFriday\, October 16\, 7:30 pm\nSunday\, October 18\, 2:30 pm \nVenue\nThe Egyptian Theatre\n700 W Main St\, Boise \nDoors open\n6:00 pm (Oct 16) | 1:00 pm (Oct 18) \nCenter Stage with Stacey\n6:30 pm (Oct 16) | 1:30 pm (Oct 18) \nTicket Prices\nAdult: $41 to $132\nSenior: $33 to $119\nYouth: $29 to $87\nMilitary discount available \nGroups\nSave 20% on groups of 10 or more. Contact the box office at 208-345-3531. \n\nAll tickets show the “all-in” price\, fees and tax included. \n\n\n\n\n\n\n\n\n\n\n\n\nThe Artists\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKonstanze\nChristina Mancheni \n\n\n\n\n\n\n\n\n\n\n\nBelmonte\nThomas Glenn \n\n\n\n\n\n\n\n\n\n\n\nBlonde\nIvy Zhou \n\n\n\n\n\n\n\n\n\n\n\nPedrillo\nAndrew Peck \n\n\n\n\n\n\n\n\n\n\n\nOsmin\nRon Dukes \n\n\n\n\n\n\n\n\n\n\n\nPasha Selim\nJeffrey Seppala \n\n\n\n\n\n\n\n\n\n\n\n\nCreative Team\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStage Director\nJames Marvel \n\n\n\n\n\n\n\n\n\n\n\nConductor\nAndy Anderson \n\n\n\n\n\n\n\n\nDanyale Cook\, Hair/Makeup Designer\nBecky Wetzel\, Costume Designer\nSara Oldford\, Lighting Designer\nDJ Pike\, Scenic/Projection Designer\nAnthony Colombo\, Production Director\nMatt Chilcote\, Tech Director/Master Electrician\nMego WIlliams\, Production Coordinator\nKelly Kaye\, Chorus Master/Titles Operator\nRachel Kilgore\, Stage Manager\nRacheal French\, Props Manager\nChris Pederson\, Master Carpenter/Lead Stage Crew\nRyan Ginter\, Wardrobe Coordinator\nBetsi Hodges\, Staff Pianist \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOpera Idaho Ensemble:\nAlana Seacord\, Sarah Smith\, Olivia Sanders\, Roberta Harriff\, Tamara Slajhert\, Jonathan Perry\, Tommy Duff\, Paul Turcke\, Braden Olson\, Colin Cho\, Erik Noyce \nOpera Idaho Orchestra:\nViolin I: Nicole Oswald (concertmaster)\, Kathy Stutzman\, Lauren\, Folkner\, Jessica Harned • Violin II: Dawn Douthit (principal)\, Paula Stern\, Heather Calkins • Viola: Dave Johnson (principal)\, Linda Kline\, Adele Rosen • Cello: Micah Claffey (principal)\, Stephen Mathie\, Lisa Cooper • Bass: Nathan May (principal)\, Renaud Boucher-Browning • Flute: Melanie Keller (principal) • Oboe: Lauren Blackerby (principal) • Clarinet: Kevin Bolen (principal)\, Jennifer Rudser • Bassoon: Janelle Oberbillig (principal) • Horn: Brian Vance (principal)\, Brendan Wiggins • Trumpet: Zach Buie (principal) • Timpani: Matthew Grady (principal) • Percussion: Alan  Salvador (principal) \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Show\n\n\n\n\nWhat should be a simple rescue quickly becomes anything but. \nWhen Belmonte sets out to reunite with his beloved Konstanze\, he expects courage\, determination\, and maybe a little luck to be enough. Instead\, he finds himself caught in a whirlwind of clever schemes\, mistaken assumptions\, oversized personalities\, and one hilariously stubborn overseer who seems determined to foil every plan. \nWith the help of his quick thinking friend Pedrillo and the spirited Blondchen\, every new attempt to outsmart their captors seems to unravel in an entirely unexpected way. As disguises\, deception\, and romance collide\, the line between carefully laid plans and complete chaos grows thinner by the minute. \nFilled with sparkling melodies\, dazzling vocal fireworks\, and laugh out loud moments\, Abduction showcases Mozart at his most playful. Beneath the comedy\, however\, lies a story that challenges first impressions and reminds us that kindness can appear where we least expect it. \nPart of Opera Idaho’s Unraveled season\, Abduction celebrates the moments when our assumptions fall apart\, our plans go delightfully off course\, and our greatest surprises reveal something unexpected about ourselves and others. \nWhether you’re discovering opera for the first time or you’re a longtime fan\, Abduction is an irresistible blend of romance\, comedy\, and unforgettable music that proves sometimes the best adventures are the ones that don’t go according to plan. \n\n\n\n\n\n\n\n\nAbout the Composer\n\n\n\n\nWolfgang Amadeus Mozart (1756–1791) is widely regarded as one of history’s greatest composers. A child prodigy who began performing across Europe before the age of ten\, Mozart possessed an extraordinary ability to write music that was both technically brilliant and deeply expressive. During his short lifetime\, he composed more than 600 works\, many of which remain cornerstones of the classical repertoire. \nAlthough his remarkable talent earned him admiration from royalty and audiences alike\, Mozart spent much of his adult life pursuing artistic independence as a freelance composer. His operas\, in particular\, revealed an unmatched gift for bringing characters to life\, balancing humor\, drama\, and emotional honesty with music of remarkable beauty and sophistication. \nComposed in 1782\, The Abduction from the Seraglio marked Mozart’s first great operatic success in Vienna and helped establish German-language opera as a serious artistic form. Blending sparkling comedy with moments of genuine compassion\, the work reflects Mozart’s belief that even the funniest stories are most powerful when their characters feel real. Its demanding vocal writing and memorable melodies continue to delight audiences more than two centuries later. \nFrom The Marriage of Figaro and Don Giovanni to The Magic Flute\, Mozart transformed opera by creating characters who are wonderfully flawed\, deeply human\, and instantly recognizable. The Abduction from the Seraglio remains a perfect introduction to that genius\, combining dazzling music\, irresistible comedy\, and timeless storytelling. \n\n\n\n\n\n\n\n\n\n\n\n\nSynopsis (spoilers)\n\n\n\n\nAct I\nTurkey\, the 1700s. Pasha Selim has bought as slaves three Europeans taken prisoner by pirates: Konstanze\, a young Spanish lady; Blondchen\, her English maid; and Pedrillo\, who is the servant of Konstanze’s fiancé\, Belmonte\, and in love with Blondchen. Belmonte has traced the trio to the pasha’s seaside palace\, where Konstanze has become her new master’s favorite. The pasha has made Pedrillo his gardener and has given Blondchen to Osmin\, his palace overseer. \nAt the palace gate\, Belmonte encounters Osmin\, who treats him coolly and flies into a rage when Belmonte asks about Pedrillo\, Osmin’s rival. Osmin drives Belmonte away and then rails at Pedrillo when he suggests that they should finally make peace. Belmonte returns and learns from Pedrillo that the pasha has fallen in love with Konstanze but will not force himself on her. Pedrillo will try to arrange a meeting between Konstanze and Belmonte and an escape by boat with Blondchen. \nKonstanze returns from a pleasure trip with the pasha. He has been treating her with respect but she cannot forget Belmonte and keeps rejecting his advances. Pedrillo introduces Belmonte to the pasha as a promising young architect and Selim welcomes him. Osmin tries to bar the way as Belmonte and Pedrillo enter the palace\, but they force their way past him. \nAct II\nIn the palace garden\, Blondchen explains to Osmin how a European woman should be treated. Konstanze finds Blondchen and laments her sad situation. When the pasha again asks her to marry him\, she tells him she would prefer torture\, even death\, to betraying her fiancé. Blondchen and Pedrillo discuss the escape plan: they will get Osmin drunk and all four leave on Belmonte’s ship. Even though Osmin’s religion forbids him to drink wine\, Pedrillo has no difficulty in getting him drunk\, leaving the coast clear for the two couples to meet. \nAct III\nThat night\, Belmonte and Pedrillo come to the ladies’ window with a ladder. Pedrillo sings a serenade as the signal for escape\, but this wakes Osmin\, who is not too hungover to realize what is going on. The four are locked up. When brought before the pasha\, Belmonte suggests he collect a ransom from his wealthy family\, the Lostados. At the mention of this name\, the pasha realizes that Belmonte is the son of an old enemy\, the man who exiled him from his own country. He decides to repay evil with good\, freeing Konstanze and Belmonte\, and even Blondchen and Pedrillo. The grateful couples praise their benefactor as they prepare to set sail.
URL:https://www.mikebrowngroup.com/event/abduction-a-comedy-in-three-acts/
LOCATION:The Egyptian Theatre\, 700 W. Main St.\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/1920x1080px-ABDUCTION.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261016T193000
DTEND;TZID=UTC:20261016T193000
DTSTAMP:20260930T183951Z
CREATED:20260930T183951Z
LAST-MODIFIED:20260930T183951Z
UID:152703-1792179000-1792179000@www.mikebrowngroup.com
SUMMARY:RAY VOLPE - VOLPETRON ETERNAL TOUR
DESCRIPTION:Nicknamed “Volpetron” by fans who’ve picked up the name from his producer tag\, Ray Volpe excels in every corner of the electronic scene. Gaining recognition for creating festival anthems\, Ray has created his own unique sound that has earned him support from Hardwell\, Excision\, DJ Snake\, Illenium\, & countless other household names from the dance scene. \nElectronic Dance Music Award Winner for “Best New Artist of 2023” artist Ray Volpe has had consecutive years of chart topping viral records. “Laserbeam” was the #1 played most played Dubstep track of 2022\, the #1 Dubstep track of 2022\, & was even remixed by legends Hardwell & Chris Lake. “HAPPY SONG\,” “SONG REQUEST\,” “SEE YOU DROP\,” & “REWIND” all followed in back-to-back years as top Dubstep songs of the year\, with “SONG REQUEST” even becoming the official 3rd period hype song for the LA Kings’ 2025-2026 season. \nIn 2025\, Ray Volpe released his debut album “FOREVER\, VOLPETRON” which included “SONG REQUEST” & “REWIND.” The album tour totaled more than 50\,000 tickets sold\, with iconic venues Bill Graham Civic Auditorium\, Mission Ballroom\, Radius\, Echostage\, Terminal 5\, & more selling out in advance. Following this\, Ray Volpe made his 2026 Las Vegas residency debut with ZOUK Nightclub. \nAs Ray Volpe constantly makes headlines with sold out shows & consecutive top played songs of the year\, he continues to prove why he is a legend in the making.
URL:https://www.mikebrowngroup.com/event/ray-volpe-volpetron-eternal-tour/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/1x1-VOLPETRON-ETERNAL-INDIVIDUAL-1024x1024-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261016T193000
DTEND;TZID=UTC:20261016T193000
DTSTAMP:20260930T200703Z
CREATED:20260930T200703Z
LAST-MODIFIED:20260930T200703Z
UID:152721-1792179000-1792179000@www.mikebrowngroup.com
SUMMARY:Abduction A Comedy in Three Acts
DESCRIPTION:Abduction\nA Comedy in Three Acts\nBased on Belmont und Constanze\, oder Die Entführung aus dem Serail (Belmonte and Constance\, or The Abduction from the Seraglio) by Christoph Friedrich Bretzner \n\n\n\n\n\n\n\n\nComposer\nWolfgang Amadeus Mozart \nLibrettist\nChristoph Friedrich Bretzner\nJohann Gottlieb Stephanie \nFirst performance\nJuly 16\, 1782\, Burgtheater\, Vienna\, Austria \n\n\n\n\n\n\n\n\nRun time\nApproximately 2 hrs 45 min\nincluding two intermissions \nSung in German with English dialogue\nEnglish captions projected above the stage \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\nDate\nFriday\, October 16\, 7:30 pm\nSunday\, October 18\, 2:30 pm \nVenue\nThe Egyptian Theatre\n700 W Main St\, Boise \nDoors open\n6:00 pm (Oct 16) | 1:00 pm (Oct 18) \nCenter Stage with Stacey\n6:30 pm (Oct 16) | 1:30 pm (Oct 18) \nTicket Prices\nAdult: $41 to $132\nSenior: $33 to $119\nYouth: $29 to $87\nMilitary discount available \nGroups\nSave 20% on groups of 10 or more. Contact the box office at 208-345-3531. \n\nAll tickets show the “all-in” price\, fees and tax included. \n\n\n\n\n\n\n\n\n\n\n\n\nThe Artists\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKonstanze\nChristina Mancheni \n\n\n\n\n\n\n\n\n\n\n\nBelmonte\nThomas Glenn \n\n\n\n\n\n\n\n\n\n\n\nBlonde\nIvy Zhou \n\n\n\n\n\n\n\n\n\n\n\nPedrillo\nAndrew Peck \n\n\n\n\n\n\n\n\n\n\n\nOsmin\nRon Dukes \n\n\n\n\n\n\n\n\n\n\n\nPasha Selim\nJeffrey Seppala \n\n\n\n\n\n\n\n\n\n\n\n\nCreative Team\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStage Director\nJames Marvel \n\n\n\n\n\n\n\n\n\n\n\nConductor\nAndy Anderson \n\n\n\n\n\n\n\n\nDanyale Cook\, Hair/Makeup Designer\nBecky Wetzel\, Costume Designer\nSara Oldford\, Lighting Designer\nDJ Pike\, Scenic/Projection Designer\nAnthony Colombo\, Production Director\nMatt Chilcote\, Tech Director/Master Electrician\nMego WIlliams\, Production Coordinator\nKelly Kaye\, Chorus Master/Titles Operator\nRachel Kilgore\, Stage Manager\nRacheal French\, Props Manager\nChris Pederson\, Master Carpenter/Lead Stage Crew\nRyan Ginter\, Wardrobe Coordinator\nBetsi Hodges\, Staff Pianist \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOpera Idaho Ensemble:\nAlana Seacord\, Sarah Smith\, Olivia Sanders\, Roberta Harriff\, Tamara Slajhert\, Jonathan Perry\, Tommy Duff\, Paul Turcke\, Braden Olson\, Colin Cho\, Erik Noyce \nOpera Idaho Orchestra:\nViolin I: Nicole Oswald (concertmaster)\, Kathy Stutzman\, Lauren\, Folkner\, Jessica Harned • Violin II: Dawn Douthit (principal)\, Paula Stern\, Heather Calkins • Viola: Dave Johnson (principal)\, Linda Kline\, Adele Rosen • Cello: Micah Claffey (principal)\, Stephen Mathie\, Lisa Cooper • Bass: Nathan May (principal)\, Renaud Boucher-Browning • Flute: Melanie Keller (principal) • Oboe: Lauren Blackerby (principal) • Clarinet: Kevin Bolen (principal)\, Jennifer Rudser • Bassoon: Janelle Oberbillig (principal) • Horn: Brian Vance (principal)\, Brendan Wiggins • Trumpet: Zach Buie (principal) • Timpani: Matthew Grady (principal) • Percussion: Alan  Salvador (principal) \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Show\n\n\n\n\nWhat should be a simple rescue quickly becomes anything but. \nWhen Belmonte sets out to reunite with his beloved Konstanze\, he expects courage\, determination\, and maybe a little luck to be enough. Instead\, he finds himself caught in a whirlwind of clever schemes\, mistaken assumptions\, oversized personalities\, and one hilariously stubborn overseer who seems determined to foil every plan. \nWith the help of his quick thinking friend Pedrillo and the spirited Blondchen\, every new attempt to outsmart their captors seems to unravel in an entirely unexpected way. As disguises\, deception\, and romance collide\, the line between carefully laid plans and complete chaos grows thinner by the minute. \nFilled with sparkling melodies\, dazzling vocal fireworks\, and laugh out loud moments\, Abduction showcases Mozart at his most playful. Beneath the comedy\, however\, lies a story that challenges first impressions and reminds us that kindness can appear where we least expect it. \nPart of Opera Idaho’s Unraveled season\, Abduction celebrates the moments when our assumptions fall apart\, our plans go delightfully off course\, and our greatest surprises reveal something unexpected about ourselves and others. \nWhether you’re discovering opera for the first time or you’re a longtime fan\, Abduction is an irresistible blend of romance\, comedy\, and unforgettable music that proves sometimes the best adventures are the ones that don’t go according to plan. \n\n\n\n\n\n\n\n\nAbout the Composer\n\n\n\n\nWolfgang Amadeus Mozart (1756–1791) is widely regarded as one of history’s greatest composers. A child prodigy who began performing across Europe before the age of ten\, Mozart possessed an extraordinary ability to write music that was both technically brilliant and deeply expressive. During his short lifetime\, he composed more than 600 works\, many of which remain cornerstones of the classical repertoire. \nAlthough his remarkable talent earned him admiration from royalty and audiences alike\, Mozart spent much of his adult life pursuing artistic independence as a freelance composer. His operas\, in particular\, revealed an unmatched gift for bringing characters to life\, balancing humor\, drama\, and emotional honesty with music of remarkable beauty and sophistication. \nComposed in 1782\, The Abduction from the Seraglio marked Mozart’s first great operatic success in Vienna and helped establish German-language opera as a serious artistic form. Blending sparkling comedy with moments of genuine compassion\, the work reflects Mozart’s belief that even the funniest stories are most powerful when their characters feel real. Its demanding vocal writing and memorable melodies continue to delight audiences more than two centuries later. \nFrom The Marriage of Figaro and Don Giovanni to The Magic Flute\, Mozart transformed opera by creating characters who are wonderfully flawed\, deeply human\, and instantly recognizable. The Abduction from the Seraglio remains a perfect introduction to that genius\, combining dazzling music\, irresistible comedy\, and timeless storytelling. \n\n\n\n\n\n\n\n\n\n\n\n\nSynopsis (spoilers)\n\n\n\n\nAct I\nTurkey\, the 1700s. Pasha Selim has bought as slaves three Europeans taken prisoner by pirates: Konstanze\, a young Spanish lady; Blondchen\, her English maid; and Pedrillo\, who is the servant of Konstanze’s fiancé\, Belmonte\, and in love with Blondchen. Belmonte has traced the trio to the pasha’s seaside palace\, where Konstanze has become her new master’s favorite. The pasha has made Pedrillo his gardener and has given Blondchen to Osmin\, his palace overseer. \nAt the palace gate\, Belmonte encounters Osmin\, who treats him coolly and flies into a rage when Belmonte asks about Pedrillo\, Osmin’s rival. Osmin drives Belmonte away and then rails at Pedrillo when he suggests that they should finally make peace. Belmonte returns and learns from Pedrillo that the pasha has fallen in love with Konstanze but will not force himself on her. Pedrillo will try to arrange a meeting between Konstanze and Belmonte and an escape by boat with Blondchen. \nKonstanze returns from a pleasure trip with the pasha. He has been treating her with respect but she cannot forget Belmonte and keeps rejecting his advances. Pedrillo introduces Belmonte to the pasha as a promising young architect and Selim welcomes him. Osmin tries to bar the way as Belmonte and Pedrillo enter the palace\, but they force their way past him. \nAct II\nIn the palace garden\, Blondchen explains to Osmin how a European woman should be treated. Konstanze finds Blondchen and laments her sad situation. When the pasha again asks her to marry him\, she tells him she would prefer torture\, even death\, to betraying her fiancé. Blondchen and Pedrillo discuss the escape plan: they will get Osmin drunk and all four leave on Belmonte’s ship. Even though Osmin’s religion forbids him to drink wine\, Pedrillo has no difficulty in getting him drunk\, leaving the coast clear for the two couples to meet. \nAct III\nThat night\, Belmonte and Pedrillo come to the ladies’ window with a ladder. Pedrillo sings a serenade as the signal for escape\, but this wakes Osmin\, who is not too hungover to realize what is going on. The four are locked up. When brought before the pasha\, Belmonte suggests he collect a ransom from his wealthy family\, the Lostados. At the mention of this name\, the pasha realizes that Belmonte is the son of an old enemy\, the man who exiled him from his own country. He decides to repay evil with good\, freeing Konstanze and Belmonte\, and even Blondchen and Pedrillo. The grateful couples praise their benefactor as they prepare to set sail.
URL:https://www.mikebrowngroup.com/event/abduction-a-comedy-in-three-acts-3/
LOCATION:The Egyptian Theatre\, 700 W. Main St.\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/1920x1080px-ABDUCTION-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261016T200000
DTEND;TZID=UTC:20261016T200000
DTSTAMP:20260930T185211Z
CREATED:20260930T185211Z
LAST-MODIFIED:20260930T185211Z
UID:152706-1792180800-1792180800@www.mikebrowngroup.com
SUMMARY:Ashley Cooke - The Baby Blues Tour
DESCRIPTION:Ashley Cooke: The Baby Blues Tour\nKnitting Factory – Boise\n416 S 9th St – Boise\, Idaho 83702\nFriOctober 16 8:00 pm (Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/ashley-cooke-the-baby-blues-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/adeba110-5b43-4439-b64f-e8b37d578c2a_TABLET_LANDSCAPE_16_9.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261017T190000
DTEND;TZID=UTC:20261017T190000
DTSTAMP:20260930T192401Z
CREATED:20260930T192401Z
LAST-MODIFIED:20260930T192401Z
UID:152715-1792263600-1792263600@www.mikebrowngroup.com
SUMMARY:Charles Wesley Godwin
DESCRIPTION:Charles Wesley Godwin\n\nOct 17\, 2026\nDoors: 7:00 PM / Show: 8:00 PM
URL:https://www.mikebrowngroup.com/event/charles-wesley-godwin/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Static_Outdoor-ConcertVision_1920x1080_CharlesWesleyGodwin_2026_Regional_RevolutionConcertHouseandEventCenter_1017.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261017T200000
DTEND;TZID=UTC:20261017T200000
DTSTAMP:20260930T191124Z
CREATED:20260930T191124Z
LAST-MODIFIED:20260930T191124Z
UID:152712-1792267200-1792267200@www.mikebrowngroup.com
SUMMARY:almost monday – THANK GOD IT'S ALMOST MONDAY
DESCRIPTION:almost monday\n\n \n\nalmost monday is the definition of a California state of mind. For the band\, it all started in a San Diego surf shop\, where three friends—Dawson Daugherty (vocals)\, Cole Clisby (guitar) and Luke Fabry (bass)—began shaping a sound that feels coastal without feeling cliché. Their early breakout “broken people” quietly snowballed into wider attention\, earning a Sofi Tukker remix and setting the stage for a run of alternative radio momentum with the release of “sun keeps on shining” and culminating in a Billboard Alternative Airplay #1 with “can’t slow down.” \nAs the band’s cultural footprint continues to grow\, their music has become a fixture across lifestyle and sports\, racking up 50+ syncs spanning everything from ESPN and MLB broadcasts to March Madness\, and the Vans US Open. \nThe band kicked off the year with “leaving is easy\,” an emotionally resonant track reflecting their continued growth as songwriters\, followed by “no more regrets\,” an upbeat track built for connection and movement and most recently “skinny dip\,” which captures fleeting\, youthful connection with a subtle emotional edge. The momentum continued with a 2026 iHeart Music Awards nomination for Best New Alternative Artist. The band recently performed at BottleRock in May and are currently on tour with Young the Giant and Cold War Kids\, with the run wrapping June 27 in Nashville. \nOnstage\, almost monday have built a reputation for high-voltage performances and a kinetic\, sun-soaked energy. The band has appeared at major festivals including Lollapalooza\, BottleRock\, Life is Beautiful\, as well as iHeartRadio’s 98.7 ALTer EGO. They’ve opened arenas for AJR\, toured globally with The Driver Era and The Band CAMINO\, sold-out their own headline tour across the U.S.\, UK\, and Europe. In 2024\, they released their debut album DIVE\, a kaleidoscopic coming‑of‑age record blending hooks\, radiance\, and sun‑drenched world‑building\, brought to life visually by artist Dave Bowers. \nWith over 1.5 billion streams\, a late-night TV debut on Jimmy Kimmel Live!\, collaborations including Jordana on “jupiter\,” and work with producers behind OneRepublic and The Killers\, the band continues to blur the lines between alt-pop immediacy and indie-rock intent—music that feels effortless\, kinetic\, and built for motion. \nFrom surf shops to global stages\, almost monday is defining their era with style and swagger. Their music doesn’t just soundtrack a summer — it creates one: sun‑soaked\, uplifting\, and impossible not to dance to.
URL:https://www.mikebrowngroup.com/event/almost-monday-thank-god-its-almost-monday/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/14_Original-1.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261017T210000
DTEND;TZID=UTC:20261017T210000
DTSTAMP:20260930T193343Z
CREATED:20260930T193343Z
LAST-MODIFIED:20260930T193343Z
UID:152718-1792270800-1792270800@www.mikebrowngroup.com
SUMMARY:BLADE RAVE
DESCRIPTION:Step into the Vampire underworld as Blade Rave turns our venue into a reimagined night inside the iconic Bloodbath rave scene from the film Blade. Arrive early\, stay late\, just be on the lookout for Vampires.\nThis event includes\n\n\nDJS playing a mix of goth / techno / house and additional sub-genres of EDM\,\n\n\nGoGo Dancers dressed to impress and ready to bite\n\n\nThemed cocktails and limited Blood Bags\n\n\nEvent photos + video recap posted on bladerave.com\n\n\nCosplayers\n\n\nCustomized visuals created by @deadeyesart\n\n\nA midnight bloodbath\n\n\nSuggested Attire: goth / industrial / steampunk / vampire / super hero cosplay\nPlease note\, if you are in the crowd during the blood bath\, you may get wet. “Blood” is washable\, but there’s always a small chance it may leave a stain.\nFor a refresher on the iconic scene from the original 1998 Blade Movie: https://www.youtube.com/watch?v=XZd7eptgdfQ
URL:https://www.mikebrowngroup.com/event/blade-rave-2/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Oct17_BladeRave_Boise_1080x1080-1024x1024-1.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261018T143000
DTEND;TZID=UTC:20261018T143000
DTSTAMP:20260930T182810Z
CREATED:20260930T182810Z
LAST-MODIFIED:20260930T182810Z
UID:152701-1792333800-1792333800@www.mikebrowngroup.com
SUMMARY:Abduction A Comedy in Three Acts
DESCRIPTION:Abduction\nA Comedy in Three Acts\nBased on Belmont und Constanze\, oder Die Entführung aus dem Serail (Belmonte and Constance\, or The Abduction from the Seraglio) by Christoph Friedrich Bretzner \n\n\n\n\n\n\n\n\nComposer\nWolfgang Amadeus Mozart \nLibrettist\nChristoph Friedrich Bretzner\nJohann Gottlieb Stephanie \nFirst performance\nJuly 16\, 1782\, Burgtheater\, Vienna\, Austria \n\n\n\n\n\n\n\n\nRun time\nApproximately 2 hrs 45 min\nincluding two intermissions \nSung in German with English dialogue\nEnglish captions projected above the stage \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\nDate\nFriday\, October 16\, 7:30 pm\nSunday\, October 18\, 2:30 pm \nVenue\nThe Egyptian Theatre\n700 W Main St\, Boise \nDoors open\n6:00 pm (Oct 16) | 1:00 pm (Oct 18) \nCenter Stage with Stacey\n6:30 pm (Oct 16) | 1:30 pm (Oct 18) \nTicket Prices\nAdult: $41 to $132\nSenior: $33 to $119\nYouth: $29 to $87\nMilitary discount available \nGroups\nSave 20% on groups of 10 or more. Contact the box office at 208-345-3531. \n\nAll tickets show the “all-in” price\, fees and tax included. \n\n\n\n\n\n\n\n\n\n\n\n\nThe Artists\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKonstanze\nChristina Mancheni \n\n\n\n\n\n\n\n\n\n\n\nBelmonte\nThomas Glenn \n\n\n\n\n\n\n\n\n\n\n\nBlonde\nIvy Zhou \n\n\n\n\n\n\n\n\n\n\n\nPedrillo\nAndrew Peck \n\n\n\n\n\n\n\n\n\n\n\nOsmin\nRon Dukes \n\n\n\n\n\n\n\n\n\n\n\nPasha Selim\nJeffrey Seppala \n\n\n\n\n\n\n\n\n\n\n\n\nCreative Team\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStage Director\nJames Marvel \n\n\n\n\n\n\n\n\n\n\n\nConductor\nAndy Anderson \n\n\n\n\n\n\n\n\nDanyale Cook\, Hair/Makeup Designer\nBecky Wetzel\, Costume Designer\nSara Oldford\, Lighting Designer\nDJ Pike\, Scenic/Projection Designer\nAnthony Colombo\, Production Director\nMatt Chilcote\, Tech Director/Master Electrician\nMego WIlliams\, Production Coordinator\nKelly Kaye\, Chorus Master/Titles Operator\nRachel Kilgore\, Stage Manager\nRacheal French\, Props Manager\nChris Pederson\, Master Carpenter/Lead Stage Crew\nRyan Ginter\, Wardrobe Coordinator\nBetsi Hodges\, Staff Pianist \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOpera Idaho Ensemble:\nAlana Seacord\, Sarah Smith\, Olivia Sanders\, Roberta Harriff\, Tamara Slajhert\, Jonathan Perry\, Tommy Duff\, Paul Turcke\, Braden Olson\, Colin Cho\, Erik Noyce \nOpera Idaho Orchestra:\nViolin I: Nicole Oswald (concertmaster)\, Kathy Stutzman\, Lauren\, Folkner\, Jessica Harned • Violin II: Dawn Douthit (principal)\, Paula Stern\, Heather Calkins • Viola: Dave Johnson (principal)\, Linda Kline\, Adele Rosen • Cello: Micah Claffey (principal)\, Stephen Mathie\, Lisa Cooper • Bass: Nathan May (principal)\, Renaud Boucher-Browning • Flute: Melanie Keller (principal) • Oboe: Lauren Blackerby (principal) • Clarinet: Kevin Bolen (principal)\, Jennifer Rudser • Bassoon: Janelle Oberbillig (principal) • Horn: Brian Vance (principal)\, Brendan Wiggins • Trumpet: Zach Buie (principal) • Timpani: Matthew Grady (principal) • Percussion: Alan  Salvador (principal) \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Show\n\n\n\n\nWhat should be a simple rescue quickly becomes anything but. \nWhen Belmonte sets out to reunite with his beloved Konstanze\, he expects courage\, determination\, and maybe a little luck to be enough. Instead\, he finds himself caught in a whirlwind of clever schemes\, mistaken assumptions\, oversized personalities\, and one hilariously stubborn overseer who seems determined to foil every plan. \nWith the help of his quick thinking friend Pedrillo and the spirited Blondchen\, every new attempt to outsmart their captors seems to unravel in an entirely unexpected way. As disguises\, deception\, and romance collide\, the line between carefully laid plans and complete chaos grows thinner by the minute. \nFilled with sparkling melodies\, dazzling vocal fireworks\, and laugh out loud moments\, Abduction showcases Mozart at his most playful. Beneath the comedy\, however\, lies a story that challenges first impressions and reminds us that kindness can appear where we least expect it. \nPart of Opera Idaho’s Unraveled season\, Abduction celebrates the moments when our assumptions fall apart\, our plans go delightfully off course\, and our greatest surprises reveal something unexpected about ourselves and others. \nWhether you’re discovering opera for the first time or you’re a longtime fan\, Abduction is an irresistible blend of romance\, comedy\, and unforgettable music that proves sometimes the best adventures are the ones that don’t go according to plan. \n\n\n\n\n\n\n\n\nAbout the Composer\n\n\n\n\nWolfgang Amadeus Mozart (1756–1791) is widely regarded as one of history’s greatest composers. A child prodigy who began performing across Europe before the age of ten\, Mozart possessed an extraordinary ability to write music that was both technically brilliant and deeply expressive. During his short lifetime\, he composed more than 600 works\, many of which remain cornerstones of the classical repertoire. \nAlthough his remarkable talent earned him admiration from royalty and audiences alike\, Mozart spent much of his adult life pursuing artistic independence as a freelance composer. His operas\, in particular\, revealed an unmatched gift for bringing characters to life\, balancing humor\, drama\, and emotional honesty with music of remarkable beauty and sophistication. \nComposed in 1782\, The Abduction from the Seraglio marked Mozart’s first great operatic success in Vienna and helped establish German-language opera as a serious artistic form. Blending sparkling comedy with moments of genuine compassion\, the work reflects Mozart’s belief that even the funniest stories are most powerful when their characters feel real. Its demanding vocal writing and memorable melodies continue to delight audiences more than two centuries later. \nFrom The Marriage of Figaro and Don Giovanni to The Magic Flute\, Mozart transformed opera by creating characters who are wonderfully flawed\, deeply human\, and instantly recognizable. The Abduction from the Seraglio remains a perfect introduction to that genius\, combining dazzling music\, irresistible comedy\, and timeless storytelling. \n\n\n\n\n\n\n\n\n\n\n\n\nSynopsis (spoilers)\n\n\n\n\nAct I\nTurkey\, the 1700s. Pasha Selim has bought as slaves three Europeans taken prisoner by pirates: Konstanze\, a young Spanish lady; Blondchen\, her English maid; and Pedrillo\, who is the servant of Konstanze’s fiancé\, Belmonte\, and in love with Blondchen. Belmonte has traced the trio to the pasha’s seaside palace\, where Konstanze has become her new master’s favorite. The pasha has made Pedrillo his gardener and has given Blondchen to Osmin\, his palace overseer. \nAt the palace gate\, Belmonte encounters Osmin\, who treats him coolly and flies into a rage when Belmonte asks about Pedrillo\, Osmin’s rival. Osmin drives Belmonte away and then rails at Pedrillo when he suggests that they should finally make peace. Belmonte returns and learns from Pedrillo that the pasha has fallen in love with Konstanze but will not force himself on her. Pedrillo will try to arrange a meeting between Konstanze and Belmonte and an escape by boat with Blondchen. \nKonstanze returns from a pleasure trip with the pasha. He has been treating her with respect but she cannot forget Belmonte and keeps rejecting his advances. Pedrillo introduces Belmonte to the pasha as a promising young architect and Selim welcomes him. Osmin tries to bar the way as Belmonte and Pedrillo enter the palace\, but they force their way past him. \nAct II\nIn the palace garden\, Blondchen explains to Osmin how a European woman should be treated. Konstanze finds Blondchen and laments her sad situation. When the pasha again asks her to marry him\, she tells him she would prefer torture\, even death\, to betraying her fiancé. Blondchen and Pedrillo discuss the escape plan: they will get Osmin drunk and all four leave on Belmonte’s ship. Even though Osmin’s religion forbids him to drink wine\, Pedrillo has no difficulty in getting him drunk\, leaving the coast clear for the two couples to meet. \nAct III\nThat night\, Belmonte and Pedrillo come to the ladies’ window with a ladder. Pedrillo sings a serenade as the signal for escape\, but this wakes Osmin\, who is not too hungover to realize what is going on. The four are locked up. When brought before the pasha\, Belmonte suggests he collect a ransom from his wealthy family\, the Lostados. At the mention of this name\, the pasha realizes that Belmonte is the son of an old enemy\, the man who exiled him from his own country. He decides to repay evil with good\, freeing Konstanze and Belmonte\, and even Blondchen and Pedrillo. The grateful couples praise their benefactor as they prepare to set sail.
URL:https://www.mikebrowngroup.com/event/abduction-a-comedy-in-three-acts-2/
LOCATION:The Egyptian Theatre\, 700 W. Main St.\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
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DTSTART;TZID=UTC:20261019T193000
DTEND;TZID=UTC:20261019T193000
DTSTAMP:20260930T210011Z
CREATED:20260930T210011Z
LAST-MODIFIED:20260930T210011Z
UID:152724-1792438200-1792438200@www.mikebrowngroup.com
SUMMARY:Mom Jeans. w/ Harrison Gordon\, Sobs
DESCRIPTION:Band in the bay. \n\n \n\nHarrison Gordon\nnormal\, Illinois coworker-core i am the most famous person on the planet harrisongordon_il on IG harrisongordonmusicil@gmail.com \n\n\n \n\nSobs
URL:https://www.mikebrowngroup.com/event/mom-jeans-w-harrison-gordon-sobs/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Photo-Jul-14-2025-3-01-26-PM-1024x1024-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261019T200000
DTEND;TZID=UTC:20261019T200000
DTSTAMP:20260930T211151Z
CREATED:20260930T211151Z
LAST-MODIFIED:20260930T211151Z
UID:152727-1792440000-1792440000@www.mikebrowngroup.com
SUMMARY:Jay Webb - The HOMESICK Tour
DESCRIPTION:Jay Webb – The HOMESICK Tour\n9th St. Parallel at Knitting Factory\n416 S 9th St – Boise\, ID 83702\nMonOctober 198:00 pm(Doors: 7:00 pm)\nAll Ages\n$27.71
URL:https://www.mikebrowngroup.com/event/jay-webb-the-homesick-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/13_Original-3.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261020
DTEND;VALUE=DATE:20261026
DTSTAMP:20260930T212332Z
CREATED:20260930T212220Z
LAST-MODIFIED:20260930T212332Z
UID:152733-1792454400-1792972799@www.mikebrowngroup.com
SUMMARY:& JULIET There's Life After Romeo
DESCRIPTION:Created by the Emmy®-winning writer from “Schitt’s Creek\,” this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn’t end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way. \nJuliet’s new story bursts to life through a playlist of pop anthems as iconic as her name\, including “Since U Been Gone‚” “Roar\,” “Baby One More Time\,” “Larger Than Life‚” “That’s The Way It Is\,” and “Can’t Stop the Feeling!”—all from Max Martin\, the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there’s life after Romeo. The only thing tragic would be missing it. \nRun Time: 2 hours and 40 minutes\, including intermission. \nAudio Description and ASL Interpretation: Saturday\, October 24th\, at 1:00 PM. 
URL:https://www.mikebrowngroup.com/event/juliet-theres-life-after-romeo/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Juliet-1440-x-500-px-268d27063f-1.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261020T190000
DTEND;TZID=UTC:20261020T190000
DTSTAMP:20260930T211813Z
CREATED:20260930T211754Z
LAST-MODIFIED:20260930T211813Z
UID:152730-1792522800-1792522800@www.mikebrowngroup.com
SUMMARY:Swan Lake - Symphony of Lights
DESCRIPTION:Swan Lake: Symphony of Lights\nNampa Civic Center\nOctober 20 | 7:00pm \n“Swan Lake: Symphony of Lights” is the landmark new production of the upcoming season.\nTchaikovsky’s iconic score opens the door to an entirely reimagined world: vivid light design\, illuminated costumes\, and world-class dancers from around the globe transform the classic ballet into a mesmerizing visual experience. \nThis is more than a performance — it’s an immersion into a story of love and magic\, told through light\, movement\, and music. Each act unfolds like a living art installation\, where timeless tradition meets bold contemporary design. \nDiscover Swan Lake in a whole new light — a legend reborn with breathtaking imagery and emotional power. \nTickets are now on sale — reserve the best seats early.
URL:https://www.mikebrowngroup.com/event/swan-lake-symphony-of-lights/
LOCATION:Nampa Civic Center\, 311 3rd Street South\, Nampa\, Idaho\, 83651
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2026/09/Grand-Kyiv-ballet-Featured-Image-1920x1080-1.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261021T180000
DTEND;TZID=UTC:20261021T180000
DTSTAMP:20260930T213100Z
CREATED:20260930T213100Z
LAST-MODIFIED:20260930T213100Z
UID:152737-1792605600-1792605600@www.mikebrowngroup.com
SUMMARY:Taste of Chaos - Hollywood Undead/In This Moment
DESCRIPTION:Taste of Chaos – Hollywood Undead/In This Moment\n\nOct 21\, 2026\nDoors: 5:00 PM / Show: 6:00 PM
URL:https://www.mikebrowngroup.com/event/taste-of-chaos-hollywood-undead-in-this-moment/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261030T210000
DTEND;TZID=UTC:20261030T210000
DTSTAMP:20260928T211601Z
CREATED:20260928T211600Z
LAST-MODIFIED:20260928T211601Z
UID:152467-1793394000-1793394000@www.mikebrowngroup.com
SUMMARY:ZONA DE RAVETON: HALLOWEEN EDITION (Latin & Regional Rave)
DESCRIPTION:This Halloween\, we’re going BIGGER than ever. This year we’re bringing as Idaho’s biggest Halloween Latin rave experience. \nWelcome to ZONA DE RAVETÓN — where Regional Mexicano meets the rave. One massive night combining live tamborazo\, DJs\, lasers\, CO2\, LED visuals and Halloween high energy! \nLIVE BAND: Tamborazo Zacatecano \nLIVE DJs: Fresh • Lightz • Litino \nSpecial Live Performance: DJ Johnny Smith \nExpect a wild mix of Regional • Reggaetón • Latin Hits • Cumbias • Rave/Techno energy + more all night long. \n THE HALLOWEEN EXPERIENCE\nCO2 Effects \nLasers \nMassive LED Screen \nPhotobooth \nLive Tamborazo \nMultiple DJs \nFull Bar \nHalloween Costume Contest — Sexy • Scary • Creative \nCome dressed up\, bring the crew and get ready for a Halloween party built different. Sombreros\, botas\, disfraces y rave energy encouraged. \nFriday\, October 30TH | 18+ to enter | 21+ to drink \nTreefort Music Hall \n722 W Broad St\, Boise\, ID \nTickets are limited and prices will increase as each tier sells out. Lock yours in early. \nRegional meets the rave. Halloween meets Zona. \nBoise… prepárense porque este Halloween SE VA A PRENDER —
URL:https://www.mikebrowngroup.com/event/zona-de-raveton-halloween-edition-latin-regional-rave/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Festivals & Events,Halloween,Music
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