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X-ORIGINAL-URL:https://www.mikebrowngroup.com
X-WR-CALDESC:Events for Mike Brown Group
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BEGIN:VEVENT
DTSTART;TZID=UTC:20251002T180000
DTEND;TZID=UTC:20251002T180000
DTSTAMP:20260423T002745
CREATED:20250925T152635Z
LAST-MODIFIED:20250925T152635Z
UID:135093-1759428000-1759428000@www.mikebrowngroup.com
SUMMARY:From Ashes to New
DESCRIPTION:From Ashes to New\nOct 2\, 2025\nDoors: 6:00 PM / Show: 7:00 PM
URL:https://www.mikebrowngroup.com/event/from-ashes-to-new-2/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Static_OOH_1920x1080_FromAshesToNew_2025_Regional_RevolutionConcertHouseandEventCenter_1002-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251002T200000
DTEND;TZID=UTC:20251002T200000
DTSTAMP:20260423T002745
CREATED:20250925T171353Z
LAST-MODIFIED:20250925T171353Z
UID:135099-1759435200-1759435200@www.mikebrowngroup.com
SUMMARY:Birdtalker
DESCRIPTION:Birdtalker\nNeurolux Lounge\n111 North 11th Street – Boise\, ID 83702\nThuOctober 28:00 pm(Doors: 7:00 pm)\n21 and up
URL:https://www.mikebrowngroup.com/event/birdtalker/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/63_Original-6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251003T193000
DTEND;TZID=UTC:20251003T193000
DTSTAMP:20260423T002745
CREATED:20250925T173621Z
LAST-MODIFIED:20250925T173621Z
UID:135111-1759519800-1759519800@www.mikebrowngroup.com
SUMMARY:TOBY – A Tribute to Toby Keith
DESCRIPTION:Get ready for a wild ride through the heart and soul of country music with TOBY\, the ultimate tribute to the bad boy of country music\, Toby Keith! This electrifying show is guaranteed to leave audiences on their feet\, singing along to hit after hit of great country music\, all brought to life by the one and only Hollywood Yates! The air pulsates with anticipation as Hollywood Yates takes center stage\, belting out country music anthems that have become the soundtrack to countless lives. Sing your heart out to timeless classics like “How Do You Like Me Now\,” “Should’ve Been a Cowboy\,” and “I Love This Bar\,” feeling every word resonate deep within your soul. \nWith every strum of the guitar and every beat of the drum\, TOBY pays homage to Toby Keith’s extraordinary career\, capturing the essence of his rebellious charm and his unwavering dedication to his craft. Hollywood Yates embodies the spirit of this country music legend\, delivering a powerhouse performance that will leave you craving more. \nSo grab your cowboy hat\, put on your boots\, and get ready to experience the energy\, the passion\, and the undeniable talent of Toby Keith like never before. TOBY is a must-see show for country music lovers\, a journey that will transport you to the heart of Nashville and leave you yearning for more. Get ready to sing\, dance\, and raise a glass to the unforgettable legacy of Toby Keith!
URL:https://www.mikebrowngroup.com/event/toby-a-tribute-to-toby-keith-2/
LOCATION:Nampa Civic Center\, 311 3rd Street South\, Nampa\, Idaho\, 83651
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Toby_1200x6280-noTitle-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251003T203000
DTEND;TZID=UTC:20251003T203000
DTSTAMP:20260423T002745
CREATED:20250925T180152Z
LAST-MODIFIED:20250925T180152Z
UID:135114-1759523400-1759523400@www.mikebrowngroup.com
SUMMARY:Gimme Gimme Disco
DESCRIPTION:Gimme Gimme Disco\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFriOctober 38:30 pm(Doors: 7:30 pm)\n21 and up\n$23.07 – $61.18Buy Tickets\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event. \nPlease Note: Tier refers to price point only. \nThe ABBA inspired dance party of your dreams is on the way to Knitting Factory Friday 10/03! Gimme Gimme Disco returns and we can’t wait to boogie with you all night long. Come to hear your favorite hits\, stay for the best era of music. \nCome for the music\, stay for your shared love of all things disco!\n21+ // Grab tickets today!
URL:https://www.mikebrowngroup.com/event/gimme-gimme-disco-6/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/14_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251004T180000
DTEND;TZID=UTC:20251004T180000
DTSTAMP:20260423T002745
CREATED:20250925T181329Z
LAST-MODIFIED:20250925T181329Z
UID:135124-1759600800-1759600800@www.mikebrowngroup.com
SUMMARY:Quinn XCII
DESCRIPTION:Quinn XCII\n\nOct 4\, 2025\nDoors: 6:00 PM / Show: 8:00 PM
URL:https://www.mikebrowngroup.com/event/quinn-xcii/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Static_Outdoor-ConcertVision_1920x1080_QuinnXCII_2025_Regional_RevolutionConcertHouseandEventCenter_1004.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251004T193000
DTEND;TZID=UTC:20251004T193000
DTSTAMP:20260423T002745
CREATED:20250925T181649Z
LAST-MODIFIED:20250925T181649Z
UID:135127-1759606200-1759606200@www.mikebrowngroup.com
SUMMARY:Boise Philharmonic Presents MOZART & TCHAIKOVSKY 4
DESCRIPTION:MOZART & TCHAIKOVSKY 4\nConductor Eric Garcia \nOur iconic season opener will have you falling in love with classical music all over again! Feel the infectious energy from the first trumpet call of John Williams’ Liberty Fanfare. Followed by Mozart’s Violin Concerto No. 5 with Bella Hristova\, violin. The evening ends with Tchaikovsky’s deeply personal Symphony No. 4\, which culminates in a furious\, breathtaking finale. Tchaikovsky’s skill in using the orchestra to express universal emotions allows audiences to connect with his music. \n\nPRE-CONCERT TALK \nJoin Musicologist Bradley Berg and Music Director Eric Garcia (and special guests) as they guide you through the music you are about to hear\, providing an enlightening look at the repertoire and composers before the performance begins. Bring your questions! Please gather inside the concert hall by the stage. \nMatinee Pre-Concert Talk starts at 12:45 pm (for 2:00pm Sunday)\nEvening Pre-Concert Talk starts at 6:15 pm (for 7:30pm Saturday)
URL:https://www.mikebrowngroup.com/event/boise-philharmonic-presents-mozart-tchaikovsky-4/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/1-copy-325bc8472d.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251004T200000
DTEND;TZID=UTC:20251004T200000
DTSTAMP:20260423T002745
CREATED:20250925T180626Z
LAST-MODIFIED:20250925T180626Z
UID:135117-1759608000-1759608000@www.mikebrowngroup.com
SUMMARY:YDG - You + Me Forever Tour
DESCRIPTION:YDG – You + Me Forever Tour\nTreefort Music Hall\nSaturday\, October 4th\, 2025\nDOORS: 8pm\nSHOW: 8pm\n18+
URL:https://www.mikebrowngroup.com/event/ydg-you-me-forever-tour/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/YDG-PHOTO-8-lores-1024x660-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251004T200000
DTEND;TZID=UTC:20251004T200000
DTSTAMP:20260423T002745
CREATED:20250925T181023Z
LAST-MODIFIED:20250925T181023Z
UID:135121-1759608000-1759608000@www.mikebrowngroup.com
SUMMARY:Nation of Language\, Greet Death
DESCRIPTION:Nation of Language\, Greet Death\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSatOctober 48:00 pm(Doors: 7:00 pm)\nAll Ages\n$27.71Buy Tickets\n\n\nPlease Note: Delayed Delivery is in place for this event. Tickets will be sent 72hrs prior to the show.\n\n+ Google Calendar\n\n\n\n\nArtists\n\n\nNation of Language\n\n \n\n\n\nSocial Links\n\n\n\n\n\n\n\n\n\n\n\n\nGreet Death\n\n \n\nTrue to the band’s name\, death creeps into nearly all of Greet Death’s songs. And yet\, through this ever-present certainty\, the band finds the absolute core of what it means to be alive. \nSince 2011\, elementary school friends Logan Gaval and Harper Boyhtari have been writing songs full of big ideas and everyday details. Their music\, loud and full of melodic sensibility\, draws from shoegaze\, doomgaze\, and a little-bit-of-everything-gaze\, creating an emotionally maximalist palette. Writing separately but playing together (think of them as small-town Michigan’s Tom DeLonge and Mark Hoppus)\, they’ve been drawing in a devoted crowd ever since their unexpectedly successful debut Dixieland in 2017\, followed by their next-level opus New Hell in 2019. You’d be hard-pressed to find albums with such heart: ones flooded both with full-bloom feelings and the dumb stories we tell ourselves in order to get through the day. \nReturning six years later with Die In Love\, their third and best album\, Greet Death faces the great human problem—that we must go on living despite knowing we’re going to die\, and loving despite knowing we’re going to lose it all—with great sensitivity\, humor\, and flourish. With this album\, Greet Death has found a way to anthemize our suffering\, to turn it into one great\, big\, beautiful singalong: we’re all gonna die\, woo! \n“Everybody struggles in a roundabout way\,” goes the album’s opening lyric. No longer just honing in on their own pain\, the band is now using suffering as a jumping-off point\, a way to connect\, and ultimately love one another. “Emptiness is everywhere\, so hold each other close\,” Harper sings later on\, another of the album’s key lyrics. After years of performing their songs live\, the band has seen firsthand how keenly their audience connects to their music. “So I wanted to try to write something less fatalistic\, because I feel some kind of responsibility to help\,” says Logan. \nPrior to recording\, Logan had been listening to a lot of The Beatles and Paul McCartney’s solo work\, “because I was trying to figure out how to write a song that wasn’t just depressing\,” he says. He and Harper had been talking for a while about the direction of Die In Love; why not a bunch of love songs?” They tried to do just that\, but of course\, death came creeping in as usual. Die In Love speaks to the most tragic and beautiful scenario possible: dying beside the person you’ve spent your whole life loving. Tragic\, because we have to die. Beautiful\, because we might be able to do it together. \nThey recorded the album in Harper’s parents’ basement in Davisburg\, Michigan\, the place where she and Logan spent much of their preteen and adolescent years. They cut their teeth in that basement\, learning how to be a band around the time School of Rock came out and inspired in aughts kids a new possible life path. Logan and Harper covered Metallica and Blink-182 and wrote songs about batteries and frozen yogurt. Returning to that basement well over a decade later to record their third album felt like the back-to-basics moment they needed\, something that would take the pressure off after years away from the studio. \nEver since they were kids\, music has been the primary form of communication for Logan and Harper. Between them\, they’re able to mine the absolute essence of everything both through big picture ideas and small vignettes of life. In Logan’s songs we hear the former\, and in Harper’s the latter. While Logan takes big\, beautiful hits at existence\, Harper focuses on small shards. On her songs — ‘Country Girl’\, ‘Emptiness Is Everywhere’ and ‘Love Me When You Leave’ — she takes us through DVD viewings of Halloween\, buckets at KFC and family gatherings soundtracked by ‘Hotel California\,’ “that bullshit Eagles song”. Then\, she’ll deliver a Loganism in quick succession\, one absolutely devastating lyric that blitzes it all to pieces: “family is everywhere ‘til it’s not there.” \nDie In Love asks how we can possibly cope with all the inevitable loss we’ll experience in this life. How on Earth can anyone survive it? The point is that none of us do. So\, enjoy the bullshit Eagles songs while they last; the cheap beer\, the disappointing New Year’s Eve celebrations\, the family members and the lovers who choose to stay a little while. \n“Pain and loss. Everyone feels it\, it’s a very human thing\,” says Logan. “At the end of the day\, we’re lucky to lose people we care about\,” says Logan.
URL:https://www.mikebrowngroup.com/event/nation-of-language-greet-death/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/23_Original-8.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251005T140000
DTEND;TZID=UTC:20251005T140000
DTSTAMP:20260423T002745
CREATED:20250925T181937Z
LAST-MODIFIED:20250925T181937Z
UID:135130-1759672800-1759672800@www.mikebrowngroup.com
SUMMARY:Boise Philharmonic Presents MOZART & TCHAIKOVSKY 4
DESCRIPTION:MOZART & TCHAIKOVSKY 4\nConductor Eric Garcia \nOur iconic season opener will have you falling in love with classical music all over again! Feel the infectious energy from the first trumpet call of John Williams’ Liberty Fanfare. Followed by Mozart’s Violin Concerto No. 5 with Bella Hristova\, violin. The evening ends with Tchaikovsky’s deeply personal Symphony No. 4\, which culminates in a furious\, breathtaking finale. Tchaikovsky’s skill in using the orchestra to express universal emotions allows audiences to connect with his music. \n\nPRE-CONCERT TALK \nJoin Musicologist Bradley Berg and Music Director Eric Garcia (and special guests) as they guide you through the music you are about to hear\, providing an enlightening look at the repertoire and composers before the performance begins. Bring your questions! Please gather inside the concert hall by the stage. \nMatinee Pre-Concert Talk starts at 12:45 pm (for 2:00pm Sunday)\nEvening Pre-Concert Talk starts at 6:15 pm (for 7:30pm Saturday)
URL:https://www.mikebrowngroup.com/event/boise-philharmonic-presents-mozart-tchaikovsky-5/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/1-copy-325bc8472d.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251005T190000
DTEND;TZID=UTC:20251005T190000
DTSTAMP:20260423T002745
CREATED:20250925T182521Z
LAST-MODIFIED:20250925T182521Z
UID:135132-1759690800-1759690800@www.mikebrowngroup.com
SUMMARY:Nile\, Cryptopsy\, The Last Ten Seconds Of Life\, Cognitive
DESCRIPTION:Nile & Cryptopsy\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSunOctober 57:00 pm(Doors: 6:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/nile-cryptopsy-the-last-ten-seconds-of-life-cognitive/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/14_Original-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251005T193000
DTEND;TZID=UTC:20251005T193000
DTSTAMP:20260423T002745
CREATED:20250819T200227Z
LAST-MODIFIED:20250819T200227Z
UID:134570-1759692600-1759692600@www.mikebrowngroup.com
SUMMARY:Gregory Alan Isakov
DESCRIPTION:Born in Johannesburg\, South Africa\, and now calling Colorado home\, horticulturist/musician Gregory Alan Isakov has cast an impressive presence on the indie-rock and folk worlds with his six full-length studio albums: That Sea\, The Gambler; This Empty Northern Hemisphere; The Weatherman; Gregory Alan Isakov with the Colorado Symphony; Evening Machines (nominated for a Grammy award for Best Folk Album)\, and Appaloosa Bones. Isakov tours internationally with his band\, and has performed with several national symphony orchestras across the United States. \nIsakov’s new record\, Appaloosa Bones\, was released via Dualtone/Suitcase Town Music. Of the album\, MOJO states\, “Prime Isakov: his velvet baritone glides over elegant and shimmering Wild West mirages.” The Associated Press proclaims\, “He has that magical ability to convey both urgency and grandeur at the same time…Simple. Straightforward. Utterly evocative.” And No Depression declares\, “this is Isakov’s genius. He turns a short poem into a magnificent piece of music that can captivate for hours.” \nWhen he is not on the road\, he runs Starling Farm (a small farm in Boulder County)\, which provides produce to CSA members\, restaurants\, and Community Food Share (a local food bank).
URL:https://www.mikebrowngroup.com/event/gregory-alan-isakov/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/Gregory-Alan-1440-x-500-px-8027b7d38d.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251006T200000
DTEND;TZID=UTC:20251006T200000
DTSTAMP:20260423T002745
CREATED:20250925T183035Z
LAST-MODIFIED:20250925T183035Z
UID:135135-1759780800-1759780800@www.mikebrowngroup.com
SUMMARY:Circle Jerks\, The Adolescents\, Negative Approach
DESCRIPTION:Circle Jerks\n\n \n\nCircle Jerks emerged from the punk underbelly of LA’s South Bay in 1979. First conceptualized at “The Church” of Hermosa Beach\, the once infamous hangout of scene forefathers Black Flag\, Descendents\, Redd Kross\, and The Last\, the band quickly became the innovators of a movement simply referred to today as HARDCORE PUNK ROCK. \nAfter serving as a co-founder and lead vocalist of Black Flag during the recording of its essential Nervous Breakdown EP\, Keith Morris joined forces with former Redd Kross guitarist Greg Hetson to form what would become Circle Jerks\, a reference uncovered from artist Raymond Pettibon’s slang dictionary. Having written material for their former bands respectively\, Morris and Hetson\, along with bassist Roger Rogerson and jazz drummer Lucky Lehrer\, fine-tuned previously unfinished material to conceive the troupe’s now-renowned sound – thoughtfully steadfast\, yet relentless and ferocious in nature. Unlike much of the unapologetic hardcore that seeped through the cracks of American suburbia\, the music of the Circle Jerks was dynamic\, deliberate\, and most importantly\, a force to be reckoned with. Bringing together a potent\, articulate rhythm section with earnest yet oftentimes derisive lyrics and themes\, the band was thereafter heralded as a leader of the pack\, but with no real plan in sight. \nThe social climate of Los Angeles in the early eighties was marked by unsettled fluidity\, with the expansion of hardcore punk that infiltrated the public eye. The “pogo” of a former generation became the “slam dance” of another – a moniker consecrated in the iconic Circle Jerks “Skanking Kid” logo designed by graphic designer Shawn Kerri. Songs got shorter\, shows wilder\, and the police – led by embattled police chief Daryl Gates – shut it all down. This earmark of punk lineage was epitomized in the groundbreaking documentary by Penelope Spheeris\, The Decline of Western Civilization\, in which Circle Jerks most notably performed to a pit of chaos. Today\, the film is recognized and preserved by the National Film Registry at the Library of Congress as being “culturally\, historically\, or aesthetically significant.” \nIn October 1980\, Circle Jerks released their debut studio album Group Sex on Los Angeles label Frontier Records. Clocking in at fourteen songs in just sixteen minutes\, the record remains a milestone of the punk genre and equally as symbolic nearly forty years later. Plowing forward with a relentless\, tooth- cutting work ethic and a rousing stage presence\, the band would soon find itself headlining shows at LA’s 5\,000-capacity Olympic Auditorium and emblazoned in cult video classics like Repo Man\, New Wave Theatre\, and The Slog Movie. Over the decades\, Circle Jerks would release six studio albums\, including the   acclaimed Wild   in   the   Streets (1982)\, Golden   Shower   of    Hits (1983)\, Wonderful (1985)\, and IV (1987)\, where they would become a major headliner during the alternative music explosion of Generation X. Morris and Hetson remain the only consistent members since the band’s creation\, withstanding several lineup changes\, including Flea and Chuck Biscuits. Bassist Zander Schloss (The Weirdos\, Joe Strummer) has been a member since the 1980’s. During hiatuses\, Morris fronted bands like OFF! and FLAG\, while Hetson played guitar in Bad Religion. \nThe long list of those influenced by the legacy of the Circle Jerks ranges from Butthole Surfers to Red Hot Chili Peppers – with notable fans being Dogtown skateboarders\, Chuck Berry\, Alice Cooper\, Elton John\, Johnny Depp\, Guns N’ Roses\, and Philip K. Dick. Decades later\, their music continues to make an imprint on generations of diverse music fans and those who challenge the status quo. \nIn celebration of the band’s 40th anniversary and the commemorative reissue of their celebrated landmark record Group Sex\, Circle Jerks return to the stage for the first time in over a decade.
URL:https://www.mikebrowngroup.com/event/circle-jerks-the-adolescents-negative-approach/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/23_Original-9.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251007T173000
DTEND;TZID=UTC:20251007T173000
DTSTAMP:20260423T002745
CREATED:20250925T183517Z
LAST-MODIFIED:20250925T183517Z
UID:135138-1759858200-1759858200@www.mikebrowngroup.com
SUMMARY:In This Moment
DESCRIPTION:In This Moment\nOct 7\, 2025\nDoors: 5:30 PM / Show: 6:30 PM
URL:https://www.mikebrowngroup.com/event/in-this-moment/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Static_Outdoor-ConcertVision_1920x1080_InThisMoment_BMass_2025_Regional_RevolutionConcertHouseandEventCenter_1007.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251007T190000
DTEND;TZID=UTC:20251007T190000
DTSTAMP:20260423T002745
CREATED:20250925T184122Z
LAST-MODIFIED:20250925T184122Z
UID:135141-1759863600-1759863600@www.mikebrowngroup.com
SUMMARY:Girls Just Wanna Have Fundamental Human Rights
DESCRIPTION:Girls Just Wanna Have Fundamental Human Rights \nJoin us for a dance party in support of equal human rights and reproductive freedom in Idaho. This event is open to all who believe in equity\, bodily autonomy\, and the power of collective joy. Plus\, all registered voters can add their name to the landmark Reproductive Freedom & Privacy Act\, the citizens ballot initiative to restore rights in Idaho! \nIn a time when fundamental rights are under threat\, we choose to gather\, to dance\, and to raise our voices (and our heart rates) in support of change. Come as you are — fierce\, free\, and ready to move. \nExpect: \n\n DJ Wendi Fox spinning empowering beats\nIdahoans United will be on-site collecting signatures\, ways to get involved\, and more!\n\nA safe\, inclusive space to dance\, connect\, and amplify our shared values\n\nThis will be a FUNKRAISER for IDAHOANS UNITED FOR WOMEN AND FAMILIES. Their mission is to advocate for and restore access to comprehensive reproductive health care by qualifying the Reproductive Freedom & Privacy act for the November 2026 ballot. \nThis is more than a party — it’s a movement. \nLet’s dance for justice. Let’s dance for freedom. Let’s dance for each other. Tickets are $35 per person. Doors open at 6:45 p.m.\, prepare to dance the night away. \nAll ages welcome! Bring your daughters\, granddaughters\, great-granddaughters!
URL:https://www.mikebrowngroup.com/event/girls-just-wanna-have-fundamental-human-rights/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/GirlsJustWannaPosterTreeFort.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251007T190000
DTEND;TZID=UTC:20251007T190000
DTSTAMP:20260423T002745
CREATED:20250925T184655Z
LAST-MODIFIED:20250925T184655Z
UID:135147-1759863600-1759863600@www.mikebrowngroup.com
SUMMARY:Oddisee - The Good Fight 10 Year Anniversary Tour
DESCRIPTION:Oddisee: The Good Fight 10 Year Anniversary Tour\nNeurolux Lounge\n111 North 11th Street – Boise\, ID 83702\nTueOctober 78:00 pm(Doors: 7:00 pm)\n21 and up
URL:https://www.mikebrowngroup.com/event/oddisee-the-good-fight-10-year-anniversary-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/34_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251007T200000
DTEND;TZID=UTC:20251007T200000
DTSTAMP:20260423T002745
CREATED:20250925T184401Z
LAST-MODIFIED:20250925T184401Z
UID:135144-1759867200-1759867200@www.mikebrowngroup.com
SUMMARY:Big Wild - Wild Child Tour
DESCRIPTION:Big Wild – Wild Child Tour\nKnitting Factory – Boise\n416 S 9th St – Boise\, Idaho 83702\nTueOctober 78:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/big-wild-wild-child-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/67e00133-17e5-4584-be02-b7a0d07f1f60_TABLET_LANDSCAPE_16_9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251008T190000
DTEND;TZID=UTC:20251008T190000
DTSTAMP:20260423T002745
CREATED:20250925T190328Z
LAST-MODIFIED:20250925T190328Z
UID:135153-1759950000-1759950000@www.mikebrowngroup.com
SUMMARY:SkyDxddy
DESCRIPTION:SkyDxddy\n\nOct 8\, 2025\nDoors: 7:00 PM / Show: 8:00 PM
URL:https://www.mikebrowngroup.com/event/skydxddy/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/skydxddy-851x315-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251008T200000
DTEND;TZID=UTC:20251008T200000
DTSTAMP:20260423T002745
CREATED:20250925T190118Z
LAST-MODIFIED:20250925T190118Z
UID:135150-1759953600-1759953600@www.mikebrowngroup.com
SUMMARY:Pup w/ Chase Petra
DESCRIPTION:It seems significant that there were bats in the mansion’s attic\, although how significant it seems will have something to do with how you feel and what you know about PUP. None of it is a metaphor\, and also all of it is. \nThe mansion\, for its part\, is very real—it is a sprawling residence-slash-studio in Connecticut’s most dispiriting mid-sized city where the producer Peter Katis has helped acts like The National and Interpol and Frightened Rabbit and Kurt Vile make records. There are gold records on the walls and warrens of strange new rooms that the band members discovered seemingly daily; the roof leaks when it rains\, and the bats reclaim the attic after dark. PUP singer Stefan Babcock recorded all his vocals in the living room\, at night. “The other guys were just trying to live their lives\,” he said\, “and Nestor and I would be down there screaming into microphones while they were watching TV in the next room.” Babcock remembered Katis telling him that the bats “go away” during the daytime hours. “I was like\, ‘no\, they’re sleeping\,’” Babcock said. “They don’t go anywhere\, there’s nowhere for them to go.’” \nThe band spent five weeks there in the summer of 2021\, recording and mixing the typically furious and anthemic songs that would become their fourth album\, THE UNRAVELING OF PUPTHEBAND. The band—Babcock\, bassist Nestor Chumak\, drummer Zack Mykula\, and guitarist Steve Sladkowski—more or less never left. “There were some days that were really great\, like magical\, everything worked and then we’d go to the kitchen and make a great meal\,” Sladkowski said\, “and then there were days when you’re like ‘I can’t remember the last time I’ve been outside.’” Circumstances—a global pandemic\, still happening\, not much fun to talk about and won’t be addressed further here—made cultivating a healthy\, communal vibe more difficult\, but the band powered through by having friends like Sarah from Illuminati Hotties\, Kathryn from NOBRO\, Mel from Casper Skulls\, and Erik from Remo Drive pitch in. When the band got comfortable in its strange new home\, the (figurative) walls came down. “As the weeks passed\, we seemed less and less rational\, objective\, and sane\,” Babcock says. “You can hear the band start to fall off the cliff\, and because of that\, I think this record is our truest and most genuine to date. There is nothing more PUP than a slow and inevitable descent into self-destruction.” \nEvery PUP record arrives with an implied “contents under pressure” warning; the tension between the band’s instinct for the melodic and its gift for chaos propels the songs forward while making them also seem close to flying apart in a horrifying spray of tears and gore. To listen to PUP enough is to spend parts of every day mentally echoing some hilariously self-lacerating\, utterly undeniable choruses; you will find yourself thinking “this is the mosh part” at moments when you would otherwise be tearing yourself apart. It is one thing to feel\, as Babcock sings on THE UNRAVELING’s “Totally Fine\,” “like I’m slowly dying/and if I’m being real I don’t even mind\,” but it is another\, very different thing to find yourself shouting along with those words. There’s a tension here\, too. “There’s only so many times you can write a song about how much you hate yourself before you write a song about how fucking good you are at hating yourself\,” Babcock says. “It’s funny that we’ve provided for ourselves by being fuck-ups and writing songs about being fuck-ups. We’ve been fuck-ups forever\, and now we’ve got a responsibility\, to others and to ourselves\, to fuck up in a productive manner.” \nThat’s not any easier than it sounds\, but also the volatility is the thing; all that tension is always just barely held in place by the band’s craft. It couldn’t be anything but uneasy\, but THE UNRAVELING OF PUPTHEBAND is the sound of a band that is not just comfortable with but in command of that chaos. \nWe are back in the mansion\, now\, albeit the metaphorical one. PUP is objectively a very successful band. They won a Juno Award for Alternative Album of the Year for 2019’s Morbid Stuff and have been nominated for the Polaris Prize and many nice things have been said about them in the places that people say nice things about bands; because they are PUP\, “nice things” in this case means Pitchfork saying that they “turn self-loathing and self-deprecation into a sort of superpower.” Fans happily sing the coruscating words of their songs aloud in sold-out venues all around the world; they did a version of arguably the harshest song on 2019’s Morbid Stuff for a 2020 CBC Kids Christmas special in which they replaced the lyric “embrace the calamity” with “embrace the festivities”; they have performed on Late Night with Seth Meyers\, and played at major festivals like Lollapalooza\, Boston Calling\, Shaky Knees\, and Riot Fest. A mansion is a place where such a band might go to record an ambitious fourth album. That success doesn’t haunt THE UNRAVELING\, although it does make it funnier; the “Four Chords” piano ballad threaded through the album tells the tale of a contentious quarterly meeting of PUP’s “board of directors” going selfishly awry. There is a long history of Mansion Albums; sometimes it works out well and sometimes it works out less well and more often than would seem plausible a Jaguar convertible winds up at the bottom of a swimming pool. \nPUP is not really that kind of band\, though\, and THE UNRAVELING OF PUPTHEBAND is not that kind of record. It is still very much a PUP album\, but relocating from the literal basement where they wrote Morbid Stuff to the janky manse in which they put together its follow-up afforded the band space to grow\, and to make not just the next PUP record but the most PUP record. “This is a band that\, until this record\, out of some weird fucked up sense of misguided pride or idiocy\, felt that we should never use any instruments aside from drums\, bass\, and guitars\,” Babcock says. “We quickly came to realize that the instrumentation isn’t what makes PUP songs PUP. It’s the songs themselves\, finding this balance between heavy and melodic\, dark and fun\, pushing the limits of our writing chops and musicianship in a way that makes us laugh and also want to smash shit. So this record starts with the stupidest piano ballad of all time. And there are synths. And there are horns. And there are some 808s and trap hi-hats. And some other weird shit that we haven’t done before.” \nThere is no faking that\, which of course makes it all much harder to do. In the best PUP songs\, the whole process is not just visible but thrilling—the anguish and doubt that drives the songs is nurtured\, over a few loud minutes\, into something first legible and then somehow empowering. There are a lot of these songs on THE UNRAVELING. The alternately plaintive and anthemic “Matilda” is a classic galloping PUP shout-along recrimination-fest that sounds bigger than previous entries in this robust subgenre without losing any of the signature acid. “Waiting” is pure paint-stripping heat\, topped by some legitimately towering choruses. “Robot Writes A Love Song” dissolves into a wash of nervous synthesizer before becoming what is surely the most emotional song ever written from the perspective of a computer being overwhelmed unto death by actual human emotions. “I wanted to write about the horrible state of the world\, but through a very specific and personal lens\,” Babcock says. “It’s a lot of me trying to articulate my own coping with existential dread\, hopelessness\, and what I’ve called ‘Grim Reaping’—which is to me\, the idea that we are all reaping what we sow\, and right now we’re sowing some pretty fucked up shit.” \nTHE UNRAVELING is not a departure from what got PUP here\, really; for all the new breadth\, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first\, or even the third\, and THE UNRAVELING is. “I don’t know that we set out to do new stuff\,” Mykula says\, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make\, you get closer to that.” \nTHE UNRAVELING OF PUPTHEBAND is that next step—not towards perfection\, or even towards some more perfect version of writing songs about fucking up\, but just in the direction of its choice. It’s a product of this endless awful broader moment\, but also very much a step forward into that uncertainty. “The whole album process really brought us closer together\, even as things unraveled\,” Babcock says. “It’s hands down my favorite PUP record\, and I don’t think it could’ve been made under any other circumstances.” It’s the sound of a band learning how to share the mansion with the bats. \n\n \n\nChase Petra\nChase Petra’s music has always been about growth: growing up\, growing out\, growing tired of what others expect of you. On their sophomore album\, LULLABIES FOR DOGS\, the Long Beach\, CA trio once again elevates the existential questions that pepper life’s long\, unpredictable journey. \nAnd it’s their sense of figuring things out in real time that makes Chase Petra so relatable\, as the band’s “quarter-life-crisis pop” elevates deep introspection to navigate the messiness and confusion that comes with modern life. Their songs are guided by the age-old push-and-pull between what it means to grow up and be grown up\, to see your once-bright dreams dulled by the responsibilities of adulthood and grapple with the fallout.
URL:https://www.mikebrowngroup.com/event/pup-w-chase-petra/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/by-Vanessa-Heins-1-1024x683-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251008T200000
DTEND;TZID=UTC:20251008T200000
DTSTAMP:20260423T002745
CREATED:20250925T211421Z
LAST-MODIFIED:20250925T211421Z
UID:135185-1759953600-1759953600@www.mikebrowngroup.com
SUMMARY:BUNT. - IN THE GREATER ROUND
DESCRIPTION:BUNT. – IN THE GREATER ROUND\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nWedOctober 88:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/bunt-in-the-greater-round/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/03_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251008T200000
DTEND;TZID=UTC:20251008T200000
DTSTAMP:20260423T002745
CREATED:20250925T211938Z
LAST-MODIFIED:20250925T211938Z
UID:135188-1759953600-1759953600@www.mikebrowngroup.com
SUMMARY:Carbon Leaf - I WANT TO BE LEAF TOUR 2025
DESCRIPTION:Carbon Leaf\n\n \n\nCarbon Leaf’s fifteenth studio album\,Time is the Playgroundis both a call to action and anembrace of the moment. Marrying nostalgic storytelling to nuanced\, folk-infused indie rock\, theRichmond\, Virginia band embroiders heartfelt melody and harmony with acoustic and electricinstrumentation to create a 12-song rumination on time\, love and personal growth that’s equalparts urgent epiphany and contented exhalation.
URL:https://www.mikebrowngroup.com/event/carbon-leaf-i-want-to-be-leaf-tour-2025/
LOCATION:Neurolux\, 111 N 11th St\, Boise\, ID
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Artist-5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251009T200000
DTEND;TZID=UTC:20251009T200000
DTSTAMP:20260423T002745
CREATED:20250925T212215Z
LAST-MODIFIED:20250925T212215Z
UID:135191-1760040000-1760040000@www.mikebrowngroup.com
SUMMARY:Bayker Blankenship\, Buffalo Traffic Jam
DESCRIPTION:Bayker Blankenship\, Buffalo Traffic Jam\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nThu\nOctober 9\n8:00 pm\n(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/bayker-blankenship-buffalo-traffic-jam/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/44_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251010
DTEND;VALUE=DATE:20251013
DTSTAMP:20260423T002745
CREATED:20250925T215111Z
LAST-MODIFIED:20250925T215111Z
UID:135205-1760054400-1760313599@www.mikebrowngroup.com
SUMMARY:Ballet Idaho Presents SHERLOCK AND GISELLE ACT II
DESCRIPTION:Get ready for mystery this October with an autumn feast for the senses – a new Sherlock by renowned choreographer Penny Saunders followed with Act II of Giselle\, where the title character is now a ghost\, living in the forest with the rest of the wilis\, enacting revenge on their living lovers. \nAudio Description is available for the performance on October 11th at 7:30 PM.
URL:https://www.mikebrowngroup.com/event/ballet-idaho-presents-sherlock-and-giselle-act-ii/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Sherlock_Giselle-09c4324c1d.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251010T190000
DTEND;TZID=UTC:20251010T190000
DTSTAMP:20260423T002745
CREATED:20250925T213129Z
LAST-MODIFIED:20250925T213129Z
UID:135194-1760122800-1760122800@www.mikebrowngroup.com
SUMMARY:Boot Juice w/ Banshee Tree
DESCRIPTION:The evolution of Boot Juice has been a magnificent phenomenon to behold over the past few years. This seven-piece band from Davis has done things the old-fashioned way – earning everything they have with blood\, sweat and tears shed on stages throughout the region. It’s been more sweat than anything else based on the practically inhuman volume of energy output they generate throughout the course of their relentless performances. \nBoot Juice defies the typical assumption that a big band with horns is sticking to the well-worn path of funk and jazz. They certainly infuse those genres into the mix. More than anything though\, this is an unabashed cosmic rock band intent on taking audiences into an alternate dimension of pure freedom and dance euphoria where the outside world ceases to exist. Their three-part vocal harmonies carry major impact with intoxicating doses of soul\, blues and sultry appeal. The passionate musicianship and group synergy resonates in their pure sense of joy. Drawing favorable comparisons to the sound of The California Honey Drops and the spirit of the Talking Heads\, you’ll have no doubt that the refreshing originality of Boot Juice always has a firm grip on the wheel. \n\n \n\nBanshee Tree\nBanshee Tree is a Denver based quartet made up of guitar\, saxophone\, drums and bass. BT blurs the lines between indie\, jam and jazz. Weaving through composed songs with heavy dance grooves and virtuosic\, exciting improvisation\, their live show is high energy and incredibly unique. They have shared the stage with many national acts including Greensky Bluegrass\, Balkan Bump\, Twiddle and Leftover Salmon\, and they tour nationally for growing audiences.
URL:https://www.mikebrowngroup.com/event/boot-juice-w-banshee-tree/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/BootJuice_2025_1x1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251010T190000
DTEND;TZID=UTC:20251010T190000
DTSTAMP:20260423T002745
CREATED:20250925T213602Z
LAST-MODIFIED:20250925T213602Z
UID:135197-1760122800-1760122800@www.mikebrowngroup.com
SUMMARY:Pecos & The Rooftops\, Austin Meade
DESCRIPTION:Pecos & The Rooftops\n\n \n\nPecos & The Rooftops have been perfecting a signature heavy blend of lowdown country and classic rock since their inception in a big five-bedroom house in Lubbock\, Texas. Formed in 2019 by a tight-knit squad of college friends\, the band outfits their soulful Americana with muscular guitar grit\, yet remains tuneful and melodic. They’ve carved out a singular niche for themselves in the rich songwriting tradition of their home state\, as evidenced by their debut Warner Records single “5AM.” Anchored by the \nheart-baring songwriting and booming voice of former Marine Pecos Hurley\, the band is rounded out by top-tier players and songwriters Brandon Jones (rhythm guitar)\, Jessie Santos (lead guitar)\, Kalen Davis (bass)\, Garrett Peltier (drums) and Hunter Cassell (guitars & keys). \n  \nBig things have small beginnings. Pecos & The Rooftops chose their name—a nod to the part of the house they’d hang out\, drink beers\, and jam on—just before self-releasing their debut single\, 2019’s slow-burning “This Damn Song.” It was a runaway success\, earning an RIAA Platinum certification \nand going on to rack up more than 250 million streams globally. Deciding to ride the wave for as long as they could\, the band hit the road directly after and haven’t stopped since\, touring relentlessly on the club circuit and opening for the likes of rising country star Koe Wetzel. They released the Red Eye EP in 2020\, expanding on their already solid sound with more guitar heroics and more complex arrangements\, hinting at jazz and psychedelic influences. \n  \nHurley has a gift for exploring the shadowy sides of life through his songwriting\, offering a clear-eyed and unflinching look at heartbreak\, disconnection\, self-medication\, and wrestling with dark times. On “5AM\,” he’s stuck in a self-destructive pattern\, trying to live up to the idea of being the man he wants to be\, but thwarted on all sides by his own bad decisions. “Wish I could say that I saw it coming—problem is I never do\,” Hurley sings over a gloomy guitar line. “It’s too late to let myself feel something\, so I’ll just keep running from you.” \n  \n“It’s about having a habit of going to the bar and getting drunk and staying up all night\,” Hurley says from his home outside Dallas. “You kind of know that when you go to bed it’s probably not going to end well—because you fucked up again and you can’t get out of the cycle. It’s about being by yourself in the early hours of the morning. It’s just one of those ‘You fucked up’ songs.” \n  \nPecos & The Rooftops have earned a devoted fan base who’ve come out to support them both online and on the road\, with the band garnering over 350 million global streams and more than 101 million video views. They’re currently on a nationwide headline tour with more dates to be announced soon. “5AM” is a telling preview of what’s to come\, as Pecos & The Rooftops ready their major label debut LP—a bigger\, bolder collection of songs set for release later this year. “At the end of the day\, I just want to help people with our music\, honestly\,” Hurley says. Between the band’s wild road shows and their \nhighly-anticipated upcoming full-length\, Pecos & the Rooftops are set to do that and much\, much more.
URL:https://www.mikebrowngroup.com/event/pecos-the-rooftops-austin-meade/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/13_Original-6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251010T200000
DTEND;TZID=UTC:20251010T200000
DTSTAMP:20260423T002745
CREATED:20250925T213908Z
LAST-MODIFIED:20250925T213908Z
UID:135200-1760126400-1760126400@www.mikebrowngroup.com
SUMMARY:Pony Bradshaw\, Philippe Bronchtein
DESCRIPTION:Pony Bradshaw\n\n \n\nLike his previous two releases\, the tracks on Thus Spoke the Fool feel more like immersive experiences than mere songs\, serving as odes to the land and language of Appalachia. These lyrical landscapes pay tribute to the region where Bradshaw settled nearly two decades ago. The songs are rich with imagery of mountain laurel and tobacco leaves\, transporting listeners to mill towns\, American Legion halls\, and Mineral Bluff\, GA. The songs offer a hybrid\, textured sound with hints of bluegrass and Americana\, rich with rustic guitar leads\, fiddle and pedal steel.
URL:https://www.mikebrowngroup.com/event/pony-bradshaw-philippe-bronchtein/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/64_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251011T190000
DTEND;TZID=UTC:20251011T190000
DTSTAMP:20260423T002745
CREATED:20250925T215308Z
LAST-MODIFIED:20250925T215308Z
UID:135208-1760209200-1760209200@www.mikebrowngroup.com
SUMMARY:Cole Swindell Happy Hour Sad Tour
DESCRIPTION:Cole Swindell\nHappy Hour Sad Tour with Priscilla Block\nSupport: Logan Crosby\nFord Idaho Center Amphitheater\nSaturday\, October 11th
URL:https://www.mikebrowngroup.com/event/cole-swindell-happy-hour-sad-tour/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/ColeSwindell-Nampa-101125-1440px500-491b4f431a.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251011T190000
DTEND;TZID=UTC:20251011T190000
DTSTAMP:20260423T002745
CREATED:20250929T204516Z
LAST-MODIFIED:20250929T204516Z
UID:135232-1760209200-1760209200@www.mikebrowngroup.com
SUMMARY:Bad Suns w/ Joe P
DESCRIPTION:Bad Suns are embracing everything that’s possible. On their joyous fifth album\, fittingly titled Accelerator\, the Los Angeles trio are taking stock of everything they’ve been through together as a band and pushing into a bright future with a renewed sense of purpose. \nTogether since 2012\, Christo Bowman (vocals/guitar)\, Gavin Bennett (bass) and Miles Morris (drums) started playing together as teenagers and went viral almost immediately with their magnetic blend of indie-rock and ‘80s synth sheen. After four hit albums\, the trio reached a point where they needed to recalibrate and recenter if they wanted to continue. Recording their exuberant 2023 EP Infinite Joy was a cleansing experience that recalibrated Bad Suns and set them on a thrilling path forward into making Accelerator\, which comprises 12 new tracks brimming with dance-pop hooks and poignant lessons learned.    \n“We saw the Infinite Joy EP as a new beginning for the band. I felt this yearning once again\,” reflects Christo Bowman. “Accelerator being our fifth album\, our first studio album as a trio\, and the first album of my 30s\, we knew that this was going to be really important. We didn’t want to take that lightly. We asked ourselves\, how do we live up to the occasion? We saw this album as a mountain we wanted to climb.” \nIn planning their elevation\, Bad Suns reconnected with their go-to producer Eric Palmquist (Tate McRae\, Half Alive)\, who also helmed their 2014 debut Language & Perspective\, plus follow-ups Disappear Here (2016) and Apocalypse Whenever (2022). Going into recording Accelerator\, Eric encouraged Bad Suns to channel their sense of renewal into an energetic sonic direction they’d tapped into before\, but never quite to this extent. “One of the first times we sat down with Eric\, we were talking about what we’d all been vibing with. He said point blank\, ‘It would be really cool to mess around with some ‘90s house-inspired music. Right away\, the light bulb went off for me. I’d wanted to push in that direction forever.” \nWhile tracks like the previously released “Communicating\,” anthemic opener “Slow Karma\,” the pulsing “Why Am I Like This\,” and the shimmering club cut “Just Like Magic” reveal a riveting pop turn for the band\, Accelerator is still steeped in the original DNA that made Bad Suns a feel-good viral sensation with early hits like “Cardiac Arrest.” The rushing pop melodies mirror Accelerator’s title\, but its lyrics are filled with stop-and-think moments where Christo surveys his past actions and makes the intentional choice to embrace personal growth and impending fatherhood. \n“My 20s were a challenging time with a lot of peaks and a lot of valleys\,” he says. “There’s a lot of joy\, a lot of mistakes. This album is ultimately about finding the strength within yourself to assess the damage that’s been done and make the changes that you need to in order to take control of your own life\, kind of reckoning with the fact that you can’t control the external circumstances. I can’t control the world around me\, but I can control the way that I react to the events taking place and the way that I move through the world.” \nThe hook-packed gem “Slow Karma” acts as Christo’s mission statement for Accelerator. An intimate and cathartic track\, the album opener finds Christo at a personal and professional crossroads as he confronts old habits and makes the decision to become sober. “I was at a point in my life where it was becoming abundantly clear to me that I needed to make some changes in order to progress and live the life that I really wanted\,” Christo says. “Getting sober is really hard\, but then it becomes the easiest thing in the world. ‘Slow Karma’ is about accepting that this is gonna be difficult. And I don’t know exactly what’s ahead\, but I know this is the direction I’m supposed to be moving down.” \nThe sparkling “Mystery Girl” signifies another crossroads as Christo\, in a diaristic stream of consciousness\, remembers his coming-of-age years while facing the inertia of fatherhood. “There’s this beautiful new chapter in my life unfolding\, and there’s mixed emotions that come with it\,” he says. “This is a song about my teenage years\, past relationships and experiences\, and being a young person who is ultimately just looking for love.” \nChristo is equally unafraid to imagine what would have happened had he not made a series of positive changes. On the urgent\, electropop banger “Back To Zero\,” the singer envisions an alternate reality without Bad Suns or his wife and partner of 13 years and arrives at a place of heart-bursting gratitude for everything he has and the future that lies ahead. \n“I didn’t want this record to be too self-help-oriented\, but I did want every song\, one way or another\, to relate some wisdom I’ve gained\,” Christo says. “By imagining myself alone in an apartment\, my wife long gone — my life very easily could have looked like that. I’ve learned how important it is\, as the lyrics say\, to ‘find the beauty in what’s painful\,’ and love every moment for what it is.” \nAs Bad Suns move into their latest era\, one filled with exciting personal and professional milestones\, they’ve never been more harmoniously aligned. “While making this album\, I turned 30\, I got married\, I found out I was having a kid. Going to the studio every day and being in the room with the guys\, I had this sense that I’m going to look back and know that was probably one of the best times of my life.” \n\n \n\nJoe P\nWhen the onset of the pandemic brought about the dissolution of the band he’d fronted since eighth grade\, Joe P found himself in isolation with time to step out and experiment on his own. From the refuge of his New Jersey basement studio\, he threw himself into writing\, recording and producing his most personal material to date. Posting homegrown ideas to TikTok\, Joe P watched as his raw acoustic videos drew millions of views and over 300K followers in just a few months. Among those new fans was Apple Music’s Zane Lowe\, who kicked Joe’s career into hyperdrive by duetting alongside his self-made “Fighting In The Car” video. \nA deal with Neon Gold/Atlantic was quickly followed by the release of Joe P’s acclaimed debut EP\, Emily Can’t Sing\, highlighted by the viral hit single “Off My Mind\,” which spent 2 weeks at #1 at Triple A Radio\, followed by “All Day I Dream About (first introduced as “Adidases” in a hugely popular TikTok teaser). \nJoe P released his seven-song project French Blonde in October 2022. The official live performance video for “French Blonde” also serves as the opening scene of Joe P’s short horror film\, “If We Run\,” starring Michael Gandolfini (The Many Saints of Newark)\, which won the award for Best Homegrown Short at the 2023 Garden State Film Festival. The 2023 Single “Don’t Wanna Love You” saw Joe P earn his second top 10 spot in 2 years at Triple A radio. \nHaving spent much of 2022 on the road\, including dates with beabadoobee\, Middle Kids\, Spacey Jane\, and Joywave –Joe embarked on his debut headline tour in 2023\, with sold out dates all over the US.  2024 saw Joe open for Cold War Kids and Rainbow Kitten Surprise\, and appearances at Tree Fort Fest and The Great Escape\, with performances at Sea Hear Now and ACL Fest (and more yet to be announced dates) still to come. His debut album\, Garden State Vampire\, will be released on August 23.
URL:https://www.mikebrowngroup.com/event/bad-suns-w-joe-p/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Badsuns-25-1-1024x683-1.jpg
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DTSTART;TZID=UTC:20251011T200000
DTEND;TZID=UTC:20251011T200000
DTSTAMP:20260423T002745
CREATED:20250929T203844Z
LAST-MODIFIED:20250929T203844Z
UID:135226-1760212800-1760212800@www.mikebrowngroup.com
SUMMARY:I'm With Her - Wild and Clear and Blue 2025
DESCRIPTION:I’m With Her – Wild and Clear and Blue 2025\nThe Egyptian Theatre\n700 W. Main St – Boise\, Idaho 83702\nSatOctober 118:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/im-with-her-wild-and-clear-and-blue-2025/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/65194fb8-4a32-4934-86a4-a9f4704c0e25_TABLET_LANDSCAPE_16_9.jpg
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DTSTART;TZID=UTC:20251011T200000
DTEND;TZID=UTC:20251011T200000
DTSTAMP:20260423T002745
CREATED:20250929T204237Z
LAST-MODIFIED:20250929T204237Z
UID:135229-1760212800-1760212800@www.mikebrowngroup.com
SUMMARY:Hell's Belles\, Broken Anthems
DESCRIPTION:Hell’s Belles\nKnitting Factory – Boise\n416 S 9th St – Boise\, Idaho 83702\nSat October 11 8:00 pm (Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/hells-belles-broken-anthems/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/3bad2da0-0251-4805-a8b3-9b27412a70df_1801291_TABLET_LANDSCAPE_16_9.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20251014T190000
DTEND;TZID=UTC:20251014T190000
DTSTAMP:20260423T002745
CREATED:20250929T205345Z
LAST-MODIFIED:20250929T205345Z
UID:135235-1760468400-1760468400@www.mikebrowngroup.com
SUMMARY:Hazlett w/ lighthearted
DESCRIPTION:After years of playing in bars in his native Australia\, Hazlett’s unique brand of “Indie Ballroom Folk” only became crystallized after a chance encounter during a runaway trip to Sweden. It was there he found the fabled collaborator chemistry in close friend Freddy Alexander. A lot has changed since then and what started as just writing songs to “figure out some things in his head…” has now become a whole world of music and beautiful details to move through. Emphasized by the release of his debut album Bloom Mountain in early 2023. \nHis propensity for figuring things out himself and turning chaos into some kind of nostalgic lesson hasn’t gone unnoticed either\, with The Line of Best Fit noting that “Hazlett is offering up a hazy\, textured version of the classic singer-songwriter sound” \nEven though the nerves never quite go away\, there’s this newfound quiet confidence to the troubadour from the land down under. You may not have met\, but sometimes when you’re listening to Hazlett he feels like the only friend you’ve ever had. \n\n \n\nlighthearted\nwe are twins learning to be kinder day by day. music has healing power and we hope our music can be a soft place for you to land.
URL:https://www.mikebrowngroup.com/event/hazlett-w-lighthearted/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Press-Photo-1-768x1024-1.jpg
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