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X-ORIGINAL-URL:https://www.mikebrowngroup.com
X-WR-CALDESC:Events for Mike Brown Group
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TZID:UTC
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241031T210000
DTEND;TZID=UTC:20241031T210000
DTSTAMP:20260516T091757
CREATED:20240926T223353Z
LAST-MODIFIED:20240926T223353Z
UID:96330-1730408400-1730408400@www.mikebrowngroup.com
SUMMARY:HOL!
DESCRIPTION:Rose Entertainment & Persona Productions Present\nHOL!\nTreefort Music Hall\nThursday\, October 31st\, 2024\n8:30PM
URL:https://www.mikebrowngroup.com/event/hol/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/10-21-24_HOL_BOI_1080x1080-1024x1024-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241101T200000
DTEND;TZID=UTC:20241101T200000
DTSTAMP:20260516T091757
CREATED:20241024T134122Z
LAST-MODIFIED:20241024T134122Z
UID:101938-1730491200-1730491200@www.mikebrowngroup.com
SUMMARY:Broadway Rave
DESCRIPTION:New Date\, New Venue! \nThe Broadway Rave scheduled for Aug 16\, 2024\, at The Olympic has been moved 9th St. Parallel at Knitting Factory on November 1st. \nAll tickets will be honored. If you are unable to attend due to the venue change\, please reach out to TicketWeb for a refund by August 15th\, 2024.
URL:https://www.mikebrowngroup.com/event/broadway-rave-4/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/04_Original.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241101T210000
DTEND;TZID=UTC:20241101T210000
DTSTAMP:20260516T091757
CREATED:20241024T135041Z
LAST-MODIFIED:20241024T135041Z
UID:101944-1730494800-1730494800@www.mikebrowngroup.com
SUMMARY:Sorry For Party Rocking (2010 - 2015 Pop & EDM Bangers)
DESCRIPTION:Take it back to a simpler time\, where pop and dance music went hand in hand at every party. The only party where you can get down to these iconic club bangers and fist bump all night long like it’s still 2012! \nGood vibes only! \nFun / neon attire is encouraged! \nSong requests are welcome on Instagram \nFollow us on Instagram @sorryforpartyrocking.us \nFeaturing the music of… \nKE$HA • David Guetta • Rihanna • Avicii • Nicki Minaj • Akon • Icona Pop • Black Eyed Peas • Lady Gaga • Pitbull • Calvin Harris • ZEDD • Swedish House Mafia • Katy Perry • T-Pain • Lil Jon • Jason Derulo • DJ Snake • Selena Gomez • Afrojack • Kid Cudi • A-Trak • Drake • Beyonce • Dillon Francis • Soulja Boy • Miley Cyrus · Steve Aoki and many more!
URL:https://www.mikebrowngroup.com/event/sorry-for-party-rocking-2010-2015-pop-edm-bangers/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241102T190000
DTEND;TZID=UTC:20241102T190000
DTSTAMP:20260516T091757
CREATED:20241024T135259Z
LAST-MODIFIED:20241024T135259Z
UID:101947-1730574000-1730574000@www.mikebrowngroup.com
SUMMARY:2ND ANNUAL SPOONFUL NIGHT
DESCRIPTION:Radio Boise Presents\n2ND ANNUAL SPOONFUL NIGHT\nw/ Eilen Jewell\, Buddy Devore & the Faded Cowboys\, The Country Club\, Barney Southard\, Harry Dial\, and Ken Harris\n\nTreefort Music Hall\nSaturday\, November 2nd\, 2024\n7:00PM\n$25 adv / $30 DOS
URL:https://www.mikebrowngroup.com/event/2nd-annual-spoonful-night/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/image-6-1-768x1024-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241102T210000
DTEND;TZID=UTC:20241102T210000
DTSTAMP:20260516T091757
CREATED:20241025T173842Z
LAST-MODIFIED:20241025T173842Z
UID:102194-1730581200-1730581200@www.mikebrowngroup.com
SUMMARY:EMO Night
DESCRIPTION:Not a band. Not DJ’s. We throw parties for the music we love.   As Rolling Stone observed a few years ago\, “Emo Nite Vindicated the Scene.”   Since they threw their first party at an East L.A. dive bar\, Morgan Freed and T.J. Petracca\, and a dedicated crew of regular attendees\, built Emo Nite into a phenomenon. Top-tier emo artists\, old and new\, curate playlists and perform\, with guest lists boasting members of blink-182\, All Time Low\, Dashboard Confessional\, The Maine\, and Good Charlotte. Scene-friendly pop culture mavericks often participate\, like past attendees Post Malone\, Demi Lovato\, Machine Gun Kelly\, and Skrillex.   It’s all too easy to forget that before the first Emo Nite in December 2014\, “emo” was a joke.   Somehow on its journey from a melodic post-hardcore subgenre\, built on earnest emotional expression\, to a mainstream moniker assigned to anything remotely angsty\, “emo” became a dirty word. Despite the positive impact ushered in by waves of bands\, from the crucial “Revolution Summer” and Sunny Day Real Estate through Taking Back Sunday and My Chemical Romance\, accepting “emo” as a dismissive designation or identity invited polite embarrassment and even scorn.   But Freed and Petracca grew up loving the music associated with emo and the people like them who similarly embraced outsider art and subculture\, regardless of changing fashions or pretentious snobbery. Petracca told The New Yorker the idea behind the first Emo Nite celebration was to center a happy\, communal experience on the music they once listened to when they were upset and alone.   “I sang Dashboard Confessional at karaoke at a friend’s birthday party and thought it was super fun to go out with friends and listen to music we actually liked\,” recalls Petracca\, who met Freed when the pair worked at a creative agency together. “Every other club in LA played EDM\, Top 40\, or hip-hop. We always found ourselves pre-gaming with emo and pop-punk music before we went out.”   Freed knew a bartender at the Short Stop in Echo Park and convinced him to let them throw a party on a random\, rainy Tuesday. They invited friends via Facebook; double the bar’s capacity turned up. “We decided to see how far we could take it\,” Petracca says. “‘Who would be the craziest guest?’ We invited Mark Hoppus\, and he came! He did our first one at Echoplex\, which was our third party ever.”   “There’s no disconnect between the artist and fan\,” Freed points out. “I think that’s brought people closer to the music. It created a really strong sense of community\, at a time when emo wasn’t ‘cool.’”   There may be a surprise acoustic set or even a full-band performance\, but ultimately\, it’s about the experience. Emo Nite turned a party into a community\, reclaiming the spirit of how the scene began.   It’s now a recurring event thrown by dozens of friends in over 30 cities in the United States. Emo Nite runs full-day festivals and curates coveted performance spots at Coachella\, Life is Beautiful\, and Firefly. Freed and Petracca launched successful clothing collaborations with brands like OBEY\, Urban Outfitters\, PLEASURES\, The Hundreds\, Rose in Good Faith\, Market\, and OWSLA.   “A larger promoter told us the shelf life of a club night in Los Angeles was two years\,” Freed says\, marveling at Emo Nite’s staying power. “A hundred percent of it is the people that go to it. This music makes people feel connected. The energy of it is so special. You get a group of people together who look different\, but they have this thing in common. We started seeing friend groups form really\, really quickly. People met their significant others at these events. The community really trusts each other.”   “Emo Nite LA has become an essential gathering point for fans of emo\, pop-punk\, and related styles\,” Rolling Stone noted.   In October 2021\, Emo Nite’s founders threw Emo Nite Vegas Vacation\, a three-day event headlined by Avril Lavigne and Machine Gun Kelly\, with Sleeping With Sirens\, MOD SUN\, 3OH!3\, and more.   “What Emo Nite does better than any of their competitors is they make ‘emo culture’ feel both nostalgic and brand new\,” The Summer Set’s Brian Logan Dales told Forbes\, in a profile which included professions of love from members of Papa Roach\, Underoath\, and State Champs. “You can go to an Emo Nite with your best friends and sing along to old songs you grew up with\, and at the same time\, discover a brand-new artist who’s making music today because they grew up on that very same music as you. They’ve taken the emo of the past and helped it forge a new path for the future.”   As emo reenters popular culture with a blend of adoring nostalgia and optimistic forward- thinking\, Emo Nite remains an authentic space to celebrate diversity\, experience passionate catharsis\, and champion authentic expression. Emo Nite isn’t a band or a DJ crew. It’s an idea\, one as simple as the urge to throw a party for a beloved style of music. Often imitated but never truly duplicated\, Emo Nite’s founders and supporters are fond of saying\, “If you don’t see the grave\, it ain’t our rave.”   “There’s a lot of ownership from our community of the event itself and the Emo Nite brand\,” Petracca says. “It’s about breaking down that barrier of ‘Look at me\, it’s all about me.’ No\, it’s about us\, together\, in this room. It belongs to every single person that comes through the door.” The co-founders continue to look ahead. “Emo Nite definitely impacted culture\,” Freed notes. “But we have no plans to stop changing the way we view the evolution and expansion of the genre.”
URL:https://www.mikebrowngroup.com/event/emo-night/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/34_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241103T190000
DTEND;TZID=UTC:20241103T190000
DTSTAMP:20260516T091757
CREATED:20241029T220146Z
LAST-MODIFIED:20241029T220146Z
UID:103028-1730660400-1730660400@www.mikebrowngroup.com
SUMMARY:W.A.S.P.\, Armored Saint
DESCRIPTION:W.A.S.P.\, Armored Saint\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSunNovember 37:00 pm(Doors: 6:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/w-a-s-p-armored-saint/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/24_Original.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241104T200000
DTEND;TZID=UTC:20241104T200000
DTSTAMP:20260516T091757
CREATED:20241029T220358Z
LAST-MODIFIED:20241029T220358Z
UID:103031-1730750400-1730750400@www.mikebrowngroup.com
SUMMARY:Animals As Leaders - Joy Of Motion X Tour
DESCRIPTION:Animals As Leaders: Joy Of Motion X Tour\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nMonNovember 48:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/animals-as-leaders-joy-of-motion-x-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/04_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241105T190000
DTEND;TZID=UTC:20241105T190000
DTSTAMP:20260516T091757
CREATED:20241029T220639Z
LAST-MODIFIED:20241029T220639Z
UID:103034-1730833200-1730833200@www.mikebrowngroup.com
SUMMARY:Fly High Tour w/Krizz Kaliko\, Dizzy Wright\, Whitney Peyton & More
DESCRIPTION:Fly High Tour w/Krizz Kaliko\, Dizzy Wright\, Whitney Peyton & More\n9th St. Parallel at Knitting Factory\n416 S 9th St – Boise\, ID 83702\nTueNovember 57:00 pm(Doors: 6:00 pm)\nAll Ages\n$30.00 – $110.00Buy Tickets\n\n\nFly High Tour! Featuring Strange Music Legend Krizz Kaliko\, Dizzy Wright and Whitney Peyton w/ Local Support from Dozey Dubs\, Freak Show Affiliated\,OG Prophet and HyrThinking. All Ages – Doors at 6 PM / Show at 7 PM \nMeet and Greet Description:\n– 4 PM – 5 PM\n– Meet the Artists!\n– Care package includes:  Drawstring Tour Bag\, Signed Poster\, Tour Bandana\, Hat Pin and VIP Lanyard & Badge. \n\n+ Google Calendar\n\n\n\n\n\n\nArtists\n\n\nKrizz Kaliko\n\n \n\nBrought up on church-taught gospel music\, Krizz Kaliko is Strange Music’s Swiss army knife\, integrating his innate soulfulness into a bevy of styles from hip-hop to metal and everything in between. Strange Music’s trademark genre-bending would not be possible without Krizz’s arsenal of catchy hooks and colorful guest features. Krizz’s standalone music is just as impactful as his famous features\, often with a message to match his stellar delivery. This is especially true of Krizz’s 2016 album Go\, which addresses his battles with depression and bipolar disorder. Whether it be his animated radio single “Talk Up On It” or his much darker fan-favorite “Anxiety\,” fans know there is a Krizz track for any mood\, any time. It is this incredibly vast skillset that has made Krizz a fundamental Strange Music veteran. \n\nSocial Links
URL:https://www.mikebrowngroup.com/event/fly-high-tour-w-krizz-kaliko-dizzy-wright-whitney-peyton-more/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/94_Original.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241106T190000
DTEND;TZID=UTC:20241106T190000
DTSTAMP:20260516T091757
CREATED:20241029T221007Z
LAST-MODIFIED:20241029T221007Z
UID:103037-1730919600-1730919600@www.mikebrowngroup.com
SUMMARY:SPAFFORD w/ Yak Attack
DESCRIPTION:Spafford is known for their astonishing improvisational ability and off-the-cuff extended jams\, Spafford paints a picture in real-time each night with a musical palette known only to each other. It’s a private language comprised of both their talent as musicians as well as their formidable catalog of influences\, spanning 90’s alt-rock radio hits to Steely Dan and The Crystal Method. Each Spafford show is a sonic pilgrimage\, the journey of a team of musicians so in tune with each other that a single note communicates intent and purpose. Spafford is amongst the most creative and hard-traveling bands on the contemporary jam scene\, performing countless sold-out headline dates along with high profile festival sets at Bonnaroo Music & Arts Festival\, Firefly Music Festival\, and many others. \n\n\n\n \n\nYak Attack\nYak Attack is a live electronica power trio from Portland\, Oregon. The band has been building buzz on the strength of its live shows and the instant connection its music makes with new listeners. Their music is best described as “organic\nelectronica”\, using skillful playing\, live loops\, and tightly constructed songs combined with raw improvisation to build high-energy and uplifting music from scratch\, where every note is played and recorded live. The group draws on influences from a wide spectrum of electronica\, such as house\, drum and bass\, and breakbeat\, along with elements of jam\, funk\, and jazz. The result is a live show that is musically sophisticated but widely accessible\, with a diverse and engaged fanbase that travels to out of town shows and festivals to witness the band’s continually evolving sound. \nYak Attack has been selling out local and regional shows and has developed a reputation as “the region’s go to late night act” in the summer festival and afterparty circuit. They spent the early part of 2019 touring in support of live electronic heavyweights STS9 and Sunsquabi\, and the band has also shared the stage with emerging acts such as Goose\, Fruition\, Turkuaz\, TAUK\, Pigeons Playing Ping Pong\, and The Magic Beans. After releasing “Safety Third” on Ropeadope records in 2018\, the band is currently recording their fourth full-length album\, while making the rounds at national events such as Camp Bisco\, Jazzfest\, Peach Fest and many new cities across the country. Watch for Yak Attack to bring its unique dance party to a venue near you.
URL:https://www.mikebrowngroup.com/event/spafford-w-yak-attack/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/14vrn264.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241107T173000
DTEND;TZID=UTC:20241107T173000
DTSTAMP:20260516T091757
CREATED:20241030T144159Z
LAST-MODIFIED:20241030T144159Z
UID:103238-1731000600-1731000600@www.mikebrowngroup.com
SUMMARY:EARLY SHOWING - absORB - Ski Movie by OS Crew
DESCRIPTION:We are the OS Crew\, a Boise based ski crew that has created our 9th annual street and backcountry freeski film. This is an action-packed movie that will have you on the edge of your seat the entire time. You can expect a lot of high-speed big air\, technical rail tricks\, gnarly slams and a creative take on skiing that you may have never seen before. We have premiered absORB all around North America this fall but we’ve saved the best stop of our tour for last… Our hometown of Boise\, ID!! \nThe OS riders will be on site to help celebrate. Swing by the OS booth to get some free swag and signed posters from the skiers themselves. We will also have OS merch for sale for those who want to support us… and look good doing it! (Releasing some unseen items just for Boise) \nThere will be tons of product being tossed out into the crowd\, contests for prizes\, and a raffle that consists of over $5\,000 worth of ski merchandise. Skis\, boots\, goggles\, outerwear\, gloves and mittens\, clothing\, season passesd\, free lift tickets and more! \nExpect to see vendor booths from our favorite local ski shops and organizations. Including Bogus Basin\, Tamarack Resort\, Eco Lounge Freeride and Ridgeline bike and ski. \nGet your tickets now before they’re gone! Invite your friends to come out and get excited to rip this season. Your local crew appreciates your support\, thank you so much! \nBe sure to check out the official movie teaser to get amped for the real deal. \nhttps://www.youtube.com/watch?v=novPNggYlRo \nSupported by: \nJ Skis\, Roxa Boots\, Northpulll Winch\, Wear Leathers\, SPY Optics
URL:https://www.mikebrowngroup.com/event/early-showing-absorb-ski-movie-by-os-crew/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/Prepost-copy10-1024x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241107T190000
DTEND;TZID=UTC:20241107T190000
DTSTAMP:20260516T091757
CREATED:20241029T221430Z
LAST-MODIFIED:20241029T221430Z
UID:103040-1731006000-1731006000@www.mikebrowngroup.com
SUMMARY:Locals' Night: What the Funk? with Rhodes Hull's Magic Band\, AKA Belle and Natalie Soma
DESCRIPTION:Locals’ Night: What the Funk? with Rhodes Hull’s Magic Band\, AKA Belle and Natalie Soma\n9th St. Parallel at Knitting Factory\n416 S 9th St – Boise\, ID 83702\nThuNovember 77:30 pm(Doors: 7:00 pm)\n21 and up\n$8.00 – $10.00Buy Tickets\n\n\n\n\n+ Google Calendar\n\n\n\n\n\n\nArtists\n\n\nRhodes Hull’s Magic Band\n\n \n\nRhodes Hull’s Magic Band is a vibrant musical group hailing from Boise\, Idaho. Known for their electric fusion of surf rock\, whimsical rock\, scallywag rock\, and psychedelic rock. Their unique sound can be described as a captivating blend of the Beatles’ infectious melodies and the Doors’ enigmatic vibes. With their energetic performances and diverse musical influences\, they create a sonic experience that transports listeners to a whimsical and psychedelic world. \n\nSocial Links\n\n\n\n\n\n\n\n\nAKA Belle\n\n \n\nAka Belle\, an indie group from Boise. Genre defying cosmic rock n roll esoteric psych folk mavericks from Boise\, Idaho. \n\nSocial Links\n\n\n\n\n\n\n\n\n\n\nNatalie Soma\n\n \n\nSinger/ Songwriter/Musician/Recording Artist based in Boise\, Idaho. \n\nSocial Links
URL:https://www.mikebrowngroup.com/event/locals-night-what-the-funk-with-rhodes-hulls-magic-band-aka-belle-and-natalie-soma/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/64_Original.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241107T200000
DTEND;TZID=UTC:20241107T200000
DTSTAMP:20260516T091757
CREATED:20241030T144249Z
LAST-MODIFIED:20241030T144249Z
UID:103241-1731009600-1731009600@www.mikebrowngroup.com
SUMMARY:EARLY SHOWING - absORB - Ski Movie by OS Crew
DESCRIPTION:We are the OS Crew\, a Boise based ski crew that has created our 9th annual street and backcountry freeski film. This is an action-packed movie that will have you on the edge of your seat the entire time. You can expect a lot of high-speed big air\, technical rail tricks\, gnarly slams and a creative take on skiing that you may have never seen before. We have premiered absORB all around North America this fall but we’ve saved the best stop of our tour for last… Our hometown of Boise\, ID!! \nThe OS riders will be on site to help celebrate. Swing by the OS booth to get some free swag and signed posters from the skiers themselves. We will also have OS merch for sale for those who want to support us… and look good doing it! (Releasing some unseen items just for Boise) \nThere will be tons of product being tossed out into the crowd\, contests for prizes\, and a raffle that consists of over $5\,000 worth of ski merchandise. Skis\, boots\, goggles\, outerwear\, gloves and mittens\, clothing\, season passesd\, free lift tickets and more! \nExpect to see vendor booths from our favorite local ski shops and organizations. Including Bogus Basin\, Tamarack Resort\, Eco Lounge Freeride and Ridgeline bike and ski. \nGet your tickets now before they’re gone! Invite your friends to come out and get excited to rip this season. Your local crew appreciates your support\, thank you so much! \nBe sure to check out the official movie teaser to get amped for the real deal. \nhttps://www.youtube.com/watch?v=novPNggYlRo \nSupported by: \nJ Skis\, Roxa Boots\, Northpulll Winch\, Wear Leathers\, SPY Optics
URL:https://www.mikebrowngroup.com/event/early-showing-absorb-ski-movie-by-os-crew-2/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/Prepost-copy10-1024x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241108T190000
DTEND;TZID=UTC:20241108T190000
DTSTAMP:20260516T091757
CREATED:20241030T145259Z
LAST-MODIFIED:20241030T145259Z
UID:103243-1731092400-1731092400@www.mikebrowngroup.com
SUMMARY:The Home Team\, Arrows In Action\, Palettes
DESCRIPTION:The Home Team\nNeurolux Lounge\n111 North 11th Street – Boise\, ID 83702\nFriNovember 87:00 pm(Doors: 6:00 pm)\n21 and up
URL:https://www.mikebrowngroup.com/event/the-home-team-arrows-in-action-palettes/
LOCATION:Neurolux\, 111 N 11th St\, Boise\, ID
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/64_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241108T200000
DTEND;TZID=UTC:20241108T200000
DTSTAMP:20260516T091757
CREATED:20241030T145659Z
LAST-MODIFIED:20241030T145659Z
UID:103246-1731096000-1731096000@www.mikebrowngroup.com
SUMMARY:BEAR GRILLZ w/ Vastive
DESCRIPTION:Bear Grillz Presents The Underland Tour \nText “BEARGRILLZBOISE” to +1 (833) 213-2203 for early bird access code \n\n\n\n \n\nVastive\nRanging from the power of dub to the energy of drum and bass and everything in between\, Vastive hails from the east coast known as the “Bully on the Block”. Solidified on the grounds of all things bass and metal\, the #bullyontheblock has set forth a vision to bring home the balance between sanity and chaos. \nIn the booth or on the decks; pure and raw emotion fueled by the sounds of peace and absolute destruction are to be expected. With roots as the lead singer in a metal band\, Vastive is no stranger of playing in front of a crowd and putting on a stellar performance. \nAlongside Vastive’s impressive composition and skillful production\, he strives to include his vocals in his tracks to help set him apart from the rest. Vastive’s fresh take on bass music has landed him releases on Never Say Die\, Subsidia\, Space Yacht Records and more\, while receiving support from industry heavyweights such as Excision\, Sullivan King\, Kayzo\, Slander\, Bear Grillz\, PhaseOne\, Calcium and the list keeps going. With an impressive resume and no plans on slowing down\, Vastive is here to make his mark in the bass music community and beyond.
URL:https://www.mikebrowngroup.com/event/bear-grillz-w-vastive/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/11-08-24_Bear-Grillz_BOI_1080x1080-1024x1024-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241108T210000
DTEND;TZID=UTC:20241108T210000
DTSTAMP:20260516T091757
CREATED:20241030T154424Z
LAST-MODIFIED:20241030T154424Z
UID:103256-1731099600-1731099600@www.mikebrowngroup.com
SUMMARY:Pink Pony Club - Chappell Roan Night
DESCRIPTION:Pink Pony Club: Chappell Roan Night\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFriNovember 89:00 pm(Doors: 9:00 pm)\n18 and up
URL:https://www.mikebrowngroup.com/event/pink-pony-club-chappell-roan-night/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/63_Original.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241109T200000
DTEND;TZID=UTC:20241109T200000
DTSTAMP:20260516T091757
CREATED:20241030T155131Z
LAST-MODIFIED:20241030T155131Z
UID:103259-1731182400-1731182400@www.mikebrowngroup.com
SUMMARY:BLP Kosher\, BabyTron\, Trapland Pat\, Nasaan
DESCRIPTION:BLP Kosher\, BabyTron\, Trapland Pat\, Nasaan\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSatNovember 98:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/blp-kosher-babytron-trapland-pat-nasaan/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/83_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241110T190000
DTEND;TZID=UTC:20241110T190000
DTSTAMP:20260516T091757
CREATED:20241030T155744Z
LAST-MODIFIED:20241030T155744Z
UID:103262-1731265200-1731265200@www.mikebrowngroup.com
SUMMARY:LUCERO w/ Vandoliers
DESCRIPTION:LUCERO – Should’ve Learned by Now \nThe search for one’s identity is a lifelong process that every individual must go through. Who someone is today\, is not the person they were yesterday nor who they may be tomorrow. Despite those changes\, there is a general idea of a defined sense of self.  No matter what happens\, it is that small yet solid and grounding definition of self that continues to drive us forward in our search for identity and whatever may come with it. \nIt would be difficult to find any artist who understands that better than the band Lucero. \nSince forming in Memphis in the late 90’s\, Lucero’s base musical hallmarks have remained similar to the band’s initial sound established with their first record The Attic Tapes. In the history of their expansive discography\, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul\, whilst simultaneously maintaining their distinctive sonic foundations. Over 20 years later\, dedicated fans of the group still flock to hear the band’s punchy driving rhythms\, punk-rooted guitar licks\, and lyrics that evoke the whiskey drenched sentimentality of Americana singer-songwriters. As expected of any band built to survive\, Lucero has welcomed change over the course of their career\, but it has always been on their terms. \nThe band’s twelfth album\, Should’ve Learned by Now\, began its life as hardly more than some rough demos and lingering guitar parts. These pieces that were left behind from the band’s previous albums\, Among the Ghosts (2018) and When You Found Me (2021) were deemed too uptempo and capering for the prior records’ darker themes. \n   \n“I had a particular sound I was looking for on each record and there was no room for any goofy rock & roll or cute witticisms or even simply upbeat songs\,” said primary lyricist and frontman\, Ben Nichols. “But now finally\, it was time to revisit all of that stuff and get it out in the world. That’s how we got to the appropriately-for-us-titled album Should’ve Learned by Now. The album is basically about how we know we are fuckups and I guess we are ok with that.” \nThe band\, comprised of all its original members (which in addition to Ben Nichols\, includes Brian Venable on guitar\, Roy Berry on drums\, John C. Stubblefield on bass\, and Rick Steff on keys) teamed up for a third time with producer and Grammy Award-winning engineer and mixer\, Matt Ross-Spang. Lucero began the recording process in Sam Phillips Recording Service before transitioning and finishing the record in Ross-Spang’s newly opened Southern Grooves Productions in Memphis\, TN. Ross-Spang appears to have settled in with the band’s more trademark sound whilst very much making his touch known to listeners. \n“He knows how to take the sounds we’re making on our own and just kind of polish them up in the right way. Or dirty it up in the right way. Whatever it takes\, he just kind of does it\,” says Nichols. \nThe first track from the album “One Last F.U.” is a punchy and somewhat combative song which was one of the original remnants of Among the Ghosts. Despite its title\, “One Last F.U.” is less about standoffishness and more a self-reflection on the kind of people we are capable of being in difficult situations. According to Nichols “The rest of the song was simply about wanting to be left alone while I drank at the bar. That could be taken in a kind of grumpy/antagonistic way\, but I feel ok singing the song because I’ve been both characters in the song at different times. Sometimes I’m the one wanting to be left alone and sometimes I’m the drunk one blabbing all night to someone that just wants to be left alone.” Right off the bat\, Nichols’ vocals are awash in rock and roll slap-back reverb. The effect pushes Nichols’ naturally upfront vocals wider\, so they fill the space in a manner more akin to a live performance. It’s one of a few new production effects that extend throughout the record and add a new level of presence and attitude to the band’s sound. \nThe second track\, “Macon if We Make It”\, was inspired by the band having to traverse through Georgia during a hurricane. When asked where the next stop on the tour was\, the band responded with\, “Macon\, if we make it.” Continuing to be reminiscent of older works\, “Macon if We Make It” has echoes of the band’s 2009 album 1372 Overton Park. The song is really driven by guitarist Brian Venable’s formidable electric guitar. The lyrics seem at first to be mostly preoccupied with a literal storm situation at hand but turn out to be more about a troubled relationship back home. The proverbial dam breaks when the narrator sings “I don’t know if we were in love. I just know it wasn’t enough. Got caught in the storm and the water it’s rising…” The song gives way to a powerful drum lead up by Roy Berry and the listener is carried out\, like a raft\, on a ripping guitar solo. \nThe pushes and pulls\, builds and breakdowns are all over the album’s subsequent tracks\, but it isn’t all hard-edged rock and roll all the time. “She Leads Me”\, is inspired somewhat by the classic tale of Orpheus and Eurydice\, and delves into a softer and more nostalgic sound. With backing vocals supplied by Jesse Davis and Cory Branan\, it’s a song that lyrically rests on the concept that we sometimes need to recognize and acknowledge our past for a gentle enough reassurance to move forward. \nThe rest of the album dives right back into its more rock and roll songs with “At the Show” and “Nothing’s Alright”\, both of which examine the highs and lows of remembering old loves\, reminiscing on the old days\, and contented introspection. Aspects which finally come to a head in the album’s title track “Should’ve Learned by Now”\, a rough and edgy song that tackles the fact that all the lessons\, though clearly recognized\, have yet to sink in. Quite poetically\, the song is set to a tune that may be the greatest call back to Lucero’s punk upbringing. \nFrom its original Ben Nichols-designed cover art to its credits\, the album is a reflection of a band that knows itself. Should’ve Learned by Now bridges the gap musically between “old Lucero” and “new Lucero” in a manner which affixes the band’s position as the perfect intersection of punk initiative with hard-earned artistry. It’s an album that recognizes the past in its sound and content\, but leaves the door wide open to the future and for the lessons still in store. \n\n\n\n \n\nVandoliers\nVandoliers are a uniquely Texas band\, distilling the Lone Star State’s vast and diverse musical identity into a raucous\, breakneck vibe that’s all their own. After spending much of the last three years furiously writing and recording music\, this Dallas-Fort Worth six-piece is back with The Vandoliers\, a new album that proves these rowdy\, rollicking country punks are tighter\, more cohesive and more sonically compelling than ever. \nForged in the fires of the COVID-19 pandemic\, The Vandoliers is the product of a time of immense growth and change for the band. Though most of the record was written in 2019\, following the release of their much-acclaimed album Forever\, plans changed quickly in March 2020. “It was supposed to be a quick turnaround\,” frontman Joshua Fleming says. “After touring with Lucero and the Toadies\, we were supposed to go into the studio to knock out an album\, and head to Europe for the first time.” That didn’t happen —their tours were canceled\, the band’s label folded\, and what was to come next was totally up in the air. \nRecorded with Grammy-winning producer Eric Delegard at Reeltime Audio in Denton\, TX\, The Vandoliers is an album interrupted. The band’s original two-week recording session ended abruptly in March 2020 as shutdowns began across the globe. The band didn’t get back into the studio until November\, at which point they realized that\, like many of the best-laid plans\, their original strategy for the record had to change. “We wanted to make an album that had the same power as our live performance — a tight\, big sound\,” Fleming says. “Through trial and error\, label closure\, fatherhood\, sobriety\, relapse\, the album grew on its own stylistically. After the hardest two years of my life\, we created a collection of songs that push us as musicians\, songs that reaffirmed my place as a songwriter and a faith in ourselves as a band I don’t think we had before.” \nAmid all that uncertainty\, Vandoliers did what they knew best: they made music. First came “Every Saturday Night\,” a pandemic-era appreciation of all the rowdy\, late-night shows that we all missed while stuck at home. “I thought for sure that this would be the last song I would ever write. I missed all the little things about the life I lived up until that point\,” Fleming says. “I missed the smells and tastes of a smoky dive bar\, the long overnight drives listening to our favorite bands.” Those thoughts clearly struck a chord with listeners\, earning the song heavy rotation on the radio\, especially Sirius XM’s Outlaw Country\, and jumpstarting the band’s plans to head back into the studio to encapsulate their electric live shows into the album that would eventually grow into The Vandoliers. \nThe Vandoliers is a manifesto\, both sonically and lyrically. It’s an assertion of the band’s distinct character\, their sonic rebelliousness\, and big\, bold stage presence. They’ve got range\, too\, but that should be expected from a band that deftly blends mariachi horns with country-punk rhythms. On “The Lighthouse\,” tender vocals pair with Travis Curry’s delicate fiddle to create a sweet cowpunk lullaby written for Fleming’s one-year-old daughter Ruby Mae\, born at the height of the pandemic. And then there’s “Bless Your Drunken Heart\,” a hard-driving ode to the town drunk that makes apt use of the South’s favorite passive-aggressive slight and has quickly become a favorite at the band’s live shows\, and “I Hope Your Heartache’s a Hit\,” a swinging\, swaggering tribute to a one-night-stand written by multi-instrumentalist Cory Graves. \nTaken all together\, this impressive fourth album builds to what is the Vandoliers’ most cohesive effort to date without sacrificing any of the distinct identity that makes the band work as well touring alongside punkers Flogging Molly as they do opening for independent country legends the Turnpike Troubadours or Dallas rockers the Old 97s. Few bands can bring together the square toes and the steel toes quite like the Vandoliers. As its members have grown and matured\, so has the sound of Vandoliers. But what remains the same\, though\, is the band’s core philosophy of solidarity and hope\, evidenced by the motto they’ve all had tattooed on their arms: Vandoliers Forever\, Forever Vandoliers. \nVandoliers are Joshua Fleming\, bassist Mark Moncrieff\, drummer Trey Alfaro\, fiddler Travis Curry\, electric guitarist Dustin Fleming\, and multi-instrumentalist Cory Graves. Formed in 2015\, the band released 2016’s Ameri-Kinda and 2017’s The Native on State Fair Records\, and Forever (2019) on Bloodshot Records.
URL:https://www.mikebrowngroup.com/event/lucero-w-vandoliers/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/lucero.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241110T200000
DTEND;TZID=UTC:20241110T200000
DTSTAMP:20260516T091757
CREATED:20241030T160650Z
LAST-MODIFIED:20241030T160650Z
UID:103266-1731268800-1731268800@www.mikebrowngroup.com
SUMMARY:Landon Conrath\, Andrew Garden
DESCRIPTION:Landon Conrath\, Andrew Garden\n9th St. Parallel at Knitting Factory\n416 S 9th St – Boise\, ID 83702\nSun\nNovember 10\n8:00 pm\n(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/landon-conrath-andrew-garden/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/24_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241111T193000
DTEND;TZID=UTC:20241111T193000
DTSTAMP:20260516T091757
CREATED:20241022T170945Z
LAST-MODIFIED:20241022T170945Z
UID:101400-1731353400-1731353400@www.mikebrowngroup.com
SUMMARY:Avatar: The Last Airbender In Concert
DESCRIPTION:Avatar: The Last Airbender In Concert offers a captivating experience\, blending a live orchestral performance of the iconic series soundtrack with an immersive two-hour recap of the animated show’s three seasons on a full-size cinema screen. The projection preserves the original dialogue and sound effects\, allowing the orchestra to seamlessly synchronize with the show scenes. The result? A truly grandiose and immersive concert experience that breathes new life into the beloved series. \nAvatar: The Last Airbender\, winner of the prestigious Peabody and Emmy® Awards\, chronicles the heroic mission of Aang and his friends as they strive to defeat Fire Lord Ozai and reinstate balance among the Four Nations. Avatar: The Last Airbender In Concert amplifies this epic odyssey\, offering a unique opportunity to relive the series with a live orchestral performance. The live ensemble features a fusion of Eastern and Western traditional instruments\, all meticulously composed and arranged by Jeremy Zuckerman\, the original composer of the show’s music. Don’t let this amazing opportunity slip away\, and experience the world of Avatar like never before!
URL:https://www.mikebrowngroup.com/event/avatar-the-last-airbender-in-concert/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Festivals & Events,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/MSE4Wall_Avatar_Boise_1440x500-a0db046603.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241111T200000
DTEND;TZID=UTC:20241111T200000
DTSTAMP:20260516T091757
CREATED:20241030T164638Z
LAST-MODIFIED:20241030T164638Z
UID:103269-1731355200-1731355200@www.mikebrowngroup.com
SUMMARY:American Aquarium\, Blaine Bailey
DESCRIPTION:American Aquarium\, Blaine Bailey\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nMon November 11 8:00 pm (Doors: 7:00 pm)\nAll Ages\n$25.00 – $30.00
URL:https://www.mikebrowngroup.com/event/american-aquarium-blaine-bailey/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/34_Original-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241113T193000
DTEND;TZID=UTC:20241113T193000
DTSTAMP:20260516T091757
CREATED:20241030T171809Z
LAST-MODIFIED:20241030T171809Z
UID:103272-1731526200-1731526200@www.mikebrowngroup.com
SUMMARY:Rise Against
DESCRIPTION:Rise Against\n\n\n\n\n\n\nDate\nWed • Nov 13\, 2024 • 7:30 PM\n\n\nVenue\nRevolution Concert House & Event CenterGarden City\, ID\n\n\n\n\n\n\nAdditional Info\nGeneral Admission Only \nAll ages\, Standing room only\, Full bar with ID. VIP Lounge is 21+ includes Access to viewing balcony\, private bar\, private restrooms\, seating is first come first served\, not included in VIP Package Offers. All support acts are subject to change without notice. \n\n\nLineup\n\n\n\nRise Against\n\n\nL.S. Dunes\n\n\nCloud Nothings\n\n\n\n\n\nDoor Time\n6:30 PM \n\n\n\nAccessible Tickets\n\n\nThis event is an all General Admission event. Patrons requesting accessible seating should purchase a General Admission ticket and you will be accommodated at the venue.
URL:https://www.mikebrowngroup.com/event/rise-against/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/Static_Outdoor-ConcertVision_1920x1080_RiseAgainst_2024_Regional_RevolutionConcertHouseAndEventCenter_1113.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241113T200000
DTEND;TZID=UTC:20241113T200000
DTSTAMP:20260516T091757
CREATED:20241030T172103Z
LAST-MODIFIED:20241030T172103Z
UID:103296-1731528000-1731528000@www.mikebrowngroup.com
SUMMARY:Joe Bonamassa
DESCRIPTION:Joe Bonamassa is one of today’s top live performers. His enthusiastic shows are one of the biggest parts of his career and a favorite for music lovers worldwide. Hailed internationally as one of the greatest guitar players of his generation and cited by Guitar World Magazine as “the world’s biggest blues guitarist\,” Bonamassa has almost single-handedly redefined the blues-rock genre and brought it into the mainstream. Backed by a stellar band of legendary musicians\, the set list for this show will feature new songs alongside career-spanning favorites. By exceeding his vertiginously high artistic goals\, Bonamassa has shattered all expectations with 27 #1 Billboard Blues Albums (more than any other artist in history). Bonamassa’s career in the music industry has built steadily over the years and is only gaining more momentum. \nWatch the music video for Twenty-Four Hour Blues off Joe’s upcoming live album “Live At The Hollywood Bowl with Orchestra\,” available for pre-order now at jbonamassa.com
URL:https://www.mikebrowngroup.com/event/joe-bonamassa/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/1440x500-JB-Boise-97115e0609.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241115T190000
DTEND;TZID=UTC:20241115T190000
DTSTAMP:20260516T091757
CREATED:20241030T180558Z
LAST-MODIFIED:20241030T180558Z
UID:103302-1731697200-1731697200@www.mikebrowngroup.com
SUMMARY:THE BROTHERS COMATOSE w/ AJ Lee & Blue Summit
DESCRIPTION:The Brothers Comatose‘s singer-songwriter Ben Morrison share some insight into their latest polarizing single “The IPA Song\,” “We generally use our music to unify people\, but there comes a time for every band when you have to make a statement. This is our most controversial song and we realize that some of our audience will hate us for it\, but it’s time we finally say something: we can’t drink IPAs anymore!” \n“Phew\, that felt good to get off my chest.” \n“In all seriousness though\, we overdid it quite a bit\, back when we were sponsored by a great beer company and they delivered multiple cases of IPA to every tour stop of ours. It was great for a while\, but it got to the point where we had cases and cases of warm IPA in our van and that’s all we drank. Too much warm IPA will change a person\, and now we can only drink light beer. We’re more of a quantity over quality band these days\, at least when it comes to beer.” \n“This song came about because there are lots of craft beer lovers in our musical world and we would find ourselves drinking lots of high alcohol percentage beers when we’re playing shows\, and we just can’t do it anymore. We want to enjoy a few beers while we’re playing without getting too drunk\, and light beer saves us from that. Pabst Blue Ribbon\, if you’re reading this\, we’re still looking for sponsorships!” \nThe Brothers Comatose’s new single “The IPA Song” is available now  \nWhether traveling to gigs on horseback or by tour bus\, Americana mavens The Brothers Comatose forge their own path with raucous West Coast renderings of traditional bluegrass\, country and rock-n-roll music. The five-piece string band is anything but a traditional acoustic outfit with their fierce musicianship and rowdy\, rock concert-like shows. \nThe Brothers Comatose is comprised of brothers Ben Morrison (guitar\, vocals) and Alex Morrison (banjo\, vocals)\, Steve Height (bass)\, Philip Brezina (violin)\, and Greg Fleischut (mandolin\, vocals). When they’re not headlining The Fillmore for a sold-out show or appearing at Hardly Strictly Bluegrass Festival\, the band is out on the road performing across America\, Canada\, Australia\, and hosting their very own music festival\, Comatopia\, in the Sierra foothills. \nThe San Francisco quintet are heading out for a massive U.S. tour in further support of their most recent album Ear Snacks – a heartwarming collection of collaborations from their Ear Snacks YouTube series. \n\n\n\n \n\nAJ Lee & Blue Summit\nAJ Lee & Blue Summit are an award-winning energetic\, charming\, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz\, California\, the group met as teenagers\, picking and jamming together as kids at local music festivals and jams until one day\, they decided they would be a band. “Our roots go really deep\,” explains de facto band leader Lee. “We met when we were young kids… We definitely decided to choose each other as a chosen family band later on in life\, but in a lot of ways it was naturally just like that in the beginning.” “It was like one of those late at night things\,” she continued. “We were sitting on a trailer at Grass Valley” at the annual Father’s Day Bluegrass Festival held in the Sierra Nevada foothills – “Someone said\, ‘All of us right here\, we’re a band now.’ We kind of didn’t take it seriously\, but we were like\, okay\, we’ll be a band!” \nAnd thank goodness they became a band. Their first gigs were local\, small venues\, cafes\, restaurants\, coffee shops\, where they’d play for multiple hours honing their set list and learning shared musical vocabularies. Now\, as they criss-cross the country performing hundreds of shows a year to larger and larger audiences\, you can sense the intention they had back then – to make music together not for just aspirational reasons\, but because it’s fun – and it’s all you want to do as young musicians. Currently made up of Lee on mandolin\, fiddler Jan Purat\, and guitarists Scott Gates and Sullivan Tuttle\, the band carries that youthful\, festival-parking-lot energy with them still today\, but at the same time there’s a genuine ease and confidence to their music making. This is not the bluegrass of ambitious musicians intent on industry success\, this is music made firstly for the joy of making it and primarily made for each other. It’s part of why\, as they ready their third studio album\, City of Glass – their first label release\, out July 19th via Signature Sounds – their product feels mature and fully realized\, while deep in the Blue Summit pocket. \nCity of Glass is a slow burn album\, remarkable when considered alongside records released by their peers in recent years. Lee & Blue Summit seem unconcerned with mimicking hugely successful jamgrass bands\, or making competitive and performatively intellectual new acoustic music\, or wishing to establish themselves as the superlative string band in their bluegrass\, old-time\, and Americana communities. Instead\, they’re most interested in discovering themselves\, their own music\, and sonics and textures truly their own. So\, when they went into the studio to track City of Glass and its gorgeous twelve tracks\, they once again forsook the roads most traveled by\, looking to their local California community for collaborators that also feel right at home in their chosen family band. They brought in Lech Wierzynski\, of the California Honeydrops\, to produce; they tapped Bay Area steel guitarist Mikiya Matsuda for a couple of tracks; plus they had Californian banjo player\, instructor\, and Father’s Day Fest veteran Luke Abbott lend five-string to a number. \nThe group is proud to be Californian\, proud to represent the neo-traditionalist bluegrass and folk from the state and the mighty communities surrounding them. Their music shines with this “think global\, act local” sort of approach. On a track called\, “Can’t Find You At All\,” they even included a sort of reunion of “The Tuttles featuring AJ Lee” – the true family band from their early childhoods that also included Lee\, Sully Tuttle\, Grammy Award winner Molly Tuttle\, and their father Jack Tuttle – who wrote “Can’t Find You At All”. \n“I thought\, Sully’s on the track and Jack wrote it\,” Lee explains. “So\, I would love for Molly to sing on it\, because it does feel like a mini reunion of The Tuttles… It just feels like coming back to where technically my career started\, with them.” Throughout City of Glass\, an overarching sense emerges that this is a band who knows who they are\, what they are trying to say\, and who can help them say it. They know they don’t “need” a banjo to be a bluegrass band. They know they\, like so many bluegrass groups with mainstream appeal\, know how to make two flatpicking guitarists work in concert\, together. And\, with Wierzynski at the control room helm\, they were able to preserve that feeling of grounded self-assuredness indelibly through these songs\, while still challenging themselves outside of their comfort zones and outside of the musical box. Focusing on these qualities and bringing in creatives they trusted\, they were able to craft an album that sounds exactly like AJ Lee & Blue Summit while still breaking endless new ground. “Having a powerhouse vocalist and someone we trusted in the control room was really valuable and really fun\,” Jan Purat says. “I think it removed a lot of the headiness and back and forth… It felt like it was streamlined\, in certain ways\, being able to trust his judgment\, even though he was from a different genre.” Wierzynski also brought songs to the band\, a stunning cover of the soul classic “He Called Me Baby” and a song he wrote\, “Bedside Window\,” which is rendered by the band as an archetypical bluegrass “fast waltz.” Wierzynski prioritized making the band sound exactly like themselves\, producing the vocals to be and sound live whenever possible\, moving the band along when a take checked all the boxes\, and still bringing in genre and aesthetic inspirations that feel brand new. City of Glass\, as a result\, is an album that’s just as much country soul and gritty\, bluesy Americana as it is bluegrass\, all framed through a California folk lens while clearly primed for a much wider audience. The title track is a beautiful and evocative metaphor that conjures the climate crisis and holds an inspiring degree of self-awareness\, from this group of young folks. As they sing of a wonderful monument to human kind’s achievements\, an awesome and temporal city made of glass\, grain by grain\, shard by shard\, they put the fleeting and intangible qualities of a life as professional musicians under the same lens\, once again reinforcing that their priorities in music cannot simply be achievements and success. After all\, they know that\, someday\, all of this will fade away. As such\, as much as possible\, they have their eyes trained first and foremost on the present moment. \n“I’ve learned through songwriting and creating music that you shouldn’t hold anything as precious as you think you should\,” Lee says\, speaking about writing “City of Glass.” “We’re all happy to experience life with each other and to see what this band turns into\, but there’s no expectation that this monument we’ve built will stand forever.” \nPerhaps this is why it feels like\, whether on stage or in the studio\, Blue Summit pours all of themselves into every song\, every lyric\, and every note. “I think it would lose meaning if it did last forever\,” Gates agrees. “For so long making music for a living was ‘ride or die\,’ but now we’re very much in the moment and we understand that nothing lasts forever. All I care about is just the next step and not skipping any steps in between.” \nThe slow burn of City of Glass certainly reaches its tenor\, but never in a performative\, belabored\, or corny way. There are many moments of tension and release\, of musical climaxes that are tender and subdued or silly and winking – and yes\, absolutely barn burning\, too. “Seaside\,” written by Sully Tuttle\, feels pulled directly from a Steinbeck paean to coastal California. “Bakersfield Clay\,” penned by Gates\, could have been divinely implanted in his head from Haggard or Owens or any number of lonesome troubadours longing for their southern California home while also longing to leave it behind. “I Still Think of Her” is one of the album’s jewels\, a delicious and pining love song with a queer throughline that wrinkles its common\, countryfied format in a truly one-of-a-kind way. Like “Can’t Find You At All\,” the band finds power here with a less is more approach\, building energy without necessarily raising the volume or tempo. Each song demands your full attention\, builds intentionally to the next\, and gently guides their listeners through exciting and heartfelt twists and turns\, musically\, lyrically\, and melodically. AJ Lee & Blue Summit’s City of Glass is statuesque\, while living and breathing. It’s a monument not to ego and virtuosity and self-absorption\, but to what beauty can exist when a handful of musicians who know each other so deeply and care for each other so innately choose each other\, show after show\, day after day\, song after song. AJ Lee & Blue Summit are an exemplary band so unconcerned with being remembered\, with being enshrined\, that they have gone about making a set of songs that will surely be held onto and cherished forever. City of Glass may one day crumble\, but this music will never fade away.
URL:https://www.mikebrowngroup.com/event/the-brothers-comatose-w-aj-lee-blue-summit/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/The-Brothers-Comatose-Boise-November-2022-1-1-1024x684-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241115T200000
DTEND;TZID=UTC:20241115T200000
DTSTAMP:20260516T091757
CREATED:20241030T181434Z
LAST-MODIFIED:20241030T181434Z
UID:103313-1731700800-1731700800@www.mikebrowngroup.com
SUMMARY:Scott Bradlee's Postmodern Jukebox - The '10' Tour
DESCRIPTION:The work of Scott Bradlee & Postmodern Jukebox has been viewed on the ensemble’s YouTube channel well over a hundred million times. Most of those doing the viewing\, however\, are not fully aware of the method to Bradlee’s madness. On the surface\, the method is video – clips of full-band performances (that’s Bradlee on piano) shot in the bandleader’s living room with a single stationary camera. The madness: pop hits of the present performed à la pop hits of the past. Miley Cyrus’ “We Can’t Stop” assayed as a doo-wop number; Macklemore and Ryan Lewis’ “Thrift Shop” tricked out in flapper jazz; Sam Smith’s “Stay With Me” rendered a 1940s big-band standard. In fact\, Bradlee’s method runs deeper. He’s educating his audience about 20th-century song styles; he’s commenting on the elasticity of the pop form; he’s confounding cultural context; he’s uniting generations; he’s breaking the rules. He’s manifesting postmodernist ideas in his approach to production and business as well as music. But as far as the fans are concerned\, it’s just fun (and sometimes funny). Bradlee himself will tell you\, simply\, “I reimagine a song in another style because I want to hear it that way.” Discovering talent and knowing what to do with it is fundamental to the business of music. Bradlee is something of a postmodernist here\, too\, having achieved renown doing everything himself\, mostly online\, “with no budget” (i.e. using the recording equipment he’d had since college). His adherence to the DIY ethos also suggests the decidedly postmodern form of punk rock. “I was a struggling jazz pianist sitting in my basement apartment in Queens\,” he attests\, “but I just figured it out and made it happen.” That said\, punk rock is likely not top of mind for those attending a Scott Bradlee & Postmodern Jukebox show. The scene is more reminiscent of a speakeasy\, with swells in vintage threads swilling Prohibition-era cocktails. “It’s a variety show\, a musical revue featuring special guests\,” Bradlee illuminates. “Coming to a PMJ show is like time-traveling back to Old Hollywood – it’s an experience.” Creating that for audiences appears to be PMJ’s ultimate mission.
URL:https://www.mikebrowngroup.com/event/scott-bradlees-postmodern-jukebox-the-10-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/43_Original.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241115T210000
DTEND;TZID=UTC:20241115T210000
DTSTAMP:20260516T091757
CREATED:20241030T183111Z
LAST-MODIFIED:20241030T183111Z
UID:103316-1731704400-1731704400@www.mikebrowngroup.com
SUMMARY:THE TAYLOR PARTY: THE TS DANCE PARTY (18+)
DESCRIPTION:THE TAYLOR PARTY: THE TS DANCE PARTY (18+)\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFri November 15 9:00 pm (Doors: 8:00 pm)\n18 and up\n$19.00 – $32.50Buy Tickets\n\n\n\nPlease note: Tier refers to price level only. \n18+ – 8:00 PM Doors – TSN Parties LLC is not affiliated with\, endorsed by\, authorized by\, sponsored by\, or in any way officially connected with Taylor Swift\, TAS Rights Management\, LLC\, or any of their affiliates or subsidiaries. Further\, any similarities in services or events between TSN Parties LLC and any third party entities are purely coincidental and do not imply any association between TSN Parties LLC and such third party entities.”
URL:https://www.mikebrowngroup.com/event/the-taylor-party-the-ts-dance-party-18/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/33_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241116T200000
DTEND;TZID=UTC:20241116T200000
DTSTAMP:20260516T091757
CREATED:20241030T183356Z
LAST-MODIFIED:20241030T183356Z
UID:103322-1731787200-1731787200@www.mikebrowngroup.com
SUMMARY:Night Ranger
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/night-ranger/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/NightRanger_2024_LiveInConcert_COL.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241116T200000
DTEND;TZID=UTC:20241116T200000
DTSTAMP:20260516T091757
CREATED:20241030T183639Z
LAST-MODIFIED:20241030T183639Z
UID:103326-1731787200-1731787200@www.mikebrowngroup.com
SUMMARY:ZZ Ward calendar – Revolution Concert House- The Dirty Sun Tour
DESCRIPTION:ZZ Ward – The Dirty Sun Tour\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSat\nNovember 16\n8:00 pm\n(Doors: 7:00 pm)
URL:https://www.mikebrowngroup.com/event/zz-ward-calendar-revolution-concert-house-the-dirty-sun-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/23_Original.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241117T200000
DTEND;TZID=UTC:20241117T200000
DTSTAMP:20260516T091757
CREATED:20241030T184832Z
LAST-MODIFIED:20241030T184832Z
UID:103332-1731873600-1731873600@www.mikebrowngroup.com
SUMMARY:Wild Child + Susto\, Judy Blank
DESCRIPTION:Info\nTickets\n\n\n\n\n\n\n \n\n\n\nWild Child\nIndie Pop \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nSusto\nAlternative Country \n\n\n\n\n\nOsborne is home in Charleston\, South Carolina\, reflecting on the personal journey and cultural climate that have led to Ever Since I Lost My Mind\, the third record and label debut for his acclaimed project SUSTO. The album is a resounding triumph: a mix of new partnerships and collaborations with old friends\, all anchored by Osborne’s perceptive songs that explore connection\, loss\, and transience––and the pain and joy each brings.“Ever Since I Lost My Mind is very personal. This collection of songs came together over the course of a couple of years\, and they all represent different moments\,” he says. “It felt cathartic writing all of them\, and they were also all fun in different ways.” \nWith a rock-rooted sound that doesn’t shy away from radio-ready hooks\, SUSTO keeps listeners engaged by refusing to occupy an easily defined space. Produced by Ian Fitchuck (Kacey Musgraves\, Ruston Kelly) and featuring key input from Osborne’s longtime creative sounding board Wolfgang Zimmerman\, Ever Since I Lost My Mind defiantly experiments with synth embellishments\, Latin heart\, guileless folk\, and more. Osborne’s mellow vocals comfort without losing the ability to surprise––delicate croons\, growls\, and occasional screams take turns. \nWhen Osborne moved to Havana as part of a study abroad opportunity\, he thought he was abandoning music for anthropology. But the Cuban musicians and artists he befriended had other ideas. They were among the first to see that SUSTO––and the music that would ultimately fuel it––captured him too well to remain an afterthought. Re-energized\, he  returned to the States half a year later and recorded SUSTO’s first album. Just after the release of the band’s self-titled debut album\, Osborne faced a clear choice. “It was a weird moment. I just had to finally quit keeping one foot out of music and dive in. So\, I got knuckle tattoos and haven’t stopped trying to make this work since then\,” he says with a laugh. SUSTO’s acclaimed sophomore album & I’m Fine Today made it even more clear that music and Osborne were meant to be. \nIn Latin American cultures\, the word susto describes an intense fear understood as a condition of the soul––an ongoing\, spiritual panic attack. All of the letters of susto also appear in Osborne’s full name. “SUSTO was this combination of phonetics and meaning––it felt like me\, like a name for myself\,” he says. “I chose the name SUSTO for the project because the meaning behind the word––that deep fright––was something I was experiencing\, and songwriting felt like it was helping me cure it by helping me to process what was happening. Personally\, it was a time of so many powerful transitions: abandoning my religion\, losing touch with my family\, and just having a general sense of being lost\, without direction.” \n\n\n\n\n\n\n\n\n\n\n \n\n\n\nJudy Blank\nAmericana
URL:https://www.mikebrowngroup.com/event/wild-child-susto-judy-blank/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/23_Edp.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241119T190000
DTEND;TZID=UTC:20241119T190000
DTSTAMP:20260516T091757
CREATED:20241030T210812Z
LAST-MODIFIED:20241030T210812Z
UID:103337-1732042800-1732042800@www.mikebrowngroup.com
SUMMARY:Rainbow Kitten Surprise
DESCRIPTION:As if channeling another dimension where genres simply don’t exist\, Rainbow Kitten Surprise finds harmony in unpredictability—weaving together lyrical poetry\, hummable melodies\, and a rush of instrumental eccentricities. Preceded by tracks “LOL” and “Superstar\,” the North Carolina-bred quartet’s forthcoming album LOVE HATE MUSIC BOX—the creative vision of singer/songwriter Ela Melo\, guitarists Bozzy Keller and Ethan Goodpaster\, and drummer Jess Haney as well as former bassist Charlie Holt—represents a brand-new awakening. After years of struggling with her own mental health that resulted in writer’s block\, on-stage episodes\, and tour cancellations\, Melo was properly diagnosed and treated in 2023\, vastly improving her quality of life. Suddenly struck by creative intervention\, songs once again poured out of her\, writing at least one a day for an entire year and forming the backbone of their 22-track opus. Produced by Daniel Tashian (Kacey Musgraves) along with Konrad Snyder (Noah Kahan) and Melo\, the album ponders life’s ups and downs\, and traces the turbulent trajectory of relationships\, painted out loud in hues of pop\, electronic\, rock\, and hip-hop.
URL:https://www.mikebrowngroup.com/event/rainbow-kitten-surprise/
LOCATION:ExtraMile Arena\, 1401 Bronco Lane\, Boise\, Idaho\, 83706
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/Rainbow-Kitten-Surprise_11.19Boise_864x540-231e443956.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241120T183000
DTEND;TZID=UTC:20241120T183000
DTSTAMP:20260516T091757
CREATED:20241030T223331Z
LAST-MODIFIED:20241030T223331Z
UID:103379-1732127400-1732127400@www.mikebrowngroup.com
SUMMARY:THE DEVIL WEARS PRADA IS ETRNAL
DESCRIPTION:THE DEVIL WEARS PRADA IS ETRNAL\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nWed November 20 6:30 pm(Doors: 5:30 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/the-devil-wears-prada-is-etrnal/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/10/53_Original.png
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