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X-ORIGINAL-URL:https://www.mikebrowngroup.com
X-WR-CALDESC:Events for Mike Brown Group
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241002T190000
DTEND;TZID=UTC:20241002T190000
DTSTAMP:20260516T190508
CREATED:20240924T205605Z
LAST-MODIFIED:20240924T205605Z
UID:95671-1727895600-1727895600@www.mikebrowngroup.com
SUMMARY:Ian Munsick
DESCRIPTION:Ian Munsick\nThe Country & WESTern Tour\nwith Ole 60\, The Song Swap (Jenna LaMaster\, Faren Rachels\, and Kasey Tyndall)\nFord Idaho Center Amphitheater\nOctober 2\, 2024
URL:https://www.mikebrowngroup.com/event/ian-munsick/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/IanMunsick1440px500-3a1e5b6277.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241002T190000
DTEND;TZID=UTC:20241002T190000
DTSTAMP:20260516T190508
CREATED:20240925T193239Z
LAST-MODIFIED:20240925T193239Z
UID:95876-1727895600-1727895600@www.mikebrowngroup.com
SUMMARY:THE MOVEMENT - WAYS OF THE WORLD 5TH ANNIVERSARY TOUR
DESCRIPTION:THE MOVEMENT – WAYS OF THE WORLD 5TH ANNIVERSARY TOUR With special guests Long Beach Dub Allstars\, aurorawave\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nWed\nOctober 2\n7:00 pm\n(Doors: 6:30 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/the-movement-ways-of-the-world-5th-anniversary-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/44_Original-3.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241003T190000
DTEND;TZID=UTC:20241003T190000
DTSTAMP:20260516T190508
CREATED:20240925T194138Z
LAST-MODIFIED:20240925T194138Z
UID:95881-1727982000-1727982000@www.mikebrowngroup.com
SUMMARY:An evening with PHOSPHORESCENT
DESCRIPTION:“I got tired of sadness/ I got tired of all the madness/ I got tired of bein’ a badass all the time\,” Matthew Houck sings on\n“Revelator\,” the opener and title track of his latest Phosphorescent album. Houck was actively looking for something new\, an\nepiphany\, when the old ways stopped working. And just as the album Revelator only revealed itself to its author along the\nway\, so too did real life revelations take their time answering the plaintive mission statement with which Houck reintroduces\nPhosphorescent.\nThe last time we heard from Phosphorescent\, it was after a five year gap between Houck’s 2013 breakthrough Muchacho\nand 2018’s C’est La Vie. His life had changed drastically: He had left New York City for Nashville\, had children\, survived a\nnearly fatal bout of meningitis\, and re-built his recording studio from the ground up. Now\, another half decade has passed\, a\nperiod that while quieter\, has proven no less complex\, with Houck traversing murkier spaces and the blurry mists of time.\n“This record is a lot more open-ended and ephemeral\,” Houck explains\, noting the more plainly autobiographical\ndocumentation of C’est La Vie has been upended by something less knowable\, more unsettled. The underlying melancholy\nof Phosphorescent’s music remains\, reframed by the weird headspace of long-term fallouts from the last few years.\nRevelator might promise a fresh outlook\, another horizon\, but first the album wrestles with an ongoing\, ambient sense of\ndread.\nAfter a bit of pandemic dormancy\, Houck first revived Phosphorescent for The Full Moon Project in 2022. Each month\, on\nthe full moon\, he released a cover of a song from an eclectic selection of artists like Randy Newman\, Nick Lowe\, Nina\nSimone and Tom T. Hall\, getting back in the groove of making music in his Nashville studio. The Full Moon recordings did\nthe trick\, shaking the cobwebs loose: After the downtime of the pandemic\, Revelator suddenly happened fast. Houck\nunderwent a few writing retreats\, renting himself a room across town then rejoining his family for the weekend. Though it\nonly took six months to write and record\, it wasn’t an easy birth: Revelator made Houck confront his usual tendencies toward\nself-doubt\, amplified by his own questions about what sort of album he was making.\nIn the end\, Revelator points the way to a poignant outcome. It’s an album of elegant gravity and “the grand sadness in life”\n— perennial Phosphorescent subject matter\, by Houck’s estimation. In some ways\, Revelator extends seamlessly from the\nstory begun by Muchacho and continued by C’est La Vie. It finds Houck further mastering his unique blend of ragged\,\nexperiment-y classicism intertwined with ethereal\, lachrymose atmospherics. Across Revelator\, Houck sings from a woozy\,\nworn headspace\, but leads us to a place where dreams and reality mingle. Anxieties about the future — both personal and\nglobal — air alongside stray memories. Surprisingly profound (yet still raunchy) messages scrawled on a men’s room wall sit\nnext to moments of reclaimed wonder\, with Houck seeing the world anew through his children’s eyes.\nWhile Revelator remained a mystery even to Houck for some time\, you can see a clear arc unfold across its nine songs.\n“Revelator” works as an overture\, setting the stakes for Phosphorescent’s next chapter\, and forecasting some of the\nconclusions reached after the winding journey of the subsequent eight songs. For the first time\, Houck sings someone else’s\nsong on a Phosphorescent album\, after his partner Jo Schornikow wrote “The World Is Ending\,” a wryly bleak song that\ncommunicated a lot of the same things Houck had been feeling. After the newfound warmth of settling down on C’est La Vie\,\n“Fences” and “Impossible House” use domestic imagery not as idylls\, but as mechanisms of distance\, grappling with the\nchallenges of maintaining long-term partnerships. Though C’est La Vie was never quite as happy as some suggested\,\nRevelator is notably more conflicted\, wracked. The song “Wide As Heaven” originated in a dream in which Houck found\nhimself in a crumbling warehouse surrounded by people from different chapters of his life\, the song playing over the\nspeakers. “Why does heaven make me feel so sad?” Houck asks\, his voice nearly breaking. It’s one of the more dangerous\nquestions we can ask ourselves: What happens when you have a seemingly perfect life\, and the darkness still lingers?\nBy the time Revelator closes with “To Get It Right\,” Houck hasn’t necessarily found an answer\, but at least has resolved to\nkeep searching for one. Sprawling out over seven minutes\, “To Get It Right” is the latest Phosphorescent epic that leaves\nyou just a bit transformed by its conclusion. After all these songs that show us how we can disappear from ourselves — how\nwe drift from the people we love\, how we lose sight of things we once knew — “To Get It Right” is a reclamation\, the moment\nwhere you find your way back to some core truths while still carrying what you learned along the way.\n“I like that the record restrains itself the entire time until the last song lays it all out there\,” Houck says. “I needed it to have\nsome strength\, to not quit. I needed it to say: ’Yeah\, we got this.’”
URL:https://www.mikebrowngroup.com/event/an-evening-with-phosphorescent/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/FINAL-CURTIS-RIVER-4-1024x683-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241003T200000
DTEND;TZID=UTC:20241003T200000
DTSTAMP:20260516T190508
CREATED:20240925T194604Z
LAST-MODIFIED:20240925T194604Z
UID:95886-1727985600-1727985600@www.mikebrowngroup.com
SUMMARY:Badflower
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/badflower-2/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Static_Outdoor-ConcertVision_1920x1080_Badflower_2024_Regional_RevolutionConcertHouseandEventCenter_1003.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241004T190000
DTEND;TZID=UTC:20241004T190000
DTSTAMP:20260516T190508
CREATED:20240925T200157Z
LAST-MODIFIED:20240925T200157Z
UID:95895-1728068400-1728068400@www.mikebrowngroup.com
SUMMARY:Boris “Amplifier Worship Service” performing Amplifier Worship in its entirety
DESCRIPTION:Japanese sludge/doom rock trio Boris are cult favorites who took their name from a song on grunge godfathers the Melvins‘ Bullhead album. They had much in common with the Melvins musically\, including a fondness for heavily downtuned guitar/bass tones and exceedingly slow tempos. But they have also variously drawn from psychedelic rock\, punk\, noise\, minimalism\, pure sludge-drone music\, and more\, and there is an ambitiously experimental aspect to much of the band’s work. Their albums tend toward massive conceptual projects: 2001’s Absolutego is a feedback-heavy drone exploration consisting of a single 65-minute track; 2005’s Flood consists of a single 70-minute track that explored the band’s quieter side with a minimalist/phase music slant\, and 2006’s Altar was a drone/feedback collaboration with Sunn O))). There are other collaborative recordings in their discography\, including 2008’s Cloud Chamber with Japanese psych guitar enigma Michio Kurihara\, and several others with power electronics/noise legend Merzbow\, including 2013’s Gensho. 2017’s Dear wove together doom metal\, noise\, and overdriven shoegaze sounds\, while 2020 saw a pair of releases including No. In January 2022\, the band issued its companion album\, W\, as part of a single concept; they issued the third volume in their Heavy Rocks series that August. Bright New Disease\, a collaboration with New York noise-rock band Uniform\, appeared in 2023. \nBoris formed during the early ’90s and consisted of guitarist Wata\, bassist Takeshi\, vocalist Atsuo\, and drummer Nagata (who departed the group in 1996\, leaving them a trio with Atsuo handling both drums and vocals). They made their first recorded appearance on an obscure 1994 compilation titled Take Care of Scabbard Fish\, released only in Japan. Absolutego\, their full-length debut\, was released in 1996 on the band’s own Fangs Anal Satan label; it was unavailable in the U.S. for years\, a situation remedied when the Los Angeles-based Southern Lord label reissued it in early 2001\, adding a bonus track and new packaging. Their next album\, Amplifier Worship\, was put out by the Mangrove label in 1998\, as was a live Boris/Keiji Haino collaboration titled Black: Implication Flooding on Japan’s Inoxia Records. The following year\, Boris issued More Echoes\, Touching Air Landscape on Inoxia\, a split-disc collaboration with fellow Japanese band Choukoko No Niwa. Their globally acclaimed third full-length\, Flood\, was released two years later on the MIDI Creative label. \nIn 2002\, Boris issued Megatone\, their first of many recorded collaborations with Masami Akita (aka Merzbow)\, on Inoxia. He also guested on a track on the group’s Heavy Rocks album\, released that year by Quattro/UK Discs. 2003 saw the original Japanese release of Akuma No Uta on Diwphalanx\, as well as Boris at Last: Feedbacker on the same label. A limited vinyl-only LP titled The Thing Which Solomon Overlooked appeared on Finnish label Kult of Nihilow in 2004 and became one of their most sought-after releases. A year later\, Southern Lord reissued Akuma No Uta in the United States. The experimental double-LP Dronevil appeared on noise label Misanthropic Agenda that year\, and the group’s soundtrack to the film Mabuta No Ura was released jointly by Catune and Inoxia. Two more Merzbow collaborations\, 04092001 and Sun Baked Snow Cave\, also appeared in 2005. Boris ended the year with the shoegaze-influenced Pink\, that was given an American release on Southern Lord the following year. A conscious attempt at (relative) accessibility\, Pink garnered rave reviews from the alternative and mainstream rock presses\, leading to constant touring in bigger venues for Boris. \nIn 2006\, the band collaborated with drone-metal group Sunn O))) on the full-length Altar\, and with guitarist Michio Kurihara (from legendary Japanese psych mavens Ghost) on Rainbow. Two more volumes of the limited-LP series The Thing Which Solomon Overlooked appeared\, and the group released Vein on Important Records in two distinct iterations: a “hardcore” version available only in the U.S. and a “drone” version exclusively in Europe. In 2007\, they issued a limited-edition recording of a live performance with Merzbow in Tokyo titled Rock Dream\, as well as a limited release featuring a cover of the Beatles‘ “I Am the Walrus.” A split-LP with Doomriders titled Long Hair and Tights also appeared that year on Daymare Recordings. Smile\, the group’s 14th album\, was released in spring 2008\, with different mixes issued in different territories. Cloud Chamber\, a second collaboration with Kurihara\, appeared on Pedal Records at the end of the year. \nBoris issued several limited live recordings in Japan\, as well as Japanese Heavy Rock Hits (a series of individually released 7″ singles)\, and Boris/Variations + Live in Japan\, a collection of re-recorded material including a live DVD. They collaborated with Cult singer Ian Astbury\, releasing the EP BXI on Southern Lord in 2010. After extensive touring and an uncharacteristically long break from recording\, Boris returned in 2011 with two very distinctly different (from one another) outings on Sargent House: the aptly titled Heavy Rocks and the more texturally diverse and unexpectedly accessible Attention Please. The latter featured lead guitarist Wata‘s vocals on all the tracks. In March 2011\, Boris released another full-length (it went to number 15)\, New Album\, in Japan and later in Europe. It was finally released stateside with a different track listing. Another Merzbow collaboration\, Klatter\, appeared that year\, while a split-LP with Joe Volk was issued by Invada in 2012. \nBoris continued their prolific run with 2013’s Präparat and a live re-recording of Flood\, followed by 2014’s grunge-flavored offering Noise and the limited releases The Thing Which Solomon Overlooked Extra and Archive Volume Two: Drumless Shows. In 2015\, the group simultaneously released three albums (Warpath\, Asia\, and Urban Dance) on Fangs Anal Satan\, as part of a series titled New Noise Literacy. Boris issued Gensho\, another collaboration with Merzbow\, on Relapse in 2016. The album’s first disc featured drumless recordings by Boris\, mostly re-recordings of earlier songs\, and a cover of My Bloody Valentine‘s “Sometimes.” The second disc offered a new recording by Merzbow\, intended to be played simultaneously with the Boris disc: the two were the same length. The Japanese release of the album on Daymare included Gensho at Fever 11272015\, a double-live document of a Boris/Merzbow performance from 2015. \nBoris considered issuing a farewell album to celebrate their upcoming 25th anniversary\, unsure if they had anything more to say musically. But during 2016’s Beyond Pink Tour\, they were re-inspired\, first by fan reactions to their music and then by one another. The band re-entered the studio to see if the experience and energy would translate to new music. The trio subsequently cut a whopping three albums’ worth of material before culling the sessions to ten tracks for 2017’s single-disc LP Dear. They also issued Live at Third Man\, which documented the tour. \nIn 2019\, after celebrating their 25th anniversary in October\, Boris teamed with Jack White‘s Third Man Records to reissue Feedbacker and Akuma No Uta. In addition\, they released a double-length album of two separate works titled LφVE & EVφL. The group returned in 2020 with NO\, an 11-cut\, extremely noisy hard rock album; they also collaborated with Japanese noise experimentalists Z.O.A. on their 33-minute “single” If You/En Attendant Godot\, comprising one long track\, and re-teamed with Merzbow for the December release of 2RI2P0. In January 2022\, Boris issued W\, the companion album to No\, as the two were recorded simultaneously. The combined titles complete the concept of “Now.” In August\, they underscored their bona fides in sheer heaviness with the release of the third chapter in their Heavy Rocks series. They closed out the year with the drone album fade. Boris collaborated with New York band Uniform\, fusing thrash\, industrial\, and hardcore on 2023’s Bright New Disease. ~ William York & Thom Jurek\, Rovi \nStarcrawler General 1 Credit To Autumn De Wilde 1000×667\nStarcrawler\nBorn on the streets of Los Angeles\, Starcrawler is a band possessed by the spirit of its own hometown\, every movement charged with a manic electricity. Since forming in 2015\, vocalist Arrow de Wilde\, guitarist/vocalist Henri Cash\, bassist Tim Franco\, and drummer Austin Smith have gone from bashing out songs in the garage to winning the love of such legendary artists as Shirley Manson and Elton John. They’ve also opened for the likes of Beck\, Foo Fighters\, Spoon\, The Distillers\, and MC5\, bringing their unhinged energy to an already-fabled live show — a spectacle that’s simultaneously lurid and glorious and elegant as ballet. On their sophomore full-length Devour You\, Starcrawler captures that dynamic with a whole new precision\, revealing their rare ability to find a fragile beauty in even the greatest chaos.
URL:https://www.mikebrowngroup.com/event/boris-amplifier-worship-service-performing-amplifier-worship-in-its-entirety/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Main-1024x683-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241004T193000
DTEND;TZID=UTC:20241004T193000
DTSTAMP:20260516T190508
CREATED:20240925T200649Z
LAST-MODIFIED:20240925T200649Z
UID:95899-1728070200-1728070200@www.mikebrowngroup.com
SUMMARY:Home Free: Crazy (er) Life Tour
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/home-free-crazy-er-life-tour/
LOCATION:Morrison Center\, 2201 West Cesar Chavez Lane\, Boise\, Idaho\, 83725
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Home-Free-1440-x-500-px-0ac5355c8f.jpg
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DTSTART;TZID=UTC:20241005T200000
DTEND;TZID=UTC:20241005T200000
DTSTAMP:20260516T190508
CREATED:20240926T194027Z
LAST-MODIFIED:20240926T194027Z
UID:96153-1728158400-1728158400@www.mikebrowngroup.com
SUMMARY:Prof\, Grip\, Norman Sann\, Willie Wonka
DESCRIPTION:Knitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSatOctober 58:00 pm(Doors: 7:00 pm)\nAll Ages\n\n\nWith lyrical skill matched only by his raucous live shows\, Prof has arrived on the national stage. Coming out of Minneapolis\, Minnesota\, Prof has perfected the art of combining blue collar hard work and unimpeachable content with never taking himself too seriously. His seventh studio album\, Horse\, due out on his own Stophouse Music Group label April 14\, 2023\, is set to let the world at large in on a secret that music fans already know\, Prof is a force to be reckoned with. \nHis most recent album\, Powderhorn Suites\, shocked pundits and industry alike with an amazing run through the charts and streaming platforms. Released in November\, 2020\, Powderhorn Suites reached a career-high #3 on the Billboard Current Rap Albums charts\, #5 Top New Artists Albums\, #15 Independent Album\, and #36 Billboard Top Albums. What followed has been a masterclass in making it as an independent artist; Prof leaned into the fantastical tales and dynamic persona that have cultivated his rabid fan base. He reclaimed his outlets\, going from zero Youtube followers to over 160\,000 subscribers in under two years. Following the Powderhorn Suites album\, Prof notched his biggest year to date in 2022\, racking up over 140 Million streams of his catalog and performing 30 sold out shows across the country. \nHorse is the culmination of his personal Rocky training montage\, but you can’t call it a comeback\, because Prof’s numbers have only ever gone up. Horse is a powerful record\, showcasing his singular drive and the weirdness of real life that has propelled Prof to the pinnacle of the independent rap music world\, bringing his legions of “Gampos”\, as his fans are affectionately known\, alongside him. Horse’s 14 tracks include a heavyweight cast of features\, from Method Man on “Subpar”\, to Kevin Gates’ big sound gracing “Devils Gate”\, and a brilliant appearance from Redman on “Pack a Lunch”. Prof’s contemporaries have clearly noticed the ever growing Gampo movement bursting out of the Twin Cities. Cozz and Mac Irv also appear on the album\, which was produced by Prof alongside a small cadre of close collaborators. \nProf will follow up the release of Horse with a XX city headline tour\, hitting marquee live music venues like YY and ZZ\, along with some key festival appearances. Riding life sized carpets over his massive crowds and leaving it all on the stage\, Prof’s live shows have always been more than a concert\, they are an experience. As the audiences grow and his production evolves\, Prof has moved from survival mode to takeover mode\, and one thing is for sure\, Prof thrives on the biggest stage.
URL:https://www.mikebrowngroup.com/event/prof-grip-norman-sann-willie-wonka/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/93_Original-3.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241005T200000
DTEND;TZID=UTC:20241005T200000
DTSTAMP:20260516T190508
CREATED:20240926T194202Z
LAST-MODIFIED:20240926T194230Z
UID:96156-1728158400-1728158400@www.mikebrowngroup.com
SUMMARY:Tara Brooks and friends
DESCRIPTION:Tara Brooks and friends\nw/ Deeveaux\, Legz\n\nTreefort Music Hall\nSaturday\, October 5th\, 2024\n8:00PM\n$20 adv / $30 DOS\n\n\n\n \n\nDeeveaux\nDeeveaux produces a sound experience that evokes a mindful synergy and cosmic energy on the dance floor. Whether in a warehouse or poolside\, he is with the crowd\, adapting and playing with them\, not just for them. With over 15 years of experience behind the decks\, his genres range from nu disco to electro to house to techno\, and he is committed to constantly pushing the edges of his music production and DJ set curation. He has shared the stage with renowned DJs and producers such as Steve Aoki\, Big Gigantic\, Christian Martin\, and Random Rab and played some legendary sets at festivals such as Burning Man and Treefort Music Fest in his hometown of Boise\, ID where he lives with his guitar-slaying son and beloved pup. You can find his music releases on System Recordings and Braslive. \n\n\n \n\nLegz
URL:https://www.mikebrowngroup.com/event/tara-brooks-and-friends/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/IMG_4591-1024x683-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241006T173000
DTEND;TZID=UTC:20241006T173000
DTSTAMP:20260516T190508
CREATED:20240926T194508Z
LAST-MODIFIED:20240926T194508Z
UID:96159-1728235800-1728235800@www.mikebrowngroup.com
SUMMARY:Breaking Benjamin & Staind with Special Guest Daughtry
DESCRIPTION:Breaking Benjamin + Staind\nWith Special Guest Daughtry\nFord Idaho Center Amphitheater\nOctober 6\, 2024
URL:https://www.mikebrowngroup.com/event/breaking-benjamin-staind-with-special-guest-daughtry/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Breaking-Benjamin-Staind-Admat-Temp-d8e68aee69.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241006T200000
DTEND;TZID=UTC:20241006T200000
DTSTAMP:20260516T190508
CREATED:20240926T194653Z
LAST-MODIFIED:20240926T194653Z
UID:96162-1728244800-1728244800@www.mikebrowngroup.com
SUMMARY:Highly Suspect\, Dead Poet Society
DESCRIPTION:Knitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSun\nOctober 6\n8:00 pm\n(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/highly-suspect-dead-poet-society/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/73_Original-5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241007T200000
DTEND;TZID=UTC:20241007T200000
DTSTAMP:20260516T190508
CREATED:20240926T194839Z
LAST-MODIFIED:20240926T194839Z
UID:96165-1728331200-1728331200@www.mikebrowngroup.com
SUMMARY:Goth Babe
DESCRIPTION:Duck Club Presents \nGoth Babe with Special Guests The Aces
URL:https://www.mikebrowngroup.com/event/goth-babe/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Goth_Babe_Lola_Durkin_7-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241008T200000
DTEND;TZID=UTC:20241008T200000
DTSTAMP:20260516T190508
CREATED:20240926T195106Z
LAST-MODIFIED:20240926T195106Z
UID:96168-1728417600-1728417600@www.mikebrowngroup.com
SUMMARY:Oxymorrons\, Deadlands\, Census
DESCRIPTION:Oxymorrons\, Deadlands\, Census\nNeurolux Lounge\n111 North 11th Street – Boise\, ID 83702\nTueOctober 88:00 pm(Doors: 7:00 pm)\n21 and up
URL:https://www.mikebrowngroup.com/event/oxymorrons-deadlands-census/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/23_Original-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241008T200000
DTEND;TZID=UTC:20241008T200000
DTSTAMP:20260516T190508
CREATED:20240926T195240Z
LAST-MODIFIED:20240926T195252Z
UID:96172-1728417600-1728417600@www.mikebrowngroup.com
SUMMARY:Halestorm
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/halestorm/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Static_Outdoor-ConcertVision_1920x1080_Halestorm_2024_Regional_RevolutionConcertHouseandEventCenter_1008.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241008T200000
DTEND;TZID=UTC:20241008T200000
DTSTAMP:20260516T190508
CREATED:20240926T195447Z
LAST-MODIFIED:20240926T195447Z
UID:96175-1728417600-1728417600@www.mikebrowngroup.com
SUMMARY:Set It Off: The Deathless Tour Part 2
DESCRIPTION:Set It Off: The Deathless Tour Part 2\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nTue\nOctober 8\n8:00 pm\n(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/set-it-off-the-deathless-tour-part-2/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/64_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241009T200000
DTEND;TZID=UTC:20241009T200000
DTSTAMP:20260516T190508
CREATED:20240926T195631Z
LAST-MODIFIED:20240926T195631Z
UID:96178-1728504000-1728504000@www.mikebrowngroup.com
SUMMARY:Carbon Leaf
DESCRIPTION:​The Carbon Leaf show scheduled for October 9th\, at The Olympic has been moved to Neurolux. All tickets will be honored. If you are unable to attend due to the venue change\, please reach out to Ticketweb for a refund by August 8th\, 2024. \nA touring mainstay and indie folk-rock staple\, this Virginia quintet’s lively stage presence and musical inspiration pulls from Americana\, folk\, roots\, rock and pop traditions using acoustic & electric guitars\, mandolin\, banjo\, fiddle\, cello\, bass\, drums\, penny whistle and vocal harmony.  \nWith over 3\,500 lives shows spanning 30 years and 20 recordings\, Carbon Leaf’s independent music and spirit continue to resonate with its fans. \nIn 2020 Carbon Leaf began working on the concept for a release slated for 2021\, but was pushed back during the pandemic\, and is set for release in 2024.
URL:https://www.mikebrowngroup.com/event/carbon-leaf/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/64_Original-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241009T200000
DTEND;TZID=UTC:20241009T200000
DTSTAMP:20260516T190508
CREATED:20240926T200634Z
LAST-MODIFIED:20240926T200634Z
UID:96181-1728504000-1728504000@www.mikebrowngroup.com
SUMMARY:Citizen Soldier 'Thank You For Hating Me' Tour
DESCRIPTION:Citizen Soldier ‘Thank You For Hating Me’ Tour with special guests Icon For Hire and Halocene\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nWed\nOctober 9\n8:00 pm\n(Doors: 7:00 pm)\nAll Ages \nDespite their name\, ICON FOR HIRE aren’t indebted to anyone but their fans. Since forming in 2007\, the duo—singer Ariel Bloomer and guitarist Shawn Jump—have amassed a legion of followers who have connected with not only the band’s genre-bending sound\, but also their honesty. That soul-baring spirit and realism is at the heart of everything Icon For Hire do\, and it’s front and center on their latest Billboard-charting release\, YOU CAN’T KILL US… \nProduced by Mike Green (Gwen Stefani\, All Time Low) and funded by fans through Kickstarter on a campaign that raised $127\, 200—making it one of the year’s highest-raising music campaigns—the self-released album marks a brand-new chapter for the band. \nBlending hard rock\, hip-hop\, electronica and pop into an anthemic swirl of both melody and muscle\, You Can’t Kill Us isn’t only a modern sounding record—it’s awash in lyrical themes that tap into the times as well. Addiction\, depression and self-worth are all topics Ariel addresses and these themes reverberate loudly in today’s tumultuous\, judgment-first culture. \nAfter all\, having survived the record label system and reemerged stronger than ever\, Icon For Hire are living proof that you can take control of your life—and that’s perhaps the greatest success anyone can hope to accomplish.
URL:https://www.mikebrowngroup.com/event/citizen-soldier-thank-you-for-hating-me-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/84_Original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241010T190000
DTEND;TZID=UTC:20241010T190000
DTSTAMP:20260516T190508
CREATED:20240926T200854Z
LAST-MODIFIED:20240926T200854Z
UID:96184-1728586800-1728586800@www.mikebrowngroup.com
SUMMARY:Brittany Howard\, Michael Kiwanuka\, Yasmin Williams
DESCRIPTION:Brittany Howard\, Michael Kiwanuka\, Yasmin Williams\nOutlaw Field at the Idaho Botanical Garden\n2355 Old Penitentiary Road – Boise\, ID 83712\nThu\nOctober 10\n7:00 pm\n(Doors: 5:30 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/brittany-howard-michael-kiwanuka-yasmin-williams/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/04_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241010T190000
DTEND;TZID=UTC:20241010T190000
DTSTAMP:20260516T190508
CREATED:20240926T201123Z
LAST-MODIFIED:20240926T201123Z
UID:96187-1728586800-1728586800@www.mikebrowngroup.com
SUMMARY:BIZZY BONE
DESCRIPTION:Best known as a member of the Cleveland crew Bone Thugs-N-Harmony\, rapper Bizzy Bone began a prolific\, risk-taking\, and sometimes baffling solo career in 1998. Combining rapid raps and laid-back singing\, his soul-searching debut\, Heaven’z Movie\, didn’t sound entirely unlike a Bone Thugs album\, but it was obvious that on his own Bizzy felt free to explore his psyche and to go eccentric places his group just would not. The Gift from 2001 further divided Bone fans\, with some seeing his confessional writing as riveting while others found it overly indulgent. A year later at a Bone Thugs-N-Harmony performance in New York City\, Bizzy was noticeably drunk and walked off-stage halfway through the show. He was let go from the group that night\, but Bizzy claimed he had been a solo artist for years and only a guest in the group. He also began giving more interviews around this time\, frequently speaking about his new crew\, the 7th Sign. He also made an appearance on the Fox television series America’s Most Wanted\, revealing he had been kidnapped at the age of four and had wrongly believed his mother was dead until he was rescued\, thanks to someone who had recognized his picture from a photo shown at the end of the 1983 television movie Adam. \nIf it seemed the black sheep of Bone was becoming more personal and approachable\, 2004’s fascinating and cryptic Alpha and Omega was a puzzling move\, but fans responded positively to the album\, influencing Bizzy to produce his own underground limited-edition album\, The Beginning and the End. In 2005 he made news with a drunken appearance on Houston’s KPFT radio\, where he claimed to be homeless. He made no excuses for his appearance in the many interviews that would follow\, and while he admitted he wasn’t actually homeless\, he did admit to having a drinking problem and that he was working on controlling it. With Bizzy showing no signs of slowing down\, the perfectly titled Speaking in Tongues appeared that year along with two mail order-only releases — For the Fans\, Vol. 1 and Vol. 2 — and a reunion album with Bone member Layzie Bone titled Bone Brothers. Bizzy’s refusal to tour in support of Bone Brothers found him out of favor with the group once again\, and the full Bone reunion that had been talked about fell apart. Bizzy moved ahead and made 2006 even busier with the albums Thugs Revenge\, The Story\, and The Midwest Cowboy all landing that year. A second volume of Bone Brothers arrived in 2007. ~ David Jeffries\, Rovi
URL:https://www.mikebrowngroup.com/event/bizzy-bone/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/BizzyBonePhoto-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241010T200000
DTEND;TZID=UTC:20241010T200000
DTSTAMP:20260516T190508
CREATED:20240926T201346Z
LAST-MODIFIED:20240926T201346Z
UID:96191-1728590400-1728590400@www.mikebrowngroup.com
SUMMARY:Pennywise
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/pennywise/
LOCATION:Revolution Concert House\, 4983 N Glenwood St\, Garden City\, Idaho\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/PW-FALL-2024-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241010T200000
DTEND;TZID=UTC:20241010T200000
DTSTAMP:20260516T190508
CREATED:20240926T201836Z
LAST-MODIFIED:20240926T201836Z
UID:96198-1728590400-1728590400@www.mikebrowngroup.com
SUMMARY:The Airborne Toxic Event\, Brigitte Calls Me Baby
DESCRIPTION:The Airborne Toxic Event\, Brigitte Calls Me Baby\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nThuOctober 108:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/the-airborne-toxic-event-brigitte-calls-me-baby/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/03_Original-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241011T183000
DTEND;TZID=UTC:20241011T183000
DTSTAMP:20260516T190508
CREATED:20240926T202026Z
LAST-MODIFIED:20240926T202026Z
UID:96201-1728671400-1728671400@www.mikebrowngroup.com
SUMMARY:The Black Dahlia Murder & Dying Fetus - Beg To Serve Tour 2024
DESCRIPTION:The Black Dahlia Murder & Dying Fetus: Beg To Serve Tour 2024\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFri\nOctober 11\n6:30 pm\n(Doors: 6:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/the-black-dahlia-murder-dying-fetus-beg-to-serve-tour-2024/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/03_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241012T120000
DTEND;TZID=UTC:20241012T220000
DTSTAMP:20260516T190508
CREATED:20240926T202447Z
LAST-MODIFIED:20240926T202447Z
UID:96207-1728734400-1728770400@www.mikebrowngroup.com
SUMMARY:Reggae Rock and Brew 2024
DESCRIPTION:The excitement is real! The first ever Reggae Rock & Brew beer and music festival is taking place at The Boise Hawks Memorial Stadium on October 12th\, 2024. \nWe have tons of activities for everyone with live music from some of your favorite rock and reggae bands\, Beer Vendors pouring on site\, jump houses for the little ones\, beer games with cash prizes\, Art displays\, Costume contest\, stage giveaways and so much more! \nTickets are $30 GA and come with a festival cup and 3-4oz pours from any beer vendor on site. Entry from 12pm to 10pm.
URL:https://www.mikebrowngroup.com/event/reggae-rock-and-brew-2024/
LOCATION:Hawks Memorial Stadium\, 5600 N Glenwood St\, Garden City\, ID\, 83714
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/448782508_122097090662375447_5257589891237589012_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241012T183000
DTEND;TZID=UTC:20241012T183000
DTSTAMP:20260516T190508
CREATED:20240926T202913Z
LAST-MODIFIED:20240926T202913Z
UID:96214-1728757800-1728757800@www.mikebrowngroup.com
SUMMARY:Korn
DESCRIPTION:Korn\nwith Special Guests: Gojira\, Spiritbox\nSaturday\, October 12\, 2024\nFord Idaho Center Amphitheater
URL:https://www.mikebrowngroup.com/event/korn/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Static_Digital-VenueAsset_1440x500_Korn_2024_Regional_FordIdahoCenterArena_1012-ad983e1f53.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241012T193000
DTEND;TZID=UTC:20241012T193000
DTSTAMP:20260516T190508
CREATED:20240926T202642Z
LAST-MODIFIED:20240926T202642Z
UID:96210-1728761400-1728761400@www.mikebrowngroup.com
SUMMARY:Hawthorne Heights\, Amber Pacific\, Mylo Bybee
DESCRIPTION:Hawthorne Heights\, Amber Pacific\, Mylo Bybee\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSat\nOctober 12\n7:30 pm\n(Doors: 6:30 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/hawthorne-heights-amber-pacific-mylo-bybee/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/03_Original-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241013T190000
DTEND;TZID=UTC:20241013T190000
DTSTAMP:20260516T190508
CREATED:20240926T203130Z
LAST-MODIFIED:20240926T203130Z
UID:96217-1728846000-1728846000@www.mikebrowngroup.com
SUMMARY:JUVENILE w/ The 400 Degreez Band
DESCRIPTION:JUVENILE w/ The 400 Degreez Band\nw/ Mannie Fresh\n\nTreefort Music Hall\nSunday\, October 13th\, 2024\n7:00PM\n$59.50 adv / $69.50 DOS\n\n\n\n\nSimply put\, hip-hop might not be the same without Juvenile. \nOver nearly three decades\, the multi platinum record-breaking New Orleans icon served up a string of classic albums\, influenced two generations of stars\, and pioneered a sound rooted in Louisiana bounce\, yet carried by worldwide rap appeal and ambition. Like all timeless stories though\, his stretches back to humble beginnings in the neighborhood his music put on the map: the Magnolia Projects. As if predisposed by destiny to pick up a microphone\, he heard Melle Mel’s verse on “The Message” by Grandmaster Flash & The Furious Five\, commenced spitting\, and never stopped since… \n“That’s really when it all started\,” he recalls. “I heard Melle Mel saying\, ‘Don’t push me\, ‘cuz I’m close to the edge’\, and that was it. I was only seven-years-old\, but I knew I had to rap.” \nHe made local waves by appearing on DJ Jimi’s “It’s Jimi” in 1991 before bringing a national spotlight to the burgeoning bounce music style on his breakthrough “Bounce for the Juvenile.” After building a fan base on his 1995 debut Being Myself\, the production of Mannie Fresh caught his ear\, and nothing would be the same. At the time\, the in-house Cash Money Records producer cooked up “Drag ‘Em ‘N’ tha River” for UNLV—a group Juvenile brought to the label. \nIn response\, Juvenile recorded “Set It Off” and knew he “had to get with Mannie Fresh.” \n“At the beginning\, I truly came to Cash Money\, because of Mannie Fresh\,” he recalls. “I knew his beats were bigger than most artists. There was something there.” \nThere definitely was… \nAfter his Cash Money Records debut Solja Rags\, he crafted an era-defining opus in the form of 400 Degreez. Not only did it go quadruple-platinum\, but it also became “the best-selling album in Cash Money Records History.” It produced staples such as the title track\, “Ha” (which JAY-Z notably remixed)\, and “Back That Azz Up.” The latter would be sampled by everyone from Drake to City Girls. The Ringer lauded 400 Degreez among the “20 Best Southern Rap Albums Ever” behind only UGK’s Ridin’ Dirty and OutKast’s Aquemini. Pitchfork bestowed a rare 9.4-out-of-10 rating upon the record\, and Kendrick Lamar cited it as one of his “Favorite Albums” in Complex and went so far as to claim\, “They had the West Coast on smash. We definitely tried to be like them.” The heat spread far and wide across the United States. \n“I remember I had a show with Funkmaster Flex in the Tunnel in New York city around the time 400 Degreez came out\,” he recalls. “Everybody told me\, ‘Don’t sing no other song\, but ‘Ha’. If you sing anything else\, they might jump on you and beat y’all up!’ I sang ‘Ha’ for forty minutes straight. It was the hardest place for any artist from the South to break into\, but I did. It really broke the mold.” \nAround the same time\, Juvenile comprised The Hot Boys alongside Lil Wayne\, B.G.\, and Turk. Together\, they smashed charts with the Get It How U Live! [1997] and the platinum Guerilla Warfare [1999]. His next solo offering\, Tha G-Code\, went double-platinum followed by the platinum Project English. Meanwhile\, 2003’s Juve The Great emerged as another unsung platinum classic as “Slow Motion” [feat. Soulja Slim] topped the Billboard Hot 100 at #1 for two weeks. He maintained a prolific pace in the ensuing years and collaborated with everyone from Future to Yo Gotti before reuniting with Cash Money Records. \n“It’s more like a family reunion than anything\,” he smiles. “It’s a friendship that never should’ve separated. Back in the day\, Baby and I were always really tight. It’s tighter now. We think differently. We know when we hit the studio\, it’s time to work. In the nineties\, it was more about trying to control the industry and be at the forefront. We’re not trying to be better than everything out there; we’re just trying to show our fanbase we can still make good music. We have a great chemistry and always have. I thought it was a good idea for him and I to do a project together. He agreed. It was something we wanted to do forever\, but never got around to it. I want him to talk that shit. I do my thing. Do your thing brother. That’s what makes our chemistry great.” \nThe chemistry thrives on their 2019 first full-length collaborative album\, J.A.G.It boldly extended Juvenile’s own legacy with unanimous praise from Pitchfork\, Rolling Stone\, and Billboard as the singles “Just Another Gangsta” and “Dreams” [feat. NLE Choppa] tallied over 20 million total streams and views. Moreover\, it preceded the stage for another collaborative effort and an O.G. Cash Money Records reunion on “Ride Dat” [feat. Lil Wayne]. \nJuvenile also inspires the next generation as his song Young Juve picks up the microphone for a bevy of upcoming singles. \nIn the end\, Juvenile continues to shape and spearhead the future of hip-hop. \n“I just want people to enjoy the music\,” he leaves off. “I want to keep making good music. It’s all about a positive mood. Birdman and I are going to continue this. We’ve got a whole new breath of fresh air coming from my way. We’re going to get this bread.” \n\n\n\n \n\nMannie Fresh\nMannie Fresh is known to fans and throughout the music industry as a genre-defining producer\, artist and entertainer. He started out as one of the best DJs in New Orleans and is now multi-platinum and Grammy-nominated. \nResponsible for creating hits with such acclaimed artists as UGK\, Trina\, Gucci Man\, The Notorious B.I.G. and\, of course\, Cash Money\, Mannie Fresh continuously shifts culture. In recent years alone\, he launched a Black Music Month playlist for Apple and #VirusKillaz virtual parties to stave off COVID-induced cabin fever. He made his rounds in the community with a “Vax That Thang Up” remix with Juvenile and Mia X for the dating app\, BLK\, and even lent his voice to local politics. \nIn 2023\, during a performance in Washington\, D.C.\, Congressman Troy A. Carter (D-LA) presented Mannie Fresh with an official Congressional Record to acknowledge not only his contributions to Louisiana’s world renowned sound\, but also the way his drum patterns are woven into the fabric of America. \n“I’m a second generation DJ\,” Fresh said on Apple Music’s The Estelle Show. “I experienced Black Music – the 60s and the 70s – from my dad [DJ Sabu] deejaying\, and that’s when everything was Black Power\, there was a message in the music. Marvin Gaye\, ‘What’s Going On\,’ that was pivotal to us. Bob Marley\, Legend\, it taught us how to get along with everybody and it also taught us culture. James Brown\, ‘I’m Black and I’m Proud\,’ that just shows you what the power of Black artists and good music could do.” \nMannie Fresh is currently celebrating the release of a 25th anniversary edition of Juvenile’s debut album\, 400 Degreez (1998)\, which features Jay-Z and went 4x platinum. Fresh produced\, engineered and mixed all of the tracks on the original and dropped two new ones for the 2024 version\, building on the momentum the two Hot Boys created when they visited NPR’s “Tiny Desk” for what is now one of the most seen episodes on YouTube with more than 7 million views. \nAs a teenager\, Fresh had stepped out on his own\, joining the Noila-based hip hop crew\, New York Incorporated. They were responsible for some of the best parties in the city. With their fame\, he caught the attention of rapper Gregory D\, formed a rap duo and was quickly signed to RCA to release The Real Deal (1992). Rap fans in the Big Easy fell in love with the album but it didn’t make much noise on a national level. The duo split\, but Fresh and Gregory D remained friends and soon another opportunity came along. Brian “Baby” Williams offered Fresh a chance to join his fledgling crew\, Cash Money. Working with Baby and other Cash Money members\, Lil Wayne\, Juvenile\, Turk and BG\, they created an impressive discography of chart-topping hits. \nFueled by Mannie Fresh’s quirky\, inspiring production in the late nineties\, Cash Money became the preeminent\, southern hip hop label. His beats defined the sound of Cash Money with such cultural phenomena as Juvenile’s megahits\, “Ha\,” “Back That Azz Up\,” Lil Wayne’s “Go D.J.” and the crew’s “Cash Money Is an Army” and “Bling Bling\,” among others. Baby and Mannie also formed their own group\, Big Tymers\, and released a slew of great singles and albums\, including “Still Fly\,” “Get Your Roll On” and “#1 Stunna.” His solo albums\, The Mind of Mannie Fresh (2004) and Return of Ballin’ (2009) feature Bun B\, Rick Ross and Lil Jon. \nMannie Fresh has always pushed the envelope\, mixing layers of hip hop\, funk and southern bounce with his sense of humor and warm personality. He continues to work with some of today’s biggest stars\, producing bangers with Lil Wayne\, 2 Chainz\, T-Pain\, Yasiin Bey\, Big\nK.R.I.T. and Young Jeezy – his tables set to establish New Orleans’ unique hip hop sound as one of America’s greatest innovations.
URL:https://www.mikebrowngroup.com/event/juvenile-w-the-400-degreez-band/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Juvenile_BBowl_NickLPhoto_02162024_0046-1024x683-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241014T190000
DTEND;TZID=UTC:20241014T190000
DTSTAMP:20260516T190508
CREATED:20240926T203718Z
LAST-MODIFIED:20240926T203718Z
UID:96223-1728932400-1728932400@www.mikebrowngroup.com
SUMMARY:L8 BLOOMER & FRIENDS
DESCRIPTION:Cigs Inside\nCIGS INSIDE is an experimental hip-hop trio (ieke\, Coleman\, Sstrawberry) explores the trials and tribulations of extending oneself and the feelings that can come with it. The trio combines electro-pop and hip-hop with breakcore and R&B by blending modern production and analog instrumentation with an affinity for modern rap music and 80’s alternative. Sorting through deep emotions while navigating the intensity of mania\, CIGS INSIDE faces the realities of living recklessly and the insecurities of the aftermath on “BlickyBlam”. \n\n\n \n\nHudson Powder Company\nHudson Powder Company was formed in 2023\, when our frontman Cooper Lowry returned home to the Treasure Valley after an extended period of time “roughing it” in Western Montana. Searching for a backing band\, Mr. Lowry wisely recruited Alexis Galvan (drums; percussion)\, Ricky Jones (bass guitar; backing vocals)\, and Doug Rudeen (guitar). What do we sound like? Well imagine a goth rock band or a post-rock band had …carnal relations…with a country/americana/”red dirt” band\, and their offspring somehow managed to create music that was actually ✨good✨. You might not expect this to happen in real life (that would be a reasonable expectation). However\, this is the essence of what Hudson Powder Company is. I guess what we’re really trying to do is create a sort of sound that’s somehow uniquely Idahoan or unique to the Inland Northwest. We feel that there isn’t really a genre of music that’s endemic to this area and we’d like to try and change that in some way. Whether we do that or not doesn’t really matter\, it’s interesting to try. \n\n\n \n\nwins\nwins\, an alternative hip-hop/R&B/soul artist based in Boise\, Idaho\, has been making subtle waves since the reemergence of his solo artist journey fall 2023. wins is looking to inspire anyone that listens with his authentic delivery & real life perspectives through his music. With the release of his recent single “been different”\, along with more music on the way monthly\, wins is quickly establishing his presence in the music scene as a melodic & relatable high level lyricist.
URL:https://www.mikebrowngroup.com/event/l8-bloomer-friends/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/Red-Bold-Simple-Music-Event-Flyer.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241016T190000
DTEND;TZID=UTC:20241016T190000
DTSTAMP:20260516T190508
CREATED:20240926T204205Z
LAST-MODIFIED:20240926T204205Z
UID:96230-1729105200-1729105200@www.mikebrowngroup.com
SUMMARY:The Anthems Tour featuring Disciple\, Seventh Day Slumber & Magdalene Rose
DESCRIPTION:The Anthems Tour featuring Disciple\, Seventh Day Slumber & Magdalene Rose\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nWed\nOctober 16\n7:00 pm\n(Doors: 6:00 pm)\nAll Ages \nMeet & Greet includes:\n-Venue entry at 5:30PM\n-Early Admission for Q&A\n-Acoustic Performance\n-A Poster\n-A copy of Skeleton Psalms\n-Group Picture\n-General Admission Ticket \nTHE ANTHEMS TOUR is heading your way in FALL 2024! Don’t miss your chance to see this high-energy rock show featuring DISCIPLE\, SEVENTH DAY SLUMBER & MAGDALENE ROSE. \nDisciple has recorded 13 studio albums\, earned 16 No. 1 singles\, and sold hundreds of thousands of records in their acclaimed career. Their music has been featured on ESPN’s NFL Live\, WWE\, Fox Sports\, and CBS’ CSI: Miami and Criminal Minds commercials. They’ve received multiple Dove Awards nominations & wins\, including their 2023 Rock/Contemporary Song of the Year nomination. The band has played thousands of shows worldwide\, including a 2023 stint in 40 arenas on WINTER JAM TOUR. \nSeventh Day Slumber has cemented itself as a force in the music industry for over two decades. The band was founded by frontman Joseph Rojas after he emerged from a challenging period in his life marked by drug addiction and a failed suicide attempt. The band has taken its powerful message of hope and God’s love on the road\, performing over 150 shows yearly\, including their most recent run with WINTER JAM TOUR 2024. \nMagdalene Rose is a rising star in the Rock/Metal world\, and her live performances are not to be missed. She started her career at a young age in a band with her sisters called “The GFM Band” and has always had music in her blood. When her sisters decided to pursue their own paths\, she forged ahead to create something new\, exciting\, and entirely her own to carry on the next chapter of “Beautycore.” \nFeaturing a special message from Kevin Young of Disciple & Joseph Rojas will give a presentation from HOLT INTERNATIONAL.
URL:https://www.mikebrowngroup.com/event/the-anthems-tour-featuring-disciple-seventh-day-slumber-magdalene-rose/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241017T190000
DTEND;TZID=UTC:20241017T190000
DTSTAMP:20260516T190508
CREATED:20240926T204706Z
LAST-MODIFIED:20240926T204706Z
UID:96234-1729191600-1729191600@www.mikebrowngroup.com
SUMMARY:TOUCHE AMORE
DESCRIPTION:TOUCHE AMORE\nw/ Soul Glo\, Portrayal of Guilt\, Soft Blue Shimmer\nTreefort Music Hall\nThursday\, October 17th\, 2024\n7:00PM\n$25 adv / $30 DOS \nTouché Amoré has been burrowing through angst\, alienation\, cancer\, and death throughout four adored studio albums. After over a decade of working through darkness\, the band’s gorgeously gruff fifth album\, Lament\, finds the light at the end of the tunnel. Through 11 songs\, Touché Amoré looks back at its past and uses hard-won optimism to point its fans toward light\, and love. \nLament is their masterstroke. Its longer\, structured songs soar with a ferocious but delicate musicality and powerful\, gut-wrenching storytelling that smashes previous heights. Yet as much as the band has grown and matured via everything they’ve endured\, it’s perhaps equally impressive how they’ve managed to stay true to their core… \nLament is a widescreen view at the constant fragility we face as people\, as well as\, life-after-jarring-trauma that we all must endure at some time or another. \nUltimately\, the message from Lament? Bolm sums it up best: “That time doesn’t heal. That love can nurture. That it’s okay to not be okay.” \nSoul Glo At Pickathon 2022\nSoul Glo\nIf you gave Soul Glo a snapshot of what was in store for them in 2020 at the end of their first practice in 2014\, you might put the space time continuum in flux. If you were to tell vocalist Pierce Jordan and guitarist Ruben Polo that everything that they had spent their first month as a band joking about\, playing shows with artists from punk vets Paint It Black to Kurt Cobain’s favorites Flipper; from Memphis underground legend Tommy Wright III to platinum producer Pi’erre Bourne\, were to actually happen\, they might ask you if your hands were as fast as your jokes were. Despite the constant barrage of setbacks\, from member changes\, to financial strife\, to run-ins with the law\, Soul Glo has both repeatedly defied the kinds of odds that would fold lesser bands\, not to mention their own standards for what they believed they could endure. Simultaneously\, stopping or slowing down has never exactly been on the table for them\, either. \n“When we were stranded in Missouri\, we started to weigh out the pros and cons of relocating there. We weren’t just about to leave our mans\,” Jordan says. “Songs started getting crafted out there that we still have in the chamber.” \nThat said\, their next release\, Songs To Yeet At The Sun\, serves as a perfect respite from the silence in between LP’s and the current lull in live performances that the band has become known for nationwide. The five song blessing gives a further insight into the frankly deranged production of bassist/producer Gianmarco Guerra\, who served as the sole producer and one of three engineers for the record. Songs like “(Quietly) Do The Right Thing” and “29” continue to show Soul Glo’s affinity for speed as a vehicle for their aggression and messages\, while songs like “I’m On Probation” and the previously released “Mathed Up” shows the bands love of chaotic-yet-atmospheric noise and the most popular rhythmic vocal styles of today’s current rap on top of the pummelling heaviness of the drums of TJ Stevenson. The band continues to showcase the rhythmic synergy existing between the entirety of the ensemble throughout the record\, while the song “2K” features the straightforward rap production that peeked through on crowd-favorite songs “31” and “32” on the bands previous record The Nigga In Me Is Me\, and also features a verse with instantly quotable lines from Richmond\, VA artist Archangel. \nAll things considered\, in a year where it feels as though quite literally anything could happen at any given moment\, a record like the one that Soul Glo shorthandledly refers to as Yeet\, one that features a violent and compelling sonic fusion that only they are capable of\, is deeply necessary to times in which we currently find ourselves. In times where we are simply trying to survive from one minute to the next\, one day to the next\, it feels good in its own way\, less lonely perhaps\, to have music that reflects that uncertainty and fear. \nVocals: Pierce Jordan\nGuitars: Ruben Polo\nBass/Vocals/Programming: Gianmarco Guerra\nDrums: TJ Stevenson \nPog Promo1 2\nPortrayal of Guilt\nPortrayal of Guilt eschew predictability. While the Austin\, Texan outfit have released material at a rapid clip since their formation only six years ago\, it has been near-impossible to predict what each ensuing release might sound like. The only window into what to expect has been those releases’ titles\, wallowing in themes of affliction\, isolation\, and just plain underworld allusion. Naturally\, this leads to…Devil Music. \nAfter shifting their sound over several immediate releases (most recent\, 2021’s widely acclaimed CHRISTFUCKER)\, Portrayal of Guilt has transformed from masters of the traditional ‘90s screamo template\, to fit a more blackened and sludgy metal intensity. \nCiting a wide spectrum of influences\, Devil Music\, tracked in two different sessions in early 2022\, is an experimental approach to writing heavy music. It offers five new original songs on Side A; and then a reimagining of those same five songs on Side B\, replacing much of the traditional guitars and bass setup with an orchestral string section\, acoustic bass\, and brass. \nThe sludgy\, thudding riffs of the album’s opening salvo\, “One Last Taste of Heaven\,” is transformed on the other side into harrowing violin waxing\, while King’s unholy screech remains\, nurturing the sound into a sort of chamber metal. It’s a paean to death and decomposition\, with the original perhaps a violent aural display of the former and the unnerving rearrangement meant to convey the languid rot of the latter. \nIt leads into “Untitled\,” an absolutely distressing depiction of purgatory with a nonetheless catchy rhythm\, which the band manages to transform into a hellish near-waltz of sorts on its alternate version. Beyond that painting of torture\, “Burning Hand” provides a brief foray into gory horror. The album’s pounding closer and title track sounds as though a Mephistophilean angel casts a scourge upon the narrator. Musically\, “Burning Hand” even showcases some industrial drums\, plus a rare spate of clean\, semi-gothic singing to close it out. This uncharacteristic vocal detour helps build its counterpart to a demonic climax. \n“Where Angels Come to Die” hints at the darkest of circumstances\, possibly alluding to addiction and suicidal ideation\, and is musically among the album’s most cacophonous; one hears it remodeled on Side B into a methodically paced number with lurching stop-starts on its bridge before a triumphant buildup to finish it. \nDevil Music cements Portrayal of Guilt as a band of their own ilk\, playing by no one’s rules but their own\, which even here they bend to their will. The album sees its digital release April 20 and will be available on physical formats April 21 via Run For Cover. There will also be an accompanying Devil Music short film DVD\, sold separately\, which includes the short film and additional video content. \nSoft Blue Shimmer\nSoft Blue Shimmer\nSoft Blue Shimmer is an alt-band from SFV\, CA. \nCharlie + Kenzo + Meredith
URL:https://www.mikebrowngroup.com/event/touche-amore/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
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DTSTART;TZID=UTC:20241017T200000
DTEND;TZID=UTC:20241017T200000
DTSTAMP:20260516T190508
CREATED:20240926T204936Z
LAST-MODIFIED:20240926T204936Z
UID:96237-1729195200-1729195200@www.mikebrowngroup.com
SUMMARY:Tape B\, Effin\, Mythm\, Eater
DESCRIPTION:Tape B\, Effin\, Mythm\, Eater\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nThu October 17 8:00 pm (Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/tape-b-effin-mythm-eater/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2024/09/73_Original-8.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241018T180000
DTEND;TZID=UTC:20241018T180000
DTSTAMP:20260516T190508
CREATED:20240926T205232Z
LAST-MODIFIED:20240926T205232Z
UID:96240-1729274400-1729274400@www.mikebrowngroup.com
SUMMARY:Equus & Overture
DESCRIPTION:2024 Equus & Overture\n“Horses and All That Jazz”\nDate: Friday\, October 18\, 2024\nDoors Open at 6:00PM \nEquus & Overture is our chance to showcase the gorgeous facility that we consider the “Gem of Nampa.” This one-of-a-kind event features a gourmet dinner served arena-side as top horse and rider teams from various disciplines perform to live music by the “High Street Band.” Celebrating 22 years\, this event promises a special evening\, and funds raised enable the Idaho Horse Park Foundation to continue their efforts in the promotion\, preservation\, and continued support of our Ford Idaho Horse Park and its patrons.
URL:https://www.mikebrowngroup.com/event/equus-overture/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
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