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X-ORIGINAL-URL:https://www.mikebrowngroup.com
X-WR-CALDESC:Events for Mike Brown Group
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250828T200000
DTEND;TZID=UTC:20250828T200000
DTSTAMP:20260516T082931
CREATED:20250729T185834Z
LAST-MODIFIED:20250729T185834Z
UID:134278-1756411200-1756411200@www.mikebrowngroup.com
SUMMARY:DIRT MONKEY x SMOAKLAND - SUPER BASS BROS TOUR
DESCRIPTION:Dirt Monkey\, aka Patrick Megeath\, has carved his uplifting\, bouncy\, and unique sounds within the Denver\, Colorado dubstep scene and has gained international acknowledgement with his punchy and playful sound design. His tracks have gained support and captivated audiences via many pioneers\, such as: Skream\, Benga\, Rusko\, Datsik\, Excision\, A-Trak\, Virtual Riot\, Anna Lunoe\, Annie Nightingale (BBC Radio 1)\, Downlink\, Ganja White Night\, and Protohype. Dirt Monkey’s Remix of Rusko’s “Woo Boost” has recently hit the world by storm\, was released on Subcarbon Records\, and to top it all off\, is supported by the don himself\, Rusko. Although this eclectic music junky enjoys a wide-variety of music\, he has gravitated towards the trippy\, crisp sounds of IDM and the wonky\, high-energy sounds of old school dubstep and strives to fuse the two together. \nHe has worked with a wide-variety of artists including: DMVU\, Space Jesus\, Illenium\, Party Wave\, Run DMT\, AMP Live\, and Jantsen. Dirt Monkey has performed at a countless number of breathtaking venues\, including Red Rocks Amphitheatre\, clubs in France\, and Beta Nightclub in Denver\, CO (where he has held a residency for the last 5 years). Also\, for the past four years\, he established and ran the record label\, Kairos Audio\, with the help of co-founder\, Jantsen. \nIn the future\, expect this virtuoso to continue carving a niche that does not exist yet in the music scene and stay on the look out for a 5-song EP coming out in Spring 2017 on one of the most reputable labels in the world. Although\, Dirt Monkey is extremely versatile to say the least\, his true wobbly greatness will continue a movement within clubs\, both boutique and world-class venues\, and the colorful festival scene.
URL:https://www.mikebrowngroup.com/event/dirt-monkey-x-smoakland-super-bass-bros-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/33_Original-7.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250828T200000
DTEND;TZID=UTC:20250828T200000
DTSTAMP:20260516T082931
CREATED:20250729T190117Z
LAST-MODIFIED:20250729T190117Z
UID:134281-1756411200-1756411200@www.mikebrowngroup.com
SUMMARY:Tennis w/ Real Estate
DESCRIPTION:Face Down In The Garden\, Tennis’ seventh album\, is both culmination and reflection of their career. From the perspective of fifteen years on the road and ten thousand miles at sea\, frontwoman Alaina Moore attempts to distill the arc of a life into vignettes: a first moment of connection\, a conversation at a wedding\, a night offshore\, a sprawling tour diary. \nThe album is succinct but potent\, highlighting Tennis’ concise songwriting and unconventional arrangements. Self-produced and recorded in their studio\, Tennis builds upon their early minimalist girl-group sound\, expanding into more mature synth-pop and rock elements. \nThe duo met in the University of Colorado’s philosophy department in 2008\, when Patrick Riley recognized Moore as the waitress from a diner he frequented. (This moment was later immortalized in their song Hotel Valet.)  After graduating\, they spent eight months living aboard a small sailboat\, voyaging along the eastern seaboard–a practice that would become integral to their creative process. Their debut album Cape Dory (2011\, Fat Possum) documents that experience. Tennis booked their first tour through the help of a robust DIY scene. While on the road\, their lead single “Marathon” went viral\, gaining them sudden notoriety. Cape Dory debuted at #1 on Billboard’s Heatseeker chart and transitioned Tennis from house shows to main stages in the course of a year. \nTennis recorded their sophomore effort Young & Old (2012) with Patrick Carney of the Black Keys\, marking their first collaboration with an outside producer and their television debuts on The Tonight Show\, The Late Show\, and Late Night with Conan O’Brien. \nIn 2013\, Tennis spent sixteen days recording with Richard Swift in his home studio in Cottage Grove\, Oregon. Moore and Riley were heavily influenced by Swift’s distinctive approach to engineering. This prompted the duo to build their own studio and take over production and engineering roles on future releases. \nMoore and Riley solidified their creative autonomy by forming the label Mutually Detrimental in 2016. Yours Conditionally\, their first self-release\, became their most commercially successful album\, charting on Billboard’s top 50 vinyl sales and proving their DIY roots as a cornerstone to their sound and narrative. \nSwimmer (2020\, Mutually Detrimental) marked a sonic evolution. Moore and Riley expanded their palette with unique time signatures and arrangements\, stepping fully into their roles as songwriters and producer-engineers. But with nearly every show sold out\, Swimmer’s momentum was cut short by the Covid-19 pandemic. The duo spent the time at home exploring their role as producers by making records for other artists. \nTennis has continued to thrive by operating on the fringes of the music industry. They’ve survived the flash-in-the-pan fate of so many bands from the early ‘00’s blog-era. Their sixth album\, Pollen\, saw them grow into the biggest tour of their career\, with sold out shows at historic venues like The Beacon Theatre and The Palladium. \nFace Down In The Garden is Tennis’ most fully realized work. Crafted entirely by their own hands and guided by their fierce independence\, it stands as testament to a band unwavering from their original vision. Tennis embarks on the first leg of their North American Tour in May. \n\n \n\nReal Estate\nA band for 15 years now\, with a half-dozen records to its canny name\, Real Estate knows how\nthe press cycle inevitably goes: Someone somewhere at last had a realization about what their\nsongs needed to say and how they should sound\, so (at least according to brief biographies like\nthis one) they finally made the best album of their career. But here’s the thing: Real Estate has\nbeen so consistently compelling for those 15 years\, with their coruscant indie rock shuffles\nperfectly reflecting the spellbinding glow of suburban ennui\, that they know when they have\ndone it. That is\, they know when they have written songs that shimmer and fetch and radiate\ndespite or because of the gloom lurking in their grooves. It is the gift and curse of self-\nawareness\, of sticking together since childhood.\nSo Real Estate\, in turn\, needs you to know that Daniel—their sixth full-length album\, recorded in\nan ebullient nine-day spree in RCA Studio A\, in Nashville with celebrated producer and\nsongwriter Daniel Tashian—is quite possibly their best album. In 11 compulsively tuneful songs\,\nthey connect the uninhibited wonder of their earliest work with the earned perspective of\nadulthood. What more could you need from Real Estate at 15?\nMartin Courtney knew he wanted to write a pop record\, a set of instantly accessible songs where\nthe chorus arrived in\, say\, the first 40 seconds. During the last decade\, or essentially since\nmaking Atlas\, Real Estate did what was only natural for any beloved and freshly aging indie rock\ninstitution: They gently pushed back against praise as an effortlessly melodic and quietly radiant\nband. Colors darkened. Textures curdled. Songs stretched toward the six- and even seven-minute\nmark. But what if\, as Courtney and cofounder Alex Bleeker often say these days\, they again just\n“Let Real Estate be Real Estate\,” to shimmer and fetch and radiate without hesitation or second\nguesses?\nCourtney actually learned of Tashian through his daughter\, who adored an album he’d produced\,\nKacey Musgraves’ Golden Hour. The band reached out and spotted an instant connection despite\ntheir distinct wheelhouses—the Grammy-winning Nashville country-pop guy who’d helmed\nseveral smashes and the Northeast indie rock quintet with narcotic guitars. Real Estate had never\nreally worked with anyone who wasn’t already a bud. There in Dave Cobb’s famous Nashville\nlair\, Tashian was not shy with his outsider advice about how to boost this song or that one\, even\nplayfully throwing the occasional candy bar to emphasize he wanted to hear more. Real Estate\nhad been thinking about R.E.M.’s Automatic for the People and ’90s “soft-rock radio\,” the\nbackground music of their youth. Tashian helped lead them back toward it\, toward an improved\nedition of the less self-conscious band they’d been at the start.\nDaniel certainly sounds like classic Real Estate\, simply leveled up with the subtle but unabashed\ntouches of a producer who has actually lived inside pop powerhouses. The chiming guitars and\nplaintive verses of “Haunted World” summon the band that first emerged to acclaim in 2009\,\nwith Courtney doing his best to sing his way around existential confusion. But in the chorus\,\ndexterous instrumental harmonies (that’s Nashville ace Justin Schipper on pedal steel) and faint\nbacking vocals propel the song anew\, its tight hook snagging in a second. Tashian suggested they\nfortify the refrain\, and he was right.\nOr there’s the marvelous thrum of “Airdrop\,” with Bleeker’s busy bass and Sammi Niss’ insistent\ndrums pushing Courtney into the wistful chorus as if he’s riding a hang glider. “The sun went\ndown/We let it\,” he sings four times to end the song\, the lines essentially built to be cooed back\nat him from a crowd. “Never been so contented/I won’t ever forget it.” That’s Real Estate’s long-\nrelatable smiling sadness\, lifted in proper Music City style. Listen\, too\, for Real Estate’s\nsquiggly versions of classic Nashville licks during “Flowers\,” where the mercury of pedal\nsteel and the twinkle of a Wurlitzer illuminate acoustic strums like stars in the night sky. A\nsong of dislocation and constancy\, it’s a reminder of the common way we use music no\nmatter the genre or scene—to find our way forward.\nDaniel is a complete string of these compulsive moments: the crisscrossed harmonies of “Water\nUnderground\,” the delightful sway and rise of “Market Street\,” the enchanting but deceptive\nsimplicity of “Interior.” Real Estate manages the rarest of pop tricks here—to sound effortless\nbut be artful\, with all the flourishes and tricks tucked so smartly into songs that you only spot\nthem when you unpack what makes all the tunes so winning and sticky.\nBut this\, of course\, is not the Real Estate of their MP3-blog salad days. Four members are\nmarried\, with Niss in a long-term relationship. There are actual kids in the equation now. And the\nworld outside has darkened considerably in 15 years\, in all those ways that require no recounting\nhere. Time and again\, Daniel wrestles with that juxtaposition—external alienation and madness\,\ninternal responsibility and hope. These are songs of confusion\, of trying to find a way to be\npresent and better in broken times. “Now and then\, I can pretend the sun is shining\,” Courtney\nadmits during “Freeze Brain\,” the keys of Matthew Kallman and guitars of Julian Lynch framing\na lambent haze around him. “Let’s let some light in.” Ain’t that the struggle\, to find some joy\ndespite all the forces that filch it from us?\nIn Nashville\, all five members of Real Estate shared a rental\, cutting up in close quarters after the\nimposition of separation of these last few years. Several days into recording\, they were\ndiscussing album titles when someone suggested “Daniel\,” simply because it seemed funny to\nbestow a human name upon a record. Was it for Daniel Tashian? Maybe. Was it a nod to The\nReplacements’ Tim? Possibly. Was it the sign of a band that has now been around long enough to\ntake its music seriously without taking itself or its perception too seriously? Absolutely.\nDaniel is a record of wonderful pop songs\, its string of hooks and stream of worry irresistibly\nconnected in the way few bands have ever done better than Real Estate. But perhaps just as\nimportant\, it is an expression of the self-acceptance that can come with maturity\, with realizing\nit’s enough to be who you want to be. “What is it that you want to hear? There’s only so much\ntime\,” Courtney croons during “You Are Here\,” Daniel’s ingenious and strutting finale. “Best we\ncan do is be happy here/Sing another line.” It is a mission statement for Real Estate at 15\, a\nreminder that they are the band of their childhood dreams and that is cool. To that end\, they’ve\nnever been better at being Real Estate than they are right now\, on Daniel\, their new best album\nyet.
URL:https://www.mikebrowngroup.com/event/tennis-w-real-estate/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/Tennis-Profile-Pic-EDIT-937x1024-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250828T200000
DTEND;TZID=UTC:20250828T200000
DTSTAMP:20260516T082931
CREATED:20250729T190501Z
LAST-MODIFIED:20250729T190501Z
UID:134284-1756411200-1756411200@www.mikebrowngroup.com
SUMMARY:TOTO + Christopher Cross
DESCRIPTION:TOTO + Christopher Cross\nFord Idaho Center Amphitheater\nThursday\, August 28th
URL:https://www.mikebrowngroup.com/event/toto-christopher-cross/
LOCATION:Ford Idaho Center
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/TOTO_2025_CC_FIC-1440X500-52a84a62e3.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250829T180000
DTEND;TZID=UTC:20250829T180000
DTSTAMP:20260516T082931
CREATED:20250729T190754Z
LAST-MODIFIED:20250729T190754Z
UID:134287-1756490400-1756490400@www.mikebrowngroup.com
SUMMARY:Cypress Hill & Atmosphere | Dank Daze of Summer Tour
DESCRIPTION:Cypress Hill & Atmosphere\nDank Daze of Summer Tour\nwith Lupe Fiasco and The Pharcyde\nFriday\, August 29\, 2025\nat Outlaw Field at Idaho Botanical Garden
URL:https://www.mikebrowngroup.com/event/cypress-hill-atmosphere-dank-daze-of-summer-tour/
LOCATION:ExtraMile Arena\, 1401 Bronco Lane\, Boise\, Idaho\, 83706
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/Cypress-Hill-Atmosphere_8.29Boise_864X540-826aa9ae9f.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250829T190000
DTEND;TZID=UTC:20250829T220000
DTSTAMP:20260516T082931
CREATED:20250529T193435Z
LAST-MODIFIED:20250529T193435Z
UID:132777-1756494000-1756504800@www.mikebrowngroup.com
SUMMARY:Big Al's Live on the Patio!
DESCRIPTION:Big Al’s Live on the Patio!\nFridays & Saturdays June 6th to September 6th from 7:00PM – 10:00PM \n \nFrom June 7th to September 6th\, Join us at Big Al’s Patio for live music every Friday and Saturday starting at 7:00PM! \nClick HERE to see our lineup of incredible bands and learn more about the performers you’ll be rocking out with all season long. \nThis event takes place on Big Al’s Patio\, located around the corner from the main entrance\, beside Chip Cookies (across from Carhartt and Purple). \nMake sure to join us for Line Dancing before the band gets started with a lesson by the pros from Dirt Road Dancing\, Fridays from 6PM-7PM. Click here for more details! \nPerformance Dates: \nJune: 6th\, 7th\, 13th\, 14th\, 20th\, 21st\, 27th\, 28th \nJuly:  4th\, 5th\, 11th\, 12th\, 18th\, 19th\, 25th\, 26th \nAugust:  1st\, 2nd\, 8th\, 9th\, 15th\, 16th\, 22nd\, 23rd\, 29th\, 30th \nSeptember: 5th\, 6th
URL:https://www.mikebrowngroup.com/event/big-als-live-on-the-patio-27/
LOCATION:Big Al’s\, 1900 N Eagle Rd\, Meridian\, Idaho
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/05/03f8a3765936d06db6f143e40d44fc49.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250829T200000
DTEND;TZID=UTC:20250829T200000
DTSTAMP:20260516T082931
CREATED:20250729T191530Z
LAST-MODIFIED:20250729T191530Z
UID:134293-1756497600-1756497600@www.mikebrowngroup.com
SUMMARY:TVBOO
DESCRIPTION:Rose Entertainment & Persona Productions Present\nTVBOO\n\nTreefort Music Hall\nFriday\, August 29th\, 2025\nDoors: 8PM\nShow: 8PM\n18+
URL:https://www.mikebrowngroup.com/event/tvboo/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/08-29-25_TVBOO_1080x1080-1024x1024-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250830T190000
DTEND;TZID=UTC:20250830T220000
DTSTAMP:20260516T082931
CREATED:20250529T193520Z
LAST-MODIFIED:20250529T193520Z
UID:132779-1756580400-1756591200@www.mikebrowngroup.com
SUMMARY:Big Al's Live on the Patio!
DESCRIPTION:Big Al’s Live on the Patio!\nFridays & Saturdays June 6th to September 6th from 7:00PM – 10:00PM \n \nFrom June 7th to September 6th\, Join us at Big Al’s Patio for live music every Friday and Saturday starting at 7:00PM! \nClick HERE to see our lineup of incredible bands and learn more about the performers you’ll be rocking out with all season long. \nThis event takes place on Big Al’s Patio\, located around the corner from the main entrance\, beside Chip Cookies (across from Carhartt and Purple). \nMake sure to join us for Line Dancing before the band gets started with a lesson by the pros from Dirt Road Dancing\, Fridays from 6PM-7PM. Click here for more details! \nPerformance Dates: \nJune: 6th\, 7th\, 13th\, 14th\, 20th\, 21st\, 27th\, 28th \nJuly:  4th\, 5th\, 11th\, 12th\, 18th\, 19th\, 25th\, 26th \nAugust:  1st\, 2nd\, 8th\, 9th\, 15th\, 16th\, 22nd\, 23rd\, 29th\, 30th \nSeptember: 5th\, 6th
URL:https://www.mikebrowngroup.com/event/big-als-live-on-the-patio-28/
LOCATION:Big Al’s\, 1900 N Eagle Rd\, Meridian\, Idaho
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/05/03f8a3765936d06db6f143e40d44fc49.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250830T193000
DTEND;TZID=UTC:20250830T213000
DTSTAMP:20260516T082931
CREATED:20250728T210203Z
LAST-MODIFIED:20250728T210203Z
UID:134177-1756582200-1756589400@www.mikebrowngroup.com
SUMMARY:Boise Baroque Summer Concerts
DESCRIPTION:Join us for the 2025 Boise Baroque Summer Music Festival at the\nbeautiful Château des Fleurs or the acoustically perfect First\nPresbyterian Church. Each weekend features a unique program\, from\ncomedic Neapolitan opera to grand Handel coronations. Collaborations\nwith Opera Idaho and The Boise Philharmonic Master Chorale add to\nthe fun. \nEnjoy unforgettable performances under the summer sky on Saturday\nand Sunday evenings. Explore the full season lineup below and plan\nyour perfect night out!
URL:https://www.mikebrowngroup.com/event/boise-baroque-summer-concerts-7/
LOCATION:Château des Fleurs\, 176 S. Rosebud Lane\, Eagle\, Idaho
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/1ffda0600e701d787b330a71bbf9f2b0.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250830T200000
DTEND;TZID=UTC:20250830T200000
DTSTAMP:20260516T082931
CREATED:20250729T192527Z
LAST-MODIFIED:20250729T192527Z
UID:134296-1756584000-1756584000@www.mikebrowngroup.com
SUMMARY:49 Winchester - Leavin This Holler Tour
DESCRIPTION:49 Winchester: Leavin This Holler Tour\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSatAugust 308:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/49-winchester-leavin-this-holler-tour/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/73_Original-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250830T200000
DTEND;TZID=UTC:20250830T200000
DTSTAMP:20260516T082931
CREATED:20250729T194053Z
LAST-MODIFIED:20250729T194053Z
UID:134299-1756584000-1756584000@www.mikebrowngroup.com
SUMMARY:Starmonster
DESCRIPTION:Treefort Music Hall\nSaturday\, August 30th\, 2025\nDoors: 8PM\nShow: 8PM\n18+
URL:https://www.mikebrowngroup.com/event/starmonster/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/IMG_1695-819x1024-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250831T201500
DTEND;TZID=UTC:20250831T221500
DTSTAMP:20260516T082931
CREATED:20250728T210333Z
LAST-MODIFIED:20250728T210333Z
UID:134179-1756671300-1756678500@www.mikebrowngroup.com
SUMMARY:Boise Baroque Summer Concerts
DESCRIPTION:Join us for the 2025 Boise Baroque Summer Music Festival at the\nbeautiful Château des Fleurs or the acoustically perfect First\nPresbyterian Church. Each weekend features a unique program\, from\ncomedic Neapolitan opera to grand Handel coronations. Collaborations\nwith Opera Idaho and The Boise Philharmonic Master Chorale add to\nthe fun. \nEnjoy unforgettable performances under the summer sky on Saturday\nand Sunday evenings. Explore the full season lineup below and plan\nyour perfect night out!
URL:https://www.mikebrowngroup.com/event/boise-baroque-summer-concerts-8/
LOCATION:Château des Fleurs\, 176 S. Rosebud Lane\, Eagle\, Idaho
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/07/1ffda0600e701d787b330a71bbf9f2b0.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250901T190000
DTEND;TZID=UTC:20250901T190000
DTSTAMP:20260516T082931
CREATED:20250819T194616Z
LAST-MODIFIED:20250819T194616Z
UID:134564-1756753200-1756753200@www.mikebrowngroup.com
SUMMARY:Bright Eyes w/ Doug Martsch\, Saintseneca
DESCRIPTION:Five Dice\, All Threes is a record of uncommon intensity and tenderness\, communal exorcism and personal excavation. These are\, of course\, qualities that fans have come to expect from Bright Eyes\, nearly three decades into their career. The tight-knit band of Conor Oberst\, Mike Mogis\, and Nate Walcott tends to operate in distinct sweeping movements: each unique in its sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them\, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice\, All Threes\, you may feel worried for him; other times\, he may seem like the only one with the clarity to get us out of this mess. \nOn the self-produced Five Dice\, All Threes\, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres\, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst’s songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends\, blasted through speakers\, or shouted among crowds. This time around\, the band invites such like-minded voices onto the record with them\, with notable guest appearances from Cat Power (“All Threes”)\, The National’s Matt Berninger (“The Time I Have Left”)\, and Alex Orange Drink\, the frontman of the New York punk band The So So Glos\, who co-wrote several songs and shares a climactic verse in the surging “Rainbow Overpass.” \nDespite this range of collaborators\, Five Dice\, All Threes is as confessional and unguarded as Oberst has sounded in years. Throughout these timelessly constructed yet unabashedly modern songs\, he earns his place among a rare class of songwriters who have grown more fearless and boundless with age. In the scenic “Bas Jan Ader”—which takes its title from the 20th century Dutch performance artist whose final act found him sailing into the Atlantic Ocean\, never to return—his writing traces the course of a bad memory smoothing out to invite the onset of nostalgia. “I never thought I’d see 45\,” he sings to a lapping\, chiming melody. “How is it that I’m still alive?” For an artist who has explored unflinching questions of mortality since his teen years\, the writing on Five Dive\, All Threes conveys a new sense of urgency—and empathy\, too. \n“For whatever reason\, I was born with a brain that’s preoccupied with that kind of thing\,” Oberst says of his lifelong penchant for dark subject matter. “When I was young\, there was a performative aspect to it\, which got reflected back at me. Now I’m at a point where I don’t care what the reaction is going to be. Before it was a little out of my hands—I didn’t know how to write if it wasn’t specific to my actual life. Now I do it by choice.” \nThroughout these reflections on the American landscape\, Oberst shuttles us from Los Angeles to New York: two cities he has called home and the locations for his recent series of rapturously received\, career-spanning solo residencies. Along the course of his journey\, he takes shots at tech billionaires and the rise of artificial intelligence; he offers heartfelt wisdom and slips into clipped\, surrealist imagery that earns its place among namechecked literary heroes like Vladimir Nabokov and Mark Twain. \nFor every striking turn in his lyrics\, the band knows just how to complement him. On one level\, Five Dice\, All Threes may be the most fun album in the Bright Eyes catalog\, filled with singalong hooks and buzzing performances. “I think it revisits the spirit of our older records\,” Walcott says. “There is a real quality of chaos and ecstatic urgency in the performances.” And yet\, sitting alongside these adrenalized rockers that sound beamed in directly from the garage\, you will find contemplative\, psychedelic material like the heartbreaking “Tiny Suicides” and “All Threes\,” a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog. \nThis vivid\, cathartic music arrives four years after the band’s 2020 comeback album Down in the Weeds\, Where the World Once Was. That record’s zoomed-out lyrics and meticulous studio atmosphere resonated during the peak of COVID lockdown and led to Bright Eyes’ long-awaited return to the road in summer 2021. By this point\, they were also deep into their Companions project\, in which the band reissued their back catalog via new label Dead Oceans along with newly recorded reinterpretations of material throughout their songbook. \nIn the aftermath of these exhaustive endeavors\, the band felt grateful to be back together and somewhat uncertain about their future. It wasn’t until Oberst invited Alex Orange Drink to stay with him in Los Angeles in winter 2023 when a group of new songs started forming. At first\, these back-and-forth sessions on Oberst’s porch were just for fun. Recalling his early days of collaboration and scrappy home-recording\, the pair sought to keep each other entertained and inspired\, with little thought as to where the material would take them. But after completing gems like the anthemic\, self-lacerating “Bells & Whistles” and the punky duet of “Rainbow Overpass\,” it became clear that Oberst was tapping into new territory. \nWhen they hit the studio with Oberst’s longtime bandmates—the multi-instrumentalist and producer Mike Mogis\, the keyboardist and arranger Nate Walcott—they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Referring to 2005’s starkly produced landmark\, I’m Wide Awake\, It’s Morning\, Mogis laughs\, “It took us 20 years to make another record that sounds like a band playing live.” But where those songs exposed the raw beauty of the group’s folksier side\, Five Dice\, All Threes thrashes and squirms and resists classification. In the brilliant expanse of “El Capitan\,” they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns\, shouted vocals\, and lyrics that read like a sobering farewell between twin souls. “So they’re burning you an effigy\,” Oberst sings. “Well\, that happens to me all the time!” \nAs per usual\, the music comes loaded with subtext that invites deep listening—the signature touch of a band who has always honored the album as its own exalted work of art. In the background of these songs\, you can piece together a story about love and fate and identity\, stitched together from samples of the 1954 Frank Sinatra film Suddenly\, a layered orchestra of people sobbing\, and a game of dice that borders on cosmic and lends the album its framing device and winking title: In the game of threes\, the titular move would indicate a perfect roll. Perfection\, however\, means something different in the world of Bright Eyes\, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark\, winding journey to get there. On Five Dice\, All Threes\, Bright Eyes embrace these beliefs with music that feels thrillingly alive\, as if we were all in the room with them\, shouting along and gaining the strength to move forward together. It doesn’t just sound like classic Bright Eyes. It sounds like their future\, too. \n\n \n\nDoug Martsch\n\n\n \n\nSaintseneca\nSAINTSENECA\nSaintseneca’s Zac Little has been thinking a lot about memory. Not necessarily his memories\, though they creep in often\, too. Rather\, he mulls over the idea of memory itself: its resilience\, its haziness\, how it slips away as we try to hang on\, the way it resurfaces despite our best efforts to forget. \nMemory is the common thread running throughout the Columbus folk-punk band’s fourth album\, Pillar of Na\, arriving in late summer via ANTI- Records. Following 2015’s critically lauded Such Things\, the new album’s name is rooted in remembrance\, referencing the Genesis story of Lot’s wife who looks back at a burning Sodom after God instructs her not to. She looks back\, and God turns her into a pillar of salt. “Na\,” meanwhile\, is the chemical symbol for sodium. “Nah” is a passive refusal and the universal song word. It means nothing and stands for nothing. It is “as it is.” \nLike Lot’s wife\, Little cannot help but revisit where—and how—he grew up. Raised in church in southeastern Appalachian Ohio\, he took up preaching when he was still a teenager\, sometimes in small country settings and other times to congregations of thousands. But these days he’s more interested in listening. And questioning. \nMusically\, Pillar of Na is Saintseneca’s most ambitious album to date\, with Little aiming to incorporate genre elements he’d rarely heard in folk. “I wanted to use the idiom of folk-rock\, or whatever you want to call it\, and to try to do something that had never been done before\,” Little explains. “To reach way back\, echoing ancient folk melodies\, tie that into punk rock\, and then push it into the future. I told Mike Mogis I wanted Violent Femmes meets the new Blade Runner soundtrack. I’m looking for the intersection between Kendrick Lamar and The Fairport Convention.” \n“You’re always going to be situated in the folk legacy\,” Little continues\, acknowledging his past recordings\, which include three albums (the aforementioned Such Things\, 2014’s Dark Arc\, 2011’s Last) and three EPs (2016’s The Mallwalker\, 2010’s Grey Flag\, and 2009’s self-titled). “But let’s move forward. I’m not trying to make the lost Velvet Underground B-side. I want to find something that has never been heard before\, or at least go down trying.”
URL:https://www.mikebrowngroup.com/event/bright-eyes-w-doug-martsch-saintseneca/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/Bright-Eyes.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250902T190000
DTEND;TZID=UTC:20250902T190000
DTSTAMP:20260516T082931
CREATED:20250925T152902Z
LAST-MODIFIED:20250925T152902Z
UID:135096-1756839600-1756839600@www.mikebrowngroup.com
SUMMARY:Brooks Nielsen (of The Growlers)
DESCRIPTION:Brooks Nielsen – Fall 2025 Tour Bio Brooks Nielsen\, celebrated frontman of The Growlers and now a critically acclaimed solo artist\, has firmly established himself as one of the most distinctive voices in independent music. As the frontman and creative force behind The Growlers\, Nielsen helped define and popularize the Beach Goth movement—a genre-blurring\, countercultural wave that left an indelible mark on modern rock. Over more than a decade\, The Growlers built a fiercely dedicated international following\, performed at major festivals\, and sold out venues around the world. Their celebrated discography and electrifying live shows cemented them as one of the most influential underground bands of the 21st century. In addition to their music\, The Growlers also founded and curated the Beach Goth Festival\, a groundbreaking event that brought together a wildly eclectic mix of artists—from Patti Smith and Bon Iver to Doja Cat and Mac DeMarco—making it a defining moment in the cultural landscape of the 2010s. Now\, as a solo artist\, Nielsen continues to push boundaries with the same fearless spirit. Since launching his solo career in 2022\, he’s released four records—three of them in 2024 alone. His latest\, A Ride I’m Waiting For\, features the haunting duet “Without Eyes” with Sierra Ferrell and has been praised for its cinematic scope and emotional depth. On stage\, Nielsen delivers an experience unlike anything else. Backed by a powerhouse band—Growlers drummer Richard Gowen\, keyboardist Cole Riddle\, and guitarists J.D. Carrera and Elyadeen Anbar—Brooks crafts a set each night that’s entirely its own. Drawing from his extensive solo catalog\, deep cuts\, Growlers classics\, and unreleased material\, his shows are long\, loose\, and alive. With no opening acts and performances stretching two and sometimes three hours\, fans are invited into a world that feels as spontaneous as it does deeply curated. This Fall 2025 run is Brooks’s most ambitious solo tour to date\, featuring first-ever solo plays in small towns\, Aspen and Fort Collins\, CO; Carrboro and Asheville\, NC; Madison\, WI; Ferndale\, MI; New Haven\, CT; St. Louis\, MO; Boise\, ID; Tulsa\, OK; and Nashville\, TN. There’s also a rare and intimate upstate New York show at the newly revived Bearsville Theatre in Woodstock—a venue rich with music history. In New York City\, Nielsen will headline the legendary Webster Hall for the first time\, marking his biggest solo show in the city yet—and in Chicago\, he’ll play the iconic Metro\, a rite of passage for generations of boundary-pushing artists. The 28-date tour wraps with the now-iconic Helloween shows at the Hollywood Palladium in Los Angeles on October 30 and 31—two surreal\, sweat-soaked nights that have instantly become a rite of passage for Nielsen’s most devoted fans. Every year\, Beach Rats from across the country—and around the world—make the journey for this once-a-year celebration of the strange and the sacred. It’s more than just a show: it’s a Mecca for the hardcore fanbase\, a chance to mix with fellow travelers\, share stories from the past\, and revel in a night of music\, mystery\, and magic. If you know\, you go.
URL:https://www.mikebrowngroup.com/event/brooks-nielsen-of-the-growlers/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/09/Brooks_Promotional_2025-718x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250904T190000
DTEND;TZID=UTC:20250904T190000
DTSTAMP:20260516T082931
CREATED:20250819T195856Z
LAST-MODIFIED:20250819T195856Z
UID:134567-1757012400-1757012400@www.mikebrowngroup.com
SUMMARY:Tribal Seeds and The Movement - Coast 2 Coast Summer Tour\, with KBong & Johnny Cosmic
DESCRIPTION:
URL:https://www.mikebrowngroup.com/event/tribal-seeds-and-the-movement-coast-2-coast-summer-tour-with-kbong-johnny-cosmic/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/33_Original-8.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250905T190000
DTEND;TZID=UTC:20250905T220000
DTSTAMP:20260516T082931
CREATED:20250529T193604Z
LAST-MODIFIED:20250529T193604Z
UID:132781-1757098800-1757109600@www.mikebrowngroup.com
SUMMARY:Big Al's Live on the Patio!
DESCRIPTION:Big Al’s Live on the Patio!\nFridays & Saturdays June 6th to September 6th from 7:00PM – 10:00PM \n \nFrom June 7th to September 6th\, Join us at Big Al’s Patio for live music every Friday and Saturday starting at 7:00PM! \nClick HERE to see our lineup of incredible bands and learn more about the performers you’ll be rocking out with all season long. \nThis event takes place on Big Al’s Patio\, located around the corner from the main entrance\, beside Chip Cookies (across from Carhartt and Purple). \nMake sure to join us for Line Dancing before the band gets started with a lesson by the pros from Dirt Road Dancing\, Fridays from 6PM-7PM. Click here for more details! \nPerformance Dates: \nJune: 6th\, 7th\, 13th\, 14th\, 20th\, 21st\, 27th\, 28th \nJuly:  4th\, 5th\, 11th\, 12th\, 18th\, 19th\, 25th\, 26th \nAugust:  1st\, 2nd\, 8th\, 9th\, 15th\, 16th\, 22nd\, 23rd\, 29th\, 30th \nSeptember: 5th\, 6th
URL:https://www.mikebrowngroup.com/event/big-als-live-on-the-patio-29/
LOCATION:Big Al’s\, 1900 N Eagle Rd\, Meridian\, Idaho
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/05/03f8a3765936d06db6f143e40d44fc49.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250905T200000
DTEND;TZID=UTC:20250905T200000
DTSTAMP:20260516T082931
CREATED:20250819T200533Z
LAST-MODIFIED:20250819T200533Z
UID:134573-1757102400-1757102400@www.mikebrowngroup.com
SUMMARY:THE KNOCKS & DRAGONETTE w/ AQUARIA
DESCRIPTION:Startin’ Boise Pride weekend off with a big\, retro-disco-funkin’ dance party featuring The Knocks and live performances by Dragonette! Drag icon Aquaria will also be joining the festivities along with local support!
URL:https://www.mikebrowngroup.com/event/the-knocks-dragonette-w-aquaria/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/6e7481d7-3781-4f87-b5e2-d25ddf5c3bf3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250905T200000
DTEND;TZID=UTC:20250905T200000
DTSTAMP:20260516T082931
CREATED:20250819T200739Z
LAST-MODIFIED:20250819T200739Z
UID:134576-1757102400-1757102400@www.mikebrowngroup.com
SUMMARY:Casey Donahew\, Bottomland
DESCRIPTION:Casey Donahew\, Bottomland\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFriSeptember 58:00 pm(Doors: 7:00 pm)\nAll Ages\nBuy Tickets\n\n\n\n\n+ Google Calendar\n\n\n\n\nArtists\n\n\nCasey Donahew\n\n \n\n\n\nSocial Links\n\n\n\n\n\n\n\n\n\n\nBottomland\n\n \n\nBottomland is a unique southeast Texas blend of southern rock and country roots featuring Cannon Brand and Justin Lane Gates. The newly formed duo is comprised of the two singer/songwriters who have paid their dues in the honky-tonks and listening rooms of the Lone Star State. Their collaboration magnifies the talents of both while producing an unmistakeable sound that is garnering attention from fans and the music industry alike. \nIn an era of viral trends\, Bottomland is slugging it out the old fashioned way. On the road. Their live show is the cornerstone of the growing brand and their passion. Like a Texas Country – Blink 182\, Bottomland delivers live like few young bands on the scene. And yes\, while they are more than appreciative to interact online\, it’s with the hope they’ll see you in front of the stage soon.
URL:https://www.mikebrowngroup.com/event/casey-donahew-bottomland/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/74_Original-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250906T190000
DTEND;TZID=UTC:20250906T220000
DTSTAMP:20260516T082931
CREATED:20250529T193641Z
LAST-MODIFIED:20250529T193641Z
UID:132783-1757185200-1757196000@www.mikebrowngroup.com
SUMMARY:Big Al's Live on the Patio!
DESCRIPTION:Big Al’s Live on the Patio!\nFridays & Saturdays June 6th to September 6th from 7:00PM – 10:00PM \n \nFrom June 7th to September 6th\, Join us at Big Al’s Patio for live music every Friday and Saturday starting at 7:00PM! \nClick HERE to see our lineup of incredible bands and learn more about the performers you’ll be rocking out with all season long. \nThis event takes place on Big Al’s Patio\, located around the corner from the main entrance\, beside Chip Cookies (across from Carhartt and Purple). \nMake sure to join us for Line Dancing before the band gets started with a lesson by the pros from Dirt Road Dancing\, Fridays from 6PM-7PM. Click here for more details! \nPerformance Dates: \nJune: 6th\, 7th\, 13th\, 14th\, 20th\, 21st\, 27th\, 28th \nJuly:  4th\, 5th\, 11th\, 12th\, 18th\, 19th\, 25th\, 26th \nAugust:  1st\, 2nd\, 8th\, 9th\, 15th\, 16th\, 22nd\, 23rd\, 29th\, 30th \nSeptember: 5th\, 6th
URL:https://www.mikebrowngroup.com/event/big-als-live-on-the-patio-30/
LOCATION:Big Al’s\, 1900 N Eagle Rd\, Meridian\, Idaho
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/05/03f8a3765936d06db6f143e40d44fc49.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250906T200000
DTEND;TZID=UTC:20250906T200000
DTSTAMP:20260516T082931
CREATED:20250819T201026Z
LAST-MODIFIED:20250819T201026Z
UID:134579-1757188800-1757188800@www.mikebrowngroup.com
SUMMARY:Sunny Day Real Estate
DESCRIPTION:Sunny Day Real Estate\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSatSeptember 68:00 pm(Doors: 7:00 pm)\nAll Ages
URL:https://www.mikebrowngroup.com/event/sunny-day-real-estate/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/63_Original-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250906T203000
DTEND;TZID=UTC:20250906T203000
DTSTAMP:20260516T082931
CREATED:20250819T204103Z
LAST-MODIFIED:20250819T204103Z
UID:134582-1757190600-1757190600@www.mikebrowngroup.com
SUMMARY:ATTENTION
DESCRIPTION:We’re back for Year 3 of ATTENTION\, and this time it’s even more fierce\, more fabulous\, and unapologetically louder. Step into the spotlight\, feel the bass in your bones\, and let the disco ball bathe you in silver. This isn’t just a party — it’s a revolution in stilettos\, a full-bodied celebration of authenticity\, expression\, and pride. ATTENTION will feature Shea Couleé on the DJ decks and performances from Plane Jane (RuPaul’s Drag Race Season 16) and a number of sensational local artists!
URL:https://www.mikebrowngroup.com/event/attention-2/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/ATTN_Poster-Talent-2x_1080x1350-819x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250907T190000
DTEND;TZID=UTC:20250907T190000
DTSTAMP:20260516T082931
CREATED:20250819T204400Z
LAST-MODIFIED:20250819T204400Z
UID:134585-1757271600-1757271600@www.mikebrowngroup.com
SUMMARY:NAHKO AND MEDICINE FOR THE PEOPLE – TAKE YOUR POWER BACK 2025
DESCRIPTION:NAHKO AND MEDICINE FOR THE PEOPLE – TAKE YOUR POWER BACK 2025\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSunSeptember 77:00 pm(Doors: 6:00 pm)\nAll Ages\n$48.77 – $115.72Buy Tickets\n\n\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event. \nFor the first time ever\, Nahko is bringing the powerful songs from his 2020 album Take Your Power Back to the stage\, live and in full spirit! Originally released during the stillness of the pandemic\, this long-awaited tour will highlight the album in its entirety; it serves as a celebration of resilience\, rebirth\, and reclaiming your voice. Nahko has crafted an all-new show\, filled with heart\, empowerment\, and high vibes. Expect deep cuts\, fan favorites\, and the kind of soul-stirring experience only a Nahko show can deliver. Come be a part of the medicine and take your power back! \nVIP: TAKE YOUR POWER BACK – VIP TICKET includes:  \n\n\n– 1 General Admission ticket \n\n\n– Early entry for a Meet & Greet with Nahko before Doors \n\n\n– Exclusive\, limited-edition VIP-only poster. \n\n\n\n+ Google Calendar\n\n\n\n\n\nArtists\n\n\nNahko and Medicine For The People\n\n \n\nOver the last 5 years\, Nahko And Medicine For The People have continued to gather dedicated members of their global tribe of likeminded fans as they spread their powerful musical message. They incorporate a variety of sounds\, ranging from alternative roots to acoustic rock while promoting social change. Their album HOKA debuted at #10 on Billboard’s Rock Album Chart and #6 on the Alternative Album Chart. \nNahko’s solo album\, My Name is Bear\, debuted on a number of Billboard charts including Independent Albums (#11)\, Tastemakers (#14)\, Emerging Artists (#19)\, Top Album Sales (#43)\, and Top 200 Albums (#170). The album also premiered at #1 on iTunes and the headline tour in support of it boasted multiple sold-out dates both stateside and in Europe. My Name is Bear is a 16-track collection that reflects the soul\, authenticity\, and spirit that Nahko’s fans have come to know. It predates Nahko’s rise to mythos among diehard fans of Medicine For The People. As he puts it\, the album serves as a “prequel\,” that artfully merges rustic acoustic guitars\, upbeat energy\, tribal flavors\, fiery percussion\, and ponderous lyrics. At the end of the day\, My Name is Bear\, sets the stage for a whole lot more from Nahko.
URL:https://www.mikebrowngroup.com/event/nahko-and-medicine-for-the-people-take-your-power-back-2025/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/94_Original-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250907T190000
DTEND;TZID=UTC:20250907T190000
DTSTAMP:20260516T082931
CREATED:20250819T204638Z
LAST-MODIFIED:20250819T204638Z
UID:134588-1757271600-1757271600@www.mikebrowngroup.com
SUMMARY:Walter Trout w/ Katie Knipp
DESCRIPTION:Great artists take the pulse of their times. In his half-century as a street-level social observer and scaldingly honest songwriter\, blues-rock’s resilient icon Walter Trout has never told his fans what to think\, how to feel\, where to stand politically\, or what to scrawl on their protest placards. But in an era when his home nation – and the wider world – is ripping at the seams over the battlelines of modern life\, the iconic US bluesman’s hard-rocking new album\, Sign Of The Times\, is the primal scream and pressure valve we all desperately need. “I wanted to convey the anger and angst going\non in the world\,” explains the 74-year-old. “For me\, writing these songs is therapy. They’re not just about what’s happening out there\, but how it affects you in your head. Sign Of The Times just became the obvious title…” \nRight now\, it feels like the amps have barely cooled from 2024’s Broken (“That record debuted on Billboard at #1 – I was very\, very pleased with that”). But the era-chronicling songs from Sign Of The Times wouldn’t wait\, these urgent riffs flying off the guitarist’s fingers\, assisted once again by Dr Marie Trout\, Walter’s wife\, manager and latterly co-writer\, whose eloquent lyrics struck each subject on the head. “This album flowed pretty easily\,” he reflects of the writing process. “I had so many song ideas and pages of lyrics from Marie. We could have kept going and made a triple album.” \nWith ten new songs written and arranged\, Trout was ready to call up his studio band – longtime drummer Michael Leasure\, bassist John Avila and keys man Teddy ‘Zig Zag’ Andreadis – for sessions at producer Thomas Ross Johansen’s Strawhorse Studios in Los Angeles. Immediately\, the tinderbox subject matter sparked one of the toughest-sounding records in his catalogue. “Let me put it this way\,” considers Trout\, “after we finished recording the title track\, my keys player Teddy said\, ‘Well\, you won’t be winning a blues award this year’. But I really felt like rocking on this album. We had\nheavy things to talk about\, and we went for it musically too.” \n\n \n\nKatie Knipp\nThis is unquestionably the blues\, but a new shade.  Her fourth top ten Billboard charting album\, Me\, brings Knipp’s hard-fought personal and musical self awareness to the forefront of the contemporary Blues landscape. From sultry to social justice\, Katie Knipp dives all the way in\, teaming her refreshing vulnerability with expert level musicality and composition. Knipp’s unique euphony and passionate storytelling has propelled her career to new heights\, independently paving new ground.  Alongside Katie on vocals\, piano\, and guitar\, her band features Pancho Tomaselli on bass (War\, Tower of Power\, Philm)\, Steve Utstein on the B3 (Cafe R and B\, Bo Diddley\, Junior Wells\, Lonnie Brooks)\, Chris Martinez on guitar (Sac Blues Hall of Fame\, Guitar Mac\, Arbess Williams)\, and Neil Campisano on drums (4 top 10 Billboard albums). \n“Her songwriting is really classic sounding but also out of the box\, which is tough to do. Katie’s powerful delivery is natural and authentically rooted in that classic gooshy saturated 70’s rock. I love it. She reminds me of like a Nor-Cal Fiona Apple-especially in its willingness to surprise and take fun and interesting musical turns.  She’s weird and cool” –Eli Brueggemann\, Musical Director for Saturday Night Live\n\n“Not only is her band several levels above your average blues combo and her own musical\, vocal attributes enthralling; but her songwriting and lyrical abilities deliver humor\, complexity and an emotional power that takes her art way beyond genre boundaries.” — American Blues Scene\n \n“….. serves up a radiant platter of her patented NOLA-steeped brand of slidin’ blues rock — smokey\, syrupy and ever-genuine” –Aaron Davis\, The Sacramento Bee \n\n “Comparisons are odious\, but …..Katie Knipp is a true original. The closest I can come to a description is a cross between Nina Simone and Mose Allison. Remarkable.” — Mick Martin\, KZAP\n\n“Her version of blues is raw and gritty\, and she’s comfortable with a myriad of musical influences in her underlying soundtrack.” -Robert Leggett\, No Depression Magazine \n\n“Versatility.  That’s the word to properly define Katie Knipp’s work.  She is a gifted musician\, able to not only play slide guitar\, piano\, and harmonica but mainly able to make her singing prevail over the textures of a song.”  -Marcel Innocentini\, Blues Rock Review \n\n“I know good music when I hear it.  Katie Knipp grabbed my attention with her new album\, “Me.” She captured it with the first note on the first song\, “Mud.” The album unfolds like a theatrical performance. She’s a storyteller\, an explorer\, a rocker. By the fifth song\, I’ve decided\, “Yep\, she’s got me. Everything here is good. I’ll just put my interpreter’s ears away now and just enjoy it.” The powerful yet rather humorous title track\, “Go\,” would fit seamlessly on “Magical Mystery Tour.” I feel like I hear Neil’s influence on “Dirty Cables.” I dig the bluesy “Lava Pot.” “The Devil’s Armchair” simply grows and builds. Bravo\, Katie Knipp!” –Tim Parsons\, Tahoe Onstage
URL:https://www.mikebrowngroup.com/event/walter-trout-w-katie-knipp/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/Walter-Trout-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250909T210000
DTEND;TZID=UTC:20250909T210000
DTSTAMP:20260516T082931
CREATED:20250819T204945Z
LAST-MODIFIED:20250819T204945Z
UID:134591-1757451600-1757451600@www.mikebrowngroup.com
SUMMARY:Baroness Red & Blue Part II
DESCRIPTION:Baroness Red & Blue Part II\nNeurolux Lounge\n111 North 11th Street – Boise\, ID 83702\nTueSeptember 99:00 pm(Doors: 8:00 pm)\n21 and up\nBuy Tickets\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event.\n\n+ Google Calendar\n\n\n\n\n\nArtists\n\n\nBaroness\n\n \n\nGrammy-award nominated heavy rock outfit Baroness mark their much-anticipated return with new album\, STONE. Their sixth record overall and third released via Abraxan Hymns\, STONE finds the Philadelphia-based quartet of John Baizley (guitars/vocals/illustration)\, Gina Gleason (guitars)\, Nick Jost (bass)\, and Sebastian Thomson (drums) streamlining the momentous multi-genre vocabulary of its critically-acclaimed predecessor Gold & Grey (2019). This is still very much Baroness—just refocused for efficiency and rethought as a consequence of stability. STONE’s most prominent tracks\, “Last Word\,” “Beneath the Rose\,” “Shine\,” and “Anodyne\,” reflect thoughtfully\, groove deeply\, and refract tumult effortlessly. They\, of course\, rock. \n“An important through line in Baroness is we don’t like to repeat ourselves\,” says founding member John Baizley. “It’s all about the willingness to take risks. When I was younger\, the whole point of music was to be different\, to find fresh risks and exciting ideas to explore\, and to follow your own impulses rather than play by the rules. That’s kind of goofy\, but in practice\, it works. It’s really sort of terrifying to be at the sixth record in your career and think that you’ll have to keep up with your history rather than continually invent. So\, we doubled down on continuously inventing to see where it takes us. I think this record is a good reflection of that. STONE is a lot more alive\, more direct.” \nBaizley founded Baroness in Savannah\, Georgia\, in 2003. Local/regional punk-hardcore scenes harbored the group as they went from strength to strength. They signed to indie Relapse Records (Mastodon\, Cave In) in early 2007\, where they released three decorated records—Red Album (2007)\, Blue Record (2009)\, and Yellow & Green (2012)—before forming their own label Abraxan Hymns. On STONE\, Baroness untangle from self-imposed complication. It’s back to basics but constructed with a lifetime of perspective and experience. To wit\, acoustic opener “Embers” features Baizley and Gleason harmonizing to the lyric “Build me a home of ember and chain / Leave me a simple life.” This mantra carries through to the arcadian vibes of closer “Bloom.” If home is where the heart is\, then Baroness is home. \n“When I joined in 2017\, I was just trying to find my place\,” Gleason says. “This time\, I felt like I could express a little more. I had a history with everybody in the band\, so I was less scared of imposing. I incorporated more of my guitar playing\, which\, in a way\, was like coming full circle to what I’ve done in the past. I think we were able to strip everything away on this record. We were unified in that\, I think. So\, we just jumped in and did our best. That felt really good. It was a really cool\, empowering\, creative experience.” \nThe origins of STONE go back to 2020. It is not a pandemic record\, but the core of it was written during its darkest days. Anxiety\, relief\, and resolve are stitched deeply throughout. When the foursome was isolated in Pennsylvania and New York\, turning stems of music into full-fledged songs felt insurmountable. Baroness toiled as the world roiled. Creativity fully flourished only when they escaped to an Airbnb in Barryville\, a quaint hamlet on the New York/Pennsylvania border. The undulating “Beneath the Rose\,” the energetic drive of “Anodyne\,” the trad-metal burl of “Last Word\,” and the dynamic introspection of “Shine” rushed out\, as did the motorik of “Choir” and the emotional heft of “Magnolia.” STONE was a sort of catharsis\, a turning of the page\, a middle finger to the suffocating insincerity of expectation. \n“Playing one idea for 13 hours a day\, you lose yourself inside of the music\,” Jost shares. “You have to follow where that headspace takes you and trust your mates. Extreme isolation enhances this state of mind and allows you to explore things unhindered. That process of exploration is a big part of this album.” \nOne of the main aspirations behind STONE was to take Baroness back to a DIY approach. Over the years\, Baizley had become accustomed to\, and talented at\, engineering\, recording\, and mixing. Instead of taking the band to an actual studio\, they transformed the Airbnb in Barryville into an impromptu recording space with its big\, vaulted ceilings\, hardwood floors\, and brick/glass walls. While Baroness wrote STONE\, Baizley recorded and pre-mixed it. In a way\, each song on STONE has its own sonic treatment. After the group finished tracking drums\, guitars\, and bass\, they took everything back to Baizley’s unfinished basement – where parts of Gold & Grey were also recorded—in Pennsylvania to put down the vocals and add other bells and whistles. STONE was then handed off to Grammy-nominated mix master Joe Barresi (Kyuss\, Alice In Chains) for final mixing and polishing and Grammy-winning mastering guru Bob Ludwig (Led Zeppelin\, Nirvana) at Gateway Mastering Studios. \n“The recording process was completely self-contained\,” Thomson explains. “Having just the four of us in a rented house in the mountains for a month resulted in not only a cohesive and authentic sound\, but also an intense collective mentality.” \nConceptually\, STONE eschews the color-based themes of its predecessors\, but it’s just as personally weighty. Baizley’s initial ideas were negative and rayless. The right feel wasn’t right. To get out of his funk he took Baroness on the road again\, playing in smaller\, intimate venues on the ‘Your Baroness’ tour\, which featured no opening acts and fan-curated setlists that reached nearly three hours in length and offered an extensive look at the band’s back-catalogue. He built the lyrical foundation for STONE on that tour. Indeed\, freedom gave way to ideas of permanence\, both literal and figurative. Sure\, Baizley came face-to-face with death—and a distant relative\, in fact—while strolling through a local cemetery\, but he also realized that STONE means so much more\, from struggle and support to perseverance and comfort. \n“This record started off the loosest conceptually\,” says Baizley. “It ended up feeling like it was different chapters in a short story. One thing I’ve learned about myself is that each album is always about the time between. That’s pretty broad\, but it’s true. I tend to focus on the things that are confusing to me—and I’m confused by the things I find difficult. So\, this album is sort of a reflection of my life. I’ve had some tough years\, and I think I’ve found some semblance of calm now. I think I found that walking through Laurel Hill Cemetery in Philadelphia. Sure\, there’s death\, but there’s memory\, too. I found that almost peaceful. There’s a song on Pink Floyd’s Animals where they use stone as a metaphor for a grave\, but it’s presented in this almost polite\, poetic way. That was definitely going through my mind.” \nAs Baroness edge into their 20th year\, they’re finding new ways to engage internally. They’re more secure now than ever before\, largely due to the lineup of Baizley\, Gleason\, Jost\, and Thomson remaining intact through thick and thin. In that certainty\, Baroness have found the will to innovate or iterate for their artistic pleasure. STONE is a monument. That it kicks ass helps\, too.
URL:https://www.mikebrowngroup.com/event/baroness-red-blue-part-ii/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250910T193000
DTEND;TZID=UTC:20250910T193000
DTSTAMP:20260516T082931
CREATED:20250819T205251Z
LAST-MODIFIED:20250819T205251Z
UID:134594-1757532600-1757532600@www.mikebrowngroup.com
SUMMARY:Train with Special Guest Edwin McCain
DESCRIPTION:Train\nwith Special Guest Edwin McCain\nFord Idaho Center Amphitheater\nSeptember 10th\, 2025
URL:https://www.mikebrowngroup.com/event/train-with-special-guest-edwin-mccain/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250912T193000
DTEND;TZID=UTC:20250912T193000
DTSTAMP:20260516T082931
CREATED:20250820T144153Z
LAST-MODIFIED:20250820T144153Z
UID:134609-1757705400-1757705400@www.mikebrowngroup.com
SUMMARY:Warren Zeiders
DESCRIPTION:Warren Zeiders: Relapse\, Lies\, and Betrayal Tour\nFord Idaho Center Amphitheater\nFriday\, September 12th\, 2025
URL:https://www.mikebrowngroup.com/event/warren-zeiders/
LOCATION:Ford Idaho Center
CATEGORIES:Arts & Music,Music
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250912T200000
DTEND;TZID=UTC:20250912T200000
DTSTAMP:20260516T082931
CREATED:20250819T205817Z
LAST-MODIFIED:20250819T205817Z
UID:134597-1757707200-1757707200@www.mikebrowngroup.com
SUMMARY:Xzibit w/ Coyote
DESCRIPTION:Before becoming one of the West Coast’s most illustrious MCs at the end of the 1990s\, and later a TV celebrity\, Xzibit was a promising underground rapper. Born Alvin Nathaniel Joiner on September 18\, 1974\, in Detroit\, MI\, Xzibit began his rap career was part of Tha Alkaholiks\, a loose-knit collective of California rappers including King T\, Defari\, and Tha Alkaholiks. Early on\, he was featured on “Free Style Ghetto\,” a song on King T‘s IV Life (1994)\, and subsequently appeared on “Hit and Run\,” a song on Tha Alkaholiks‘ Coast II Coast (1995). Signed to Loud Records\, Xzibit released his solo debut album\, At the Speed of Life\, in 1996. The album boasts a Billboard Hot 100 single\, “Paparazzi\,” and features production work by Thayod Ausar\, Craig Sherrad\, E-Swift\, DJ Muggs\, Saafir\, and Diamond D. 
 Xzibit’s second album for Loud\, 40 Dayz & 40 Nightz (1998)\, was a bigger success on all counts. Often considered the rapper’s best album\, 40 Dayz & 40 Nightz spawned a Top 50 single\, “What U See Is What U Get\,” and features extensive production work from Sir Jinx\, who had previously worked at length with Ice Cube\, among other significant West Coast rappers. Following the acclaim of 40 Dayz & 40 Nightz\, Xzibit made several high-profile guest appearances in 1999\, most notably alongside Snoop Dogg on his hit “B Please” and on three tracks of Dr. Dre‘s 2001 album\, including alongside Eminem on the hit “What’s the Difference”; also that year he was featured on Kurupt‘s Tha Streetz Iz a Mutha\, Prince Paul‘s A Prince Among Thieves\, Sway & King Tech‘s This or That\, and Tash‘s Rap Life. 
 Xzibit’s third album\, Restless (2000)\, was executive produced by Dr. Dre\, who personally produced or co-produced three songs\, including the Hot 100 single “X.” Restless features an illustrious list of featured guests and producers — among them Snoop Dogg\, Eminem\, KRS-One\, Nate Dogg\, Erick Sermon\, DJ Quik\, Sir Jinx\, Rockwilder\, Scott Storch\, Rick Rock\, Soopafly\, and Battlecat — and marked the zenith of Xzibit’s popularity as a rapper\, passing the platinum sales mark handily. Man vs Machine (2002) sought to duplicate the success of its predecessor\, once again featuring a roll call of well-known talent\, including Dr. Dre\, DJ Premier\, Snoop Dogg\, Eminem\, Nate Dogg\, and Anthony Hamilton. However\, despite debuting at number three on the Billboard album chart (his first time breaking into the Top Ten)\, Man vs Machine proved a bust. It spawned no major hits and barely reached gold sales status\, let alone platinum. 
 Weapons of Mass Destruction (2004) also sold disappointingly\, and consequently Xzibit began diversifying his portfolio\, turning toward acting instead of music. He had previously appeared in the films The Wash (2001) and 8 Mile (2002)\, along with numerous videos\, so it wasn’t much of a stretch when he acted in the Hollywood films Full Clip (2004)\, XXX: State of the Union (2005)\, and Derailed (2005). Furthermore\, in 2004 he began hosting the MTV show Pimp My Ride\, which quickly became one of the network’s most popular\, carrying on for many seasons (with Xzibit) and eventually being spun off internationally (without him). Full Circle (2006) marked Xzibit’s return to the music marketplace. No longer signed to a major-label recording contract\, Xzibit released the album via Koch Records\, and consequently it sold only a fraction of what his previous few albums had\, despite some first-rate production and the rapper’s newfound status as a TV celebrity. Pimp My Ride was canceled in 2007 and Xzibit focused for a time on his acting career\, doing small roles in an X-Files movie\, television roles as well as a cameo appearance in the concert film Tha Alkaholiks: Live from Rehab. Financial troubles plagued the actor/rapper in this time\, and he dealt with the repercussions of both tax evasion and multiple bankruptcy filings during this phase of his career. In 2012\, after a long musical hiatus\, he returned with full length album Napalm\, assisted by friends like Dr. Dre and Wiz Khalifa on the album’s party-friendly hip hop. ~ Jason Birchmeier\, Rovi \n\n\n \n\nCoyote
URL:https://www.mikebrowngroup.com/event/xzibit-w-coyote/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/IMG_8717.jpeg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250912T200000
DTEND;TZID=UTC:20250912T200000
DTSTAMP:20260516T082931
CREATED:20250820T144509Z
LAST-MODIFIED:20250820T144509Z
UID:134612-1757707200-1757707200@www.mikebrowngroup.com
SUMMARY:Man's Best Party - Sabrina Carpenter Night (21+)
DESCRIPTION:Man’s Best Party: Sabrina Carpenter Night (21+)\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nFriSeptember 128:00 pm(Doors: 7:30 pm)\n21 and up\n$21.01Buy Tickets\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event. \nWhat the Dance presents \nMan’s Best Party: A Sabrina Carpenter Night \nOh boy\, Boise!\nKnitting Factory\nFriday\, September 12\n8pm\n21+ \nCelebrate with us the release of Sabrina’s new album\, Man’s Best Friend\, along with other hits from Ariana Grande\, Olivia Rodrigo\, Addison Rae\, Tate McRae\, Taylor Swift\, Reneé Rapp\, Billie Eilish\, Dua Lipa\, and more! \nDJ set by @julimuah\nHave you ever tried this one? @thedanceparties
URL:https://www.mikebrowngroup.com/event/mans-best-party-sabrina-carpenter-night-21/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/74_Original-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250913T200000
DTEND;TZID=UTC:20250913T200000
DTSTAMP:20260516T082931
CREATED:20250820T144851Z
LAST-MODIFIED:20250820T144851Z
UID:134615-1757793600-1757793600@www.mikebrowngroup.com
SUMMARY:Jauz
DESCRIPTION:Hailing from the Bay Area\, electronic DJ and producer Jauz (born Sam Vogel) has consistently made waves in the dance music scene since his debut in 2014. His journey from a young electronic music enthusiast in the crowd of Hard Summer to playing on the main stage is a testament to his meteoric rise in the industry. Jauz burst onto the international music scene with his infectious original track\, “Feel the Volume\,” released on Mad Decent. The release catapulted him into the spotlight\, earning him recognition from industry heavyweights like Zedd\, Skrillex\, and Diplo. His energetic sets and genre-blurring production quickly made him a staple on major festival lineups around the world. \nJauz continued to stun the electronic music world – making headlines at Coachella by dropping his viral remix of Pete Fong’s “Baby Shark” and making his TV debut as a special guest DJ on The Discovery Channel’s “Shark After Dark” during Shark Week with comedians Rob Riggle and Adam Devine. As his popularity continued to soar\, Jauz embarked on the sold-out “Dangerous Waters Tour” in early 2020\, amassing over 60\,000 tickets across 40 shows in the US and Canada. He also embraced the world of online streaming\, raising over $50\,000 for non-profit causes during COVID-19 through Twitch streams featuring guests like Illenium\, Marshmello\, and Alesso. In 2022\, Jauz released the Block Party EP in conjunction with a nationwide tour\, bringing awareness to shark conservation through his partnership with Beneath The Waves. In 2023\, he reached a significant milestone with the release of his two-part album series\, the progressive-house-inspired Rise of the Wise and bass-music scorcher Wrath of the Wicked. Throughout 2024\, Jauz continued to display his vast range as a producer\, from the drum and bass breaks of “Higher for Your Love” to classic\, warping dubstep on “Savage.” In an especially exciting moment as a Bay Area native\, Jauz teamed up with P-Lo and Zion I to deliver the Golden State Warriors’ third-quarter anthem\, “Don’t Lose Your Head.” And in tandem with global distribution company OneRPM – home to names ranging from Method Man to Elohim – Jauz relaunched his acclaimed Bite This! label through his towering future bass single “Chains.” \nIn 2025\, Jauz is prepared to return to the roots that made Apple Music dub him the “Godfather of Bass House.” He kicked off the new year with an invigorating new single called “Feel It” that delivers on his coronation\, deftly balancing soaring melodies with a propulsive groove. On the Bite This! front he’s prepared for a brand new Miami Music Week takeover\, and with many more singles and shows up his sleeve\, a banner year awaits the Bay Area boundary-breaker.
URL:https://www.mikebrowngroup.com/event/jauz/
LOCATION:Treefort Music Hall\, 722 W. Broad Street\, Boise\, ID\, 83702\, United States
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/jpeg:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/JAUZ-digital-press-lores-1024x683-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250913T210000
DTEND;TZID=UTC:20250913T210000
DTSTAMP:20260516T082931
CREATED:20250820T145657Z
LAST-MODIFIED:20250820T145657Z
UID:134618-1757797200-1757797200@www.mikebrowngroup.com
SUMMARY:Bop To The Top
DESCRIPTION:Bop To The Top\nKnitting Factory – Boise\n416 S. 9th St. – Boise\, ID 83702\nSatSeptember 139:00 pm(Doors: 8:00 pm)\n21 and up\n$27.71Buy Tickets\n\n\nDELAYED DELIVERY: There is a ticket delivery delay in place for this event. Tickets will be emailed 48 hours prior to the event.\n\n+ Google Calendar\n\n\n\n\nArtists\n\n\nBop To The Top\n\n \n\nBop to the Top is a DJ led dance night spinning your favorite Disney Channel throwbacks with high energy performances\, crowd participation & main character moments dancing on stage!
URL:https://www.mikebrowngroup.com/event/bop-to-the-top/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
ATTACH;FMTTYPE=image/png:https://www.mikebrowngroup.com/wp-content/uploads/2025/08/03_Original-2.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250914T183000
DTEND;TZID=UTC:20250914T183000
DTSTAMP:20260516T082931
CREATED:20250820T150828Z
LAST-MODIFIED:20250820T150828Z
UID:134623-1757874600-1757874600@www.mikebrowngroup.com
SUMMARY:DynaDuo Presents - HEMLOCK
DESCRIPTION:Hemlock is a Heavy Metal band from Las Vegas Nevada. \nMembers of the band are Chad Smith-Vocals and Bass\, Jezy Ward-guitar and background vocals\, James Gelber- Guitarist\, and Brian Smith drummer \nHemlocks sound is a heavy blend of chugging riffs\, deep bass tones\, rhythmic grooves and catchy ass lyrics\, with a haberdash of melody mixed in. The lyrics are always creative and positive\, and the songs have lots of scream alongs and hooks. The merchandise is also very creative. Hemlock offers a wide variety of merchandise options. From t-shirts and hoodies\, to Hemlock candles\, lunchboxes\, antennae balls\, panties and tons more. \nHemlock has been called “The Kings of self promotion”and have been noted as the hardest working up and coming metal band. Hemlock has a very entertaining live show as well. Hemlock gets the crowd involved in the show\, and puts on the show of a lifetime\, every time. The band makes sure that everyone goes home knowing they had fun with Hemlock.\nHemlock has been around since 1993. They have released 8 full length albums. Hemlock has toured the United States extensively\, and has also recently toured Canada\, Europe and Japan. Hemlock tours about 8 months a year\, and has toured with Slayer\, Slipknot\, Ministry\,Meshuggah\, Otep\, Disturbed\, Hatebreed\, Lamb of God\, Chimiara\, Snot\, Devil Driver\, Machine Head\, Mastodon and tons more.
URL:https://www.mikebrowngroup.com/event/dynaduo-presents-hemlock/
LOCATION:Knitting Factory\, 416 S 9th St\, Boise\, Idaho\, 83702
CATEGORIES:Arts & Music,Music
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