Mike Brown Group

Christmas in Color
2025-11-14 - 2025-12-28 | Roaring Springs, 4100 W Overland Rd, Meridian, ID
Experience the magic of the holidays at Christmas in Color, a dazzling drive-thru light show hosted at Roaring Springs Water Park in Meridian. From November 14, 2025, through January 3, 2026, families can cruise through a mile-long spectacle featuring millions of synchronized lights, immersive tunnels, and festive music broadcast through your car radio.

Santa Photos at Boise Towne Square
2025-11-14 - 2025-12-24 | Boise Towne Square, 350 N Milwaukee St, Boise, Idaho, 83704
It’s time to make magical memories this holiday season! Enjoy festive photos with Santa, and capture a moment you’ll treasure for years to come. Reserve your spot for this timeless tradition.

Jurassic Quest
2025-11-14 - 2025-11-16 | Expo Idaho, 5610 North Glenwood Stree, Garden City, Idaho, 83714
Jurassic Quest x Brick Fest Live brings life-sized dinosaurs and hands-on LEGO® fun to Expo Idaho. This interactive event features animatronic dinosaurs, fossil digs, bounce houses, rides, crafts, and themed LEGO® play zones—fun for the whole family.
Hours & Admission
For details and pricing, visit their website.

Peter McPoland: Big Lucky Tour w/ Black Salt
2025-11-13 19:00 UTC | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.

Black Salt

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2025-11-12 18:30 | Revolution Concert House, 4983 N Glenwood St, Garden City, Idaho, 83714
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Nov 12, 2025
Doors: 6:30 PM / Show: 7:30 PM

WORLD BALLET COMPANY: THE GREAT GATSBY BALLET
2025-11-11 19:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
Dance into the Roaring Twenties with this dazzling Broadway-style ballet.
Immerse yourself in the jazzy world of flappers and champagne with this new and entirely original production from World Ballet Company. Experience the glitz, glamor, and tragic romance of F. Scott Fitzgerald’s timeless novel LIVE on stage, featuring a multinational cast, lustrous hand-crafted costumes, and sweeping Art Deco-inspired sets, brought to life by WBC’s all-star creative team.
World Ballet Company’s “The Great Gatsby” is the must-see show of the season. Dress to impress, raise a glass, and get swept away in an unforgettable night of elegance, drama, and breathtaking artistry.
Duration: 2 hours (including 20-minute intermission)
World Ballet Company – Ballet Everywhere, Ballet For All.
*The Creative Team behind The Great Gatsby: Renowned choreographer Ilya Zhivoy captures the passion of the novel’s central love story with a sensual, dynamic style. Celebrated LA-based film and TV composer Anna Drubich, whose work includes the music for the 2023 Oscar-winning Navalny documentary, makes her ballet debut with a rich, lively score that embraces the sounds of the Jazz Age. Theatrical costume designs by Sonya Vartanyan complete the production with sumptuousness and flair.

*About the Company: Based in Los Angeles, and led by Sasha Gorskaya and Gulya Hartwick, World Ballet Company presents the most beloved and iconic ballets of our time in cities nationwide. Driven by the belief that ballet is for everyone, performances appeal to newcomers and seasoned ballet goers alike. The company attracts many international artists and comprises renowned professional dancers representing over ten countries.
To date, World Ballet Company has traveled to more than 300 cities, reaching an audience of more than 500,000 fans.

WILLIS w/ Winyah
2025-11-09 20:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
WILLIS didn’t blow up overnight — they built something lasting. Formed in Florence, Alabama and now based in
Nashville, the band began in 2016 as five childhood friends making music in a bedroom. Nearly a decade
later, they’ve grown into one of the most loyal followings in modern indie rock — with over 350 million streams, an RIAA Platinum-certified record, and a fully sold-out national headline tour in 2024.
Their breakout track “I Think I Like When It Rains” became a viral anthem, reaching #1 on TikTok’s U.S. chart
in 2023 and remaining in the Viral 50 from 2022–2025. WILLIS made their name where it matters most — the
stage. Night after night, fans show up in Locals Only tees, singing every word like they’ve been there since day one. What started as a quiet DIY movement has become a full-on live experience.
Across their beloved Locals EP series (Locals, Locals 2, Locals 3, Locals 4) and 2024’s debut album I Can’t Thank You Enough, WILLIS has developed a sound that’s warm, rhythmic, and emotionally direct — nostalgic but never stuck in the past. It’s indie rock that leaves a mark.
The band continues to evolve while keeping the same heartbeat that’s been there since the beginning: real
connection, real fans, and music built to outlast trends.

Winyah
Winyah is a 5 piece band from a small town in South Carolina that combines a distinctive blend
of indie and southern rock.

Poolside At The Flamingo
2025-11-09 18:30 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Poolside At The Flamingo
9th St. Parallel at Knitting Factory
416 S 9th St – Boise, ID 83702
SunNovember 96:30 pm(Doors: 6:00 pm)
All Ages

Boise Philharmonic Presents MENDELSSOHN'S ITALIAN
2025-11-09 14:00, 2025-11-08 19:30 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
MENDELSSOHN’S ITALIAN
Conductor Eric Garcia
Transcend borders, cultures, and traditions in a concert that spans the globe. Your journey begins with Clarice Assad’s Baião ‘n Blues, a delightful opener that blends Brazilian rhythms with echoes of American blues. Pianist, Joyce Yang takes center stage with Grieg’s audience favorite Piano Concerto in A minor, a blend of lyrical beauty, classical form, and fiery virtuosity. The program concludes with Mendelssohn’s effervescent Italian Symphony, capturing the vibrant culture of Italy.

PRE-CONCERT TALK
Join Musicologist Bradley Berg and Music Director Eric Garcia (and special guests) as they guide you through the music you are about to hear, providing an enlightening look at the repertoire and composers before the performance begins. Bring your questions! Please gather inside the concert hall by the stage.
Matinee Pre-Concert Talk starts at 12:45 pm (for 2:00pm Sunday)
Evening Pre-Concert Talk starts at 6:15 pm (for 7:30pm Saturday)

Emo Nite
2025-11-08 21:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Emo Nite

Not a band. Not DJ’s. We throw parties for the music we love.
As Rolling Stone observed a few years ago, “Emo Nite Vindicated the Scene.”
Since they threw their first party at an East L.A. dive bar, Morgan Freed and T.J. Petracca, and a dedicated crew of regular attendees, built Emo Nite into a phenomenon. Top-tier emo artists, old and new, curate playlists and perform, with guest lists boasting members of blink-182, All Time Low, Dashboard Confessional, The Maine, and Good Charlotte. Scene-friendly pop culture mavericks often participate, like past attendees Post Malone, Demi Lovato, Machine Gun Kelly, and Skrillex.
It’s all too easy to forget that before the first Emo Nite in December 2014, “emo” was a joke.
Somehow on its journey from a melodic post-hardcore subgenre, built on earnest emotional expression, to a mainstream moniker assigned to anything remotely angsty, “emo” became a dirty word. Despite the positive impact ushered in by waves of bands, from the crucial “Revolution Summer” and Sunny Day Real Estate through Taking Back Sunday and My Chemical Romance, accepting “emo” as a dismissive designation or identity invited polite embarrassment and even scorn.
But Freed and Petracca grew up loving the music associated with emo and the people like them who similarly embraced outsider art and subculture, regardless of changing fashions or pretentious snobbery. Petracca told The New Yorker the idea behind the first Emo Nite celebration was to center a happy, communal experience on the music they once listened to when they were upset and alone.
“I sang Dashboard Confessional at karaoke at a friend’s birthday party and thought it was super fun to go out with friends and listen to music we actually liked,” recalls Petracca, who met Freed when the pair worked at a creative agency together. “Every other club in LA played EDM, Top 40, or hip-hop. We always found ourselves pre-gaming with emo and pop-punk music before we went out.”
Freed knew a bartender at the Short Stop in Echo Park and convinced him to let them throw a party on a random, rainy Tuesday. They invited friends via Facebook; double the bar’s capacity turned up. “We decided to see how far we could take it,” Petracca says. “‘Who would be the craziest guest?’ We invited Mark Hoppus, and he came! He did our first one at Echoplex, which was our third party ever.”
“There’s no disconnect between the artist and fan,” Freed points out. “I think that’s brought people closer to the music. It created a really strong sense of community, at a time when emo wasn’t ‘cool.’”
There may be a surprise acoustic set or even a full-band performance, but ultimately, it’s about the experience. Emo Nite turned a party into a community, reclaiming the spirit of how the scene began.
It’s now a recurring event thrown by dozens of friends in over 30 cities in the United States. Emo Nite runs full-day festivals and curates coveted performance spots at Coachella, Life is Beautiful, and Firefly. Freed and Petracca launched successful clothing collaborations with brands like OBEY, Urban Outfitters, PLEASURES, The Hundreds, Rose in Good Faith, Market, and OWSLA.
“A larger promoter told us the shelf life of a club night in Los Angeles was two years,” Freed says, marveling at Emo Nite’s staying power. “A hundred percent of it is the people that go to it. This music makes people feel connected. The energy of it is so special. You get a group of people together who look different, but they have this thing in common. We started seeing friend groups form really, really quickly. People met their significant others at these events. The community really trusts each other.”
“Emo Nite LA has become an essential gathering point for fans of emo, pop-punk, and related styles,” Rolling Stone noted.
In October 2021, Emo Nite’s founders threw Emo Nite Vegas Vacation, a three-day event headlined by Avril Lavigne and Machine Gun Kelly, with Sleeping With Sirens, MOD SUN, 3OH!3, and more.
“What Emo Nite does better than any of their competitors is they make ‘emo culture’ feel both nostalgic and brand new,” The Summer Set’s Brian Logan Dales told Forbes, in a profile which included professions of love from members of Papa Roach, Underoath, and State Champs. “You can go to an Emo Nite with your best friends and sing along to old songs you grew up with, and at the same time, discover a brand-new artist who’s making music today because they grew up on that very same music as you. They’ve taken the emo of the past and helped it forge a new path for the future.”
As emo reenters popular culture with a blend of adoring nostalgia and optimistic forward- thinking, Emo Nite remains an authentic space to celebrate diversity, experience passionate catharsis, and champion authentic expression. Emo Nite isn’t a band or a DJ crew. It’s an idea, one as simple as the urge to throw a party for a beloved style of music. Often imitated but never truly duplicated, Emo Nite’s founders and supporters are fond of saying, “If you don’t see the grave, it ain’t our rave.”
“There’s a lot of ownership from our community of the event itself and the Emo Nite brand,” Petracca says. “It’s about breaking down that barrier of ‘Look at me, it’s all about me.’ No, it’s about us, together, in this room. It belongs to every single person that comes through the door.”
The co-founders continue to look ahead. “Emo Nite definitely impacted culture,” Freed notes. “But we have no plans to stop changing the way we view the evolution and expansion of the genre.”

Margo Price w/ Dillon Warnek
2025-11-08 19:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
Nearly a decade ago, Margo Price turned Nashville on its head with her breakthrough,
beloved debut solo album, Midwest Farmer’s Daughter. Released in the throes of bro-country and
before pop stars were crossing over into the genre left and right, it showcased an artist completely
unafraid to double down not only on herself, but what she’d always loved: classic country songs
written from the intellect and the gut, hell-bent on truth-telling and both timeless and urgent all at
once. Respected by her peers, praised by critics and beloved by her fans, Price created a lane where
independent-minded, insurgent country music can exist and thrive alongside the mainstream, and
became an ardent fighter for her beliefs in a genre where the norm is to shut up and sing. A
trailblazer and a champion for the craft, Price redefined what it meant to be a modern country
artist.
And now she’s back with an exquisite, truly timeless album that reconnects with her roots
and pays tribute to the art of the country song, inspired in part by the legends whom she now calls
colleagues and friends. Hard Headed Woman is both a look forward and a look back: a way to
march forward while staying true to yourself when the path of less resistance is right there in front
of us, and short cuts are around every corner. And a way to look back when we need to trim what
is no longer working, and to stay connected with where we’re from. It is a promise and a manifesto,
a love song to both a city and a genre, and a defiant cry for individuality.
In creating Hard Headed Woman, Price brought all of her power as one of our most
beloved and respected songwriters to craft a deep exploration of love and America in a time of
unprecedented uncertainty. Featuring appearances from Tyler Childers, co-writes with Rodney
Crowell and a Waylon Jennings song that his widow, Jessi Colter, urged her to sing, it is country
music as only Price can make it: free of rules, cherishing tradition, hard headed to the core but
with a delicate, beating heart.
Since releasing Midwest Farmer’s Daughter, Price has barely slowed down. She’s made
four records, played Saturday Night Live, been nominated for a Grammy, toured the world
alongside artists like Chris Stapleton and Willie Nelson, released a lauded memoir (Maybe We’ll
Make It, due on paperback September 2nd), became an in-demand producer and was appointed as
the first female board member of Nelson’s Farm Aid. And she’s been fearless when it came to
genre, venturing into psychedelic rock on her most recent, Jonathan Wilson-produced record,
Strays. It would have been easiest to just stay that course, and keep running. But Price doesn’t
follow success or comfort. She follows the art.
It took a whole lot of hard work and honesty with herself and others to get there, but that’s
never stopped Price before. “I made the decision that I had to rebuild everything from the ground
up,” Price says. “There’s all this pressure to be pumping out content, and I felt the opposite in the
way I wanted to approach this record and my life in general.”
Price had also established herself as one of the most passionate, vocal artists in country
music and beyond when it came to standing up for political and personal causes, from the
presidential election, to abortion to gun control: happily hard headed when it came to the fight for
equality and justice, especially for the working class and underserved in our society. Price has
always brilliantly woven her activism into her songs, but her role as a spokesperson had started to
overtake, on occasion, her role as a songwriter. She wanted to focus on using her written word to
deliver the most potent punch of all.
“I always hope to do like Johnny Cash did,” Price says, “which is speak up for the common
man and woman. But there have been so many threats and anger and vitriol over the years, when
I am only coming from a place of love.”
Price realized she just needed a break from everything outside of the bubble of family life
and her art. She started spending more time at home, writing songs alone and with her husband,
Jeremey Ivey. She started popping up in the dive bars and tiny venues around Nashville where she
got her start, sometimes just to play a country cover or two or dance with the crowd. She refused
guidance to write for pop stars or compromise her values for a quick buck. Most of all, she turned
the emphasis in her music back to songwriting, exactly where she began.
“So much of Strays was leaning into this psychedelic, textural territory,” says Price. The
music lent itself to vibrant, heavy stage jams, with Price often hopping behind the drumkit and
bruising her thigh from a tambourine beat. She found herself longing for the days when it was just
her and her guitar, playing at an East Nashville dive bar. “I always knew,” she adds, “I would come
back to this more rooted sound.”
Hard Headed Woman is rooted to its core. Rooted in Price’s history and struggle to make
it as a musician for so many years in a town that prizes uniformity and the bottom line, rooted in
the country and folk sounds that have become her signature, rooted in the simplicity of a few key
collaborators instead of songs-by-committee. At the heart of Price’s work is her creative
partnership with Ivey, with whom she describes as having a “soul connection.” “I’m a songwriter,”
Price says. “I’m not somebody who goes out and needs five people to craft a song, and then tack
my name on it. That’s never been my style. I have something to say.”
Something to say, nothing to prove. The first song they wrote for the album that would
become Hard Headed Woman was “Close to You,” a simple, pining call for a lover that is infused
with the sounds of the desert. It’s unfettered and truth-telling, accented by some flamenco guitar
and Price’s gorgeous, urgent vocals. “We played the jukebox while democracy fell,” Price sings,
never letting her songs fall out of the context in which they exist. It’s the kind of thing that only
she could write, carrying both love and fear in one single line.
As more songs started to form, an early boost of confidence came from her friends Rodney
Crowell and Emmylou Harris, who heard some of the work at a political fundraiser and encouraged
Price to keep going. “I have both of them to thank for building me up and making me believe in
the songs I am writing in this season of my life,” Price says. Crowell remained not only an
inspiration and supporter of the album but a contributor: he co-wrote two songs with Price and
Ivey.
The album that unfolded from there is drenched in Price’s unique story and unshakeable
instincts: while Midwest Farmer’s Daughter was about her journey from childhood to Nashville,
Hard Headed Woman is very much her battle since from dive bars to tour buses, through
parenthood and marriage, through scrutiny and sacrifice all while fighting constantly for what she
believes in, and the music she loves. It begins with a proclamation on the prelude, which serves as
the album’s mission statement: or, Price puts it, “a disclaimer and reminder that I don’t owe you
fucking shit.”
Songs like the album’s lead single, “Don’t Let the Bastards Get you Down,” speak for the
downtrodden and the forgotten, an “anthem for people who are being overlooked in society and
need to be lifted up,” Price says, “because we are up against so much right now.” As so many of
Price’s songs do, it speaks both for the personal and the political all at once. Price was inspired by
the message Kris Kristofferson whispered to Sinead O’Connor when she was booed on stage at a
Bob Dylan 30th Anniversary show, and even got Kristofferson’s widow’s blessing to include his
name on the credits. “I always admired Kris for how he stood by her in that moment, instead of
pulling her off the stage like they told him,” Price says. It serves as a reminder to anyone who
encounters resistance in the face of fighting for justice to keep going, especially when it would be
so much easier to capitulate and cower.
“The song was originally written for a movie that never happened, but it feels so timely
with everything that’s going on in the world,” Price explains. “The phrase, ‘Don’t Let The Bastards
Get You Down’ originates from Margaret Atwood’s brilliant 1985 piece of literature, The
Handmaid’s Tale. It’s referred to in Latin and used as a rallying cry for resistance against the
oppressive regime that symbolizes resilience and hope in the face of adversity. Nolite te Bastardes
Caborundorum.”
That spirit resonates all across the songs of Hard Headed Woman. The blistering “Don’t
Wake Me Up” was based around some writings that Ivey stumbled upon in one of Price’s
notebooks, inspired in part by her deep readings of Frank Stanford, one of her favorite poets due
to his freewheeling work free of boundaries. They spun it all into song in minutes that chugs with
the essence of Dylan’s “Subterranean Homesick Blues”: “The way this world is going, ain’t where
I’m at,” Price howls in her powerful, unmistakable voice. “Nowhere is Where,” turns slow and
contemplative, road-worn but never broken, the call of someone who has been to the mountain but
never forgets the prairie below. And “Losing Streak” whirls in with an organ and out with a weary,
world-worn defiance: our worst times don’t define us, but they’re always part of who we are.
There are songs that go back to the beginning of Price’s early grind, like the western-tinged
“Wild at Heart,” reflecting on how much her life and the city of Nashville has changed over the
years – and how important it is to stay true to exactly who you are despite it all. Another, called
“Red Eye Flight,” is about both leaving a lover and also leaving her longtime band the Pricetags.
“I’ve been with those players for ten, thirteen years,” she says. “But I could feel that I needed to
make a change, and to change texturally what’s going on with the band. But it’s a familial bond,
different than a friendship.”
There are a few choice covers and cuts, too: “Love Me Like You Used To Do” is by Price’s
friend Steven Knudson, an unsung Nashville writer on whom she hopes to shine a spotlight
(helping to elevate the town’s incredibly talented but buried voices is one of Price’s favorite
pastimes). Friend Tyler Childers joins Price on that waltzing country ballad, while “I Just Don’t
Give a Damn” is Price’s “Jolene goes to Memphis” take on the Jimmy Peppers and George Jones
classic. And showcasing how Price has been trusted by the greats to lead the next generation of
country music renegades, “Kissin You Goodbye” was given to Price by Jessi Colter, Waylon
Jennings’ widow, when Price was producing her record. They’re songs chosen to appreciate the
past and the present as she sees it – not as Music Row or the algorithm might dictate – and place
Price squarely amongst her heroes as a living and breathing part of the new country tradition.
When it came time to record Hard Headed Woman, it was important for Price to keep that
ethos alive, decamping to Nashville’s RCA Studio A and reuniting with producer Matt Ross-
Spang, with whom she made her first two solo albums. Though she has worked with everyone
from Sturgill Simpson to Jonathan Wilson since, it was Spang’s vocal rebuke of easy studio
shortcuts that made her eager to reunite again. “He’s so unpretentious,” Price says. “He fully
believes in me, he fully believes in my songs. He got us back to feeling it in your gut and not
needing everything to be so perfect.”
It felt truly significant for Price to make the album in Nashville, a city where she’s lived
for over two decades and played a seminal role in its transformation, yet somehow never recorded
an album in the place she’s called home. The historic RCA Studio A helped connect Price even
closer to the legacy of songwriting she holds so dear, a place where everyone from Dolly Parton
to John Prine to Loretta Lynn have made albums. “It felt like there were ghosts and spirits just
hanging out,” Price says. In perfect kismet, she also launched her own signature Gibson J-45 guitar,
inspired by her 1960’s Gibson she’s had by her side for years as her career took off. It’s all part of
the continuity that she wishes to create with her art, not just with timeless songs but inspiring future
generations of women, mothers and artists in general who don’t want to sacrifice their vision,
moral compass or family life in favor of mainstream success.
At its core, Hard Headed Woman is about that furious instinct to never waver, especially
when ourselves, our values and our future is so clearly on the line. As she sings on the title track,
“I ain’t ashamed, I just am what I am.”
“I hope this album inspires people to be fearless and take chances and just be unabashedly
themselves,” Price says, “in a culture that tries as hard as it can to beat us into all being the same.”

Dillon Warnek
With the seal of approval of Nashville’s coolest couple Margo Price and Jeremy Ivey,
Dillon Warnek has emerged as one of Music City’s most skillful new songwriters, writing
with all the verve and attitude of Warren Zevon. Rolling Stone raved that his debut
album Now That It’s All Over was full of “wry character studies about con artists and
dead men.” That’s true: Warnek — a construction worker by day, piano balladeer at
night — revels in such tales. He immerses himself in reckless evenings of spending
other people’s money, in hazy mornings waking up in a strange woman’s trailer, and in
fantasies about keeling over with far too many secrets to reveal. Onstage, Warnek holds
court at his keyboard, mixing wry anecdotes in with his subversive lyricism. Some say
there are no good piano men like Randy Newman anymore. But they just haven’t seen
Dillon Warnek.

Kids Discovery Expo
2025-11-08 10:00 - 16:00 | Expo Idaho, 5610 North Glenwood Stree, Garden City, Idaho, 83714
The Kids Discovery Expo is a one-day family event with hands-on exhibits, bounce houses, virtual reality, a rock wall, and more. Designed for kids ages 2–12, the event features over 75 booths for play, learning, and shopping.
Hours
10a–4p
Admission
General: $5 per personFamily Pass: $20 (2 adults and up to 4 kids)Ages 2 and under: FreeMilitary and Veterans: Free with valid ID

Capital City Public Market
2025-11-08 10:00 - 14:00 | 11th & Myrtle, 422 S 11th Street, Boise
Celebrating 31 Years!
​
The Capital City Public Market began in 1994 with a small group of local vendors in downtown Boise. Fast forward 31 years, and we’re proud to host over 150 rotating vendors, each offering products made in Idaho by Idahoans.
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Our 2025 season kicks off on Saturday, April 19th, 2025! Join us every Saturday from 9:30am – 1:30pm through December 20th, 2025. Starting October 25th, our hours will change to 10:00am – 2:00pm.
​
Find us in downtown Boise at 422 S 11th Street, on the corner of 11th and Myrtle.
Shopping local supports Idahoans, their families, and our community!

Veterans Day Parade
2025-11-08 10:00 | Downtown Boise, 700 W Jefferson St, Boise, ID, 83702
This year’s parade commemorates the 50th anniversary of the end of the Vietnam War, recognizing the sacrifices and service of all U.S. Armed Forces veterans. The event features marching bands, floats, scout troops, civic organizations, and military units from across the Treasure Valley, all coming together to celebrate and reflect on the enduring value of military service to our nation.

Treasure Valley Flea Market
2025-11-08 09:00 - 17:00 | Expo Idaho, 5610 North Glenwood Stree, Garden City, Idaho, 83714
Out with the old…in with the older! Don’t miss your chance to say, “I found something” at the Treasure Valley Indoor Flea market at Expo Idaho.
Hours
Saturday: 9a–5p
Sunday: 10a–4p
Admission
Adults: $3
Seniors $2
Children 12 and under: FREE

Nampa Farmers Market
2025-11-08 09:00 - 13:00 | Lloyd Square Park, 1 14th Ave S, Nampa, ID, 83651
A Part of Downtown Nampa Since 1989
Every Saturday April through November
Rain or Shine
NEW SEASON. NEW HOURS.
9 AM to 1:30 PM in Lloyd Square Park
Voted Best Farmers Market In Idaho and Best in the Pacific!
Nampa Farmers Market Happenings
SOFT OPENING THIS WEEK!!!
We Gladly Accept EBT and Feature Double Up Food Bucks

Idaho Dream Wedding Expo
2025-11-08 - 2025-11-09 | Expo Idaho, 5610 North Glenwood Stree, Garden City, Idaho, 83714
Whether you’re starting out your planning journey or you just need that one last thing, this is the place to be! Brides and their guests can meet face-to-face with top wedding professionals who can’t wait to discuss your special day.
We invite you to join us at the Idaho Dream Wedding Expo! Bring your friends and family along as you discover the best products and services for your dream wedding!

Ariel Pink - With You Every Night Tour 2025
2025-11-07 19:30 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
DAVID STAGNO Guitar / Keys
SHAGS CHAMBERLAIN Bass
ALAN CONNOR Drums
ARIEL PINK Vocals
David, Shags and Alan were childhood friends. Alan loved Led Zeppelin, David loved Milli Vanilli, so they formed a band inspired by their love of Zeppelin and Milli Vanilli. Ariel audiMoned to sing last minute.

Skylimit
Out of Boise, ID, Skylimit has taken the path of Indie & Synth-pop music that contains dream-like lyrics, combined with energetic and uplifting instrumentals. Skylimit mirrors sounds of popular artists such as Owl City, Porter Robinson and Passion Pit.

Canopy

Canopy is a Boise-based artist/producer duo known for blending soulful grooves, warm textures, and feel-good rhythms. Made up of Tuc and Chili, their sound feels like golden hour: easy, inviting, and impossible not to vibe with. Whether you’re winding down or on the move, Canopy provides the perfect sonic backdrop.

Styx with special guest Loverboy
2025-11-07 19:30 | Ford Idaho Center
Styx
with special guest Loverboy
Ford Idaho Center Arena
Friday, November 7th, 2025

John Crist - Jokes for Humans
2025-11-07 19:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
John Crist is one of today’s fastest-rising stand-up comedians, earning more than one billion video views, more than 7.5 million fans on social media, and sold-out shows from coast to coast — continuously charting as one of Pollstar’s Top 10 Global Touring Comedians. John has sold out the majority of his 2025 U.S. ‘Jokes For Humans’ dates and continues to add multiple shows in select cities.
His latest comedy special John Crist: Emotional Support, released February 18, showcases his skills in delivering witty, pop culture commentary through clean humor. Filmed just six miles from his childhood home in Lilburn, GA, John Crist: Emotional Support sees the viral comedian diving into the ever-changing dynamics of growing up Christian in the 90s, navigating family group texts, mediating fights on the neighborhood Facebook page and more. In its first three weeks, the special earned more than 2.1 million stand-alone views, with social media clips surpassing 20 million views, as it continues to grow in viewership.
Crist’s latest comedy special follows a record touring year in 2024 and his 2023 special John Crist: Would Like To Release A Statement (available on YouTube), which amassed more than 3.9 million views and more than 200 million views across social media clips. In 2022, his independently-released special What Are We Doing? racked up more than 100 million views across platforms and is now available to stream on Hulu.
Crist’s Net Positive Podcast regularly charts on Spotify and Apple’s top podcast charts and is filmed in downtown Nashville. It has featured a variety of guests including Matt Rife, Leanne Morgan, Michael W. Smith, Creed Lead Singer Scott Stapp, David Crowder, Brett Cooper, Breland, Ernest, Trey Kennedy, Tyler Hubbard, Warren Zeiders, Chelcie Lynn (“Trailer Trash Tammy”), Michael Knowles, John Delony, Clay Travis, Jenn Johnson, Matt Walsh and more. In addition to being a co-host on ESPN’s SEC Network “SEC Gameday,” John has been seen on Good Morning America, SHERRI, ESPN, Sports Illustrated, CBS Sports, Barstool Sports, and Buzzfeed just to name a few. For more information, visit johncristcomedy.com.

Veteran's Day Potato Feed
2025-11-07 18:00 | Idaho

A Holiday Splendor Craft & Chocolate Affaire
2025-11-07 17:00 - 21:00 | Nampa Civic Center, 311 3rd Street South, Nampa, Idaho, 83651
A Holiday Splendor Craft & Chocolate Affaire

✨CRAFT & CHOCOLATE AFFAIRE✨
Nampa Civic Center
November 7 | 5:00 PM – 9:00 PM
November 8 | 9:00 AM – 4:00 PM
Kick off the holiday season at one of Nampa’s most beloved events! The Craft & Chocolate Affaire is back!
Shop Local & Unique
Explore a curated collection of over 100 local artisans and makers offering everything from handmade home décor and snuggly blankets to festive ornaments, pet apparel, wood carvings, pottery, paintings, jewelry, and more. It’s the perfect place to find one-of-a-kind gifts for everyone on your list (and maybe something special for yourself too).
Get a head start on your holiday shopping and support local makers while you’re at it! The Nampa Civic Center will be packed with over 100 amazing artisans—think cozy blankets, handmade ornaments, unique pet gear, pottery, paintings, jewelry, and so much more. Whether you’re on the hunt for that perfect gift or just want to browse, there’s something for everyone.
Every space—from the theater stage to backstage dressing rooms— are filled with incredible vendors and even more handcrafted goods and gift-worthy finds.
Admission is free and the memories are priceless.
Come for the crafts, stay for the chocolate—and leave with your holiday shopping done!

Returning to the Craft & Chocolate Affaire – A SCAVENGER HUNT!

Traverse the various vendor booths in search of the perfect holiday gifts while keeping a keen eye out for Christmas Candy! Successful hunters who find the 18 special pictures and get their booklet stamped at each booth to receive a special prize! Pick up and turn in your Scavenger Hunt card at the Nampa Civic Center booth.

The Cabin Readings & Conversations: Jill Lepore with Steve Inskeep
2025-11-07 16:00 | Morrison Center, 2201 West Cesar Chavez Lane, Boise, Idaho, 83725
Join renowned historian and bestselling author Jill Lepore in conversation with NPR’s Steve Inskeep for an evening of thought-provoking dialogue on democracy, journalism, and the evolving story of the U.S. Constitution. This event, part of The Cabin’s 2025–26 Readings & Conversations series, centers around Lepore’s forthcoming book We the People, a compelling new history of the Constitution for our current era.
Lepore, a Harvard professor and staff writer at The New Yorker, brings her signature insight and depth to the conversation, while Inskeep, host of NPR’s Morning Edition and Up First, adds his journalistic perspective shaped by years of global reporting.
Expect a rich exploration of civic life, historical context, and the challenges facing American democracy today.

Local Metal Showcase
2025-11-06 19:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Local Metal Showcase
Knitting Factory – Boise
416 S. 9th St. – Boise, ID 83702
ThuNovember 67:00 pm(Doors: 6:30 pm)
All Ages

Backcountry Film Festival 2025
2025-11-06 17:30 - 19:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
Adventure, deep powder and storytelling await. Join Winter Wildlands Alliance for their 21st Annual Backcountry Film Festival Premiere at Treefort Music Hall, featuring human-powered winter films, festival games, giveaways, live music, drinks, and more. Grab your friends and your tickets, and get ready to celebrate winter!
All proceeds support Winter Wildlands Alliance, a nonprofit organization working to empower and inspire people to protect America’s wild snowscapes.
Doors at 5:30pm, Films at 7:00pm

The Black Jacket Symphony presents: AC/DC “Back in Black”
2025-11-04 19:30 | Nampa Civic Center, 311 3rd Street South, Nampa, Idaho, 83651
Remember putting on an album and listening from start to finish? Relive that moment with a live concert experience unlike any other as The Black Jacket Symphony recreates AC/DC’s iconic album Back in Black live in its entirety—note for note, sound for sound—plus a full set of AC/DC’s greatest hits. Over the past ten years, the Black Jacket Symphony has performed over 40 classic rock albums, bringing an incredible night of entertainment to over a million music lovers across the US. The group of hand-picked musicians, changes based upon the album being performed—and no sonic detail is overlooked, with the musicians doing whatever it takes to reproduce the album. It’s a full night of rock and roll magic—plus a visual experience unlike any other. Fans across the country flock to their shows—and once you see one, you won’t miss another.
Don’t let the name fool you…known for their incredible live recreations of some of classic rock’s greatest albums, The Black Jacket Symphony is bringing AC/DC’s iconic album Back in Black to life. It’s a full rock-and-roll experience! Black jackets for them, blue jeans for you.

Santa Photos at Cabela’s
2025-11-02 - 2025-12-24 | Cabela’s, 8109 W Franklin Rd, Boise, ID
Choose your free photo appointment with Santa
Appointments are available 1 week from the current day. All new appointments are released at 12:01 AM for the next available day. If all slots show UNAVAILABLE this means all bookings have been reserved for those dates and times. Please try again later.
Please note: Each appointment slot is part of a 15-minute timeframe, and your family’s special 2-minute moment will fit right in. Our efficient scheduling ensures a personal touch during this festive season. Please arrive on time to enjoy every moment.

It's A 2000s (Halloween) Party
2025-11-01 21:00 | Knitting Factory, 416 S 9th St, Boise, Idaho, 83702
Experience a nostalgic blast from the past at “It’s A 2000s Party,” coming to ‘Boise’ on ‘November 1st’. This electrifying event celebrates the iconic 2000s era, featuring the decade’s biggest hits across pop, hip-hop, and rock genres. Embrace the Y2K fashion and culture as you dance the night away to tunes from Britney Spears, Eminem, and more. Don’t miss this chance to relive the unforgettable 2000s vibes in a night filled with music, style, and nostalgia. Get your tickets now for an unforgettable journey back to the early 2000s!
Please note: Tier refers to price level only. All tickets are general admission.

Sir Chloe w/ Venus & the Flytraps
2025-11-01 20:00 | Treefort Music Hall, 722 W. Broad Street, Boise, ID, 83702, United States
Sir Chloe is the moniker of the musician and artist Dana Foote. She has been known to blend grungy guitar hooks, sharp pop instincts, and a distinctive, emotionally raw vocal style. Sir Chloe draws influence primarily from funeral dirges and early Gregorian chants, channeling artists like PJ Harvey, David Byrne, and Radiohead. Foote shirked her government name and adopted the moniker Sir Chloe in 2017. Her stage presence has been compared to the likes of a “disheveled businessman after a long day,” and a “drunk uncle.” Her debut EP Party Favors (2020) has garnered nearly a billion streams and multiple gold records. The music is taut and emotionally charged, sitting between mainstream ambition and experimental edge.
