Dorothy w/ Eddie and the Getaway

Light glimmers even in the midst of the darkest night.

Projecting a full-bodied voice with every inch of her being, Dorothy Martin kindles this spark of hope into a flame as bright as the sun itself. The Budapest, Hungary-born maverick singer, songwriter, performer, and frontwoman of the Los Angeles-based eponymous band DOROTHY brings gusto, grit, and glory back to hard rock, exuding superstar-size confidence coupled with the quiet resolve of an old school Western anti-hero. She has unassumingly blazed her own trail with sold out tours, major collaborations, and over 1 billion streams already in the rearview.

However, her vision really catches fire on the group’s fourth full-length album, The Way [Roc Nation].

“This album is a love letter to the fans,” she says. “I’m letting them know everything is going to be okay, and we’ll help each other find the way—even if we get lost at times.”

DOROTHY arrived with the force of a hurricane back in 2016, serving up the full-length debut ROCKISDEAD. Surging on DSPs, “Raise Hell” reeled in over 85 million Spotify streams followed by “Wicked Ones” with 77 million Spotify streams. The band organically attracted a diehard global fanbase with 28 Day in the Valley [2018] and Gifts From The Holy Ghost [2022]. KERRANG! hailed the latter as “a hot-blooded rock ‘n’ roll record through and through,” and RIFF raved, “Holy Ghost serves as a triumphant battle cry and a return to form.” Perhaps, Outburn put it best, “it’s her most bombastic and gloriously, victorious rock and roll work yet.” Simultaneously, the singer took flight as the rare dynamo equally at home on a track with Slash and Nita Strauss of Alice Cooper or Staind and Scott Stapp of Creed. She even notably dueted with Stapp at the Grand Ole Opry.

Over the course of 2024, she carefully architected what would become The Way alongside songwriter and producer Scott Stevens [Halestorm, Shinedown, Daughtry]. Expanding the creative palette, they leaned into heavier rock spiked with a healthy helping of Southern swagger and country-style storytelling.

“We kept going in a harder direction, but we dug into the Southern rock flavor more as well,” she affirms. “I basically asked, ‘If I was a heavy metal cowgirl who made music, what would it sound like?’ I love everything from Nirvana, Audioslave, and Red Hot Chili Peppers to Motown, soul, gospel, and Creedence Clearwater Revival.  We definitely revisited our roots, and it was naturally heavier—which is Scott’s wheelhouse.”

They kicked this chapter into high gear by slinging “MUD.” Beyond amassing over 1 million streams right out of the gate, Loudwire attested, “The singer is known for her powerful vocals, but you’ve definitely never heard them like this before.” On its heels, the seismic “The Devil I Know” only maintained this momentum.

The single “Tombstone Town” [feat. Slash] pops off as a countrified rock ‘n’ roll barnburner without comparison. Punctuated by hooting, hollering, and the click of a six-shooter, stomping claps usher a rollicking riff towards a climactic chorus, “I’ll put you in the ground, I’ll take you down to Tombstone Town.” Slash pulls up with a fret-burning lead, closing out this anthem in epic fashion.

“It’s like a diary entry of a real experience,” she reveals. “It was my way of sorting out frustrations. Musically, it’s a rule-breaking song. It’s not necessarily hard rock, country, or pop. It’s about a bad relationship and getting revenge. Slash is the most humble, cool, and down-to-earth guy. I was honored he said, ‘Yes’.”

Echoes of strings murmur beneath her steeple-size delivery on the opener “I Come Alive.” Dorothy’s gospel harmonies practically register on the Richter scale, giving way to a trudging guitar groove. It culminates on an empowering refrain, “I adrenalize when it’s do or die, I come alive.”

“It’s about when we’re challenged and under pressure, we can really surprise ourselves and show up,” she notes. “Hit me twice, and I’ll keep getting back up. I thrive as soon as it gets tough. It’s my, ‘I feel like a badass today’ song.”

That spirit underscores a similarly unbreakable and undeniable message on “Bones” where she warns, “I’m never giving in, it isn’t in my bones.”

“To me, it conjures southern gothic imagery,” she elaborates. “It’s about the past and all of the mistakes and shame being washed away, getting to come back, and start new. It’s both vulnerable and heavy.”

Then, there’s “Haunted House.” A simmering drum groove anchors the track as her confessional lyrics hit hard, “I poured whiskey on my demons, but they ain’t drowning, I need Jesus.”

“It definitely deals with your self-destructive side and crying out for help,” she notes. “If you get stuck in your head and you feel defeated, your brain tells you scary things.”

This ride concludes with the piano-driven title track “The Way.” Acoustic guitar brushes up against her pensive musings, “In the darkness, find a light, till we smile and say goodnight. Reach out my hand to you today, I might need you just the same. It’s alright to be afraid. We’ll help each other find the way.”

“I’m a born again Christian,” she states. “I got saved in Rehab. I started reading the Bible, and I was studying the story of Saul in the Book of Acts, “The Road to Damascus,” when he got struck blind. The words ‘The Way’ jumped off the page. If I can plant little seeds in my songs to foster hope and encourage our fans, I feel like I’m doing my job. That’s what this whole record is about.”

In the end, that’s why the music will make an impact.

“I’m just a woman who likes to write songs and wants to make the world a better place,” she leaves off.  “We put everything we could into this album, and I’m so proud of it. I’m excited to share it.”